Conveying The Individuality And Essence Of Fashion Design With Fabrics
The fabric has never been riches and diversity. Nowadays, most of the garments design starts with the design and collocation of fabrics, and designs according to the fabric's texture, handle and pattern characteristics. The appropriate fabric design plan is the key to clothing design. Whether it's minimalism or decorating, or designer's design, designers understand that choosing the right fabric and communicating the beauty of the fabric through the beauty of the fabric is very important. We should give full play to the characteristics and plasticity of materials, create special texture and details, so as to illustrate the individuality spirit and the most essential beauty of clothing.
Whenever a brand-new clothing material comes out, it promotes the renewal and development of clothing. In recent years, the development of clothing materials is obvious. Some natural fiber materials have improved their properties, such as full cotton anti wrinkle, wool washing machine, non fading silk, flax soft handle, some new technology and new materials, such as flame retardant technology, high-tech waterproof breathable fabric, all kinds of new composite textile materials, anti-static dust removal fabric, various coating technology fabrics... The new materials and new products brought by modern technology have greatly enhanced the function of modern clothing and brought a new look.
Parker Rana, the French designer known as "heavy metal master", is recognized as the most thorough material innovator. In 1966, he began to design and display his original works. He chose the fabric in an informal manner, especially the various metal materials in his hands. His armour like metal clothing, with crystal beads, glass paper, pebbles, buttons, records, tiles, plastic sheets and other decorative ostrich hair, created a beautiful and wonderful image.
Mary McFadden is a famous fashion designer in the United States. He is also an archaeologist and collector. She spared no effort to pursue novelty in fabric design. She won the "Oscar prize" in the US fashion design industry twice in 1976 and 1978. The most striking part of her design career was the special fabric made in 1975. This dynamic and stereoscopic pleat fabric is immersed in a kind of organic resin with plain cotton or polyester cotton blended water cloth. It is formed by high temperature drying and hot pressing, forming a dense and natural pleated copper pattern. This kind of pleated fabric will not deform after a long time of wearing and washing. The garment made of this fabric is very three-dimensional and sculptural.
Jenny Versace, a famous designer in Italy, is more specialized in the comprehensive use of fabrics. He can combine leather, silk, lace, and twill, which are seemingly unsuitable for the wind and horses, and create unexpected results. As he himself said, "I first combine rough cloth with gold and silver thread fabric, leather and fabric." And in terms of patterns, he blended the completely different artistic styles as he pleased. From ancient totem to Renaissance pattern, from Baroque romance to futuristic and handsome, the numerous patterns and shapes are mixed by the latter carelessly and show their unique personality. His comment is: "my inspiration is not from academic research, but from intuition. I always look ahead, even classical means modern to me.
Lssey Miyake, a Japanese designer known as "fabric magician", is also an expert in fabric innovation. He pays special attention to fabric selection in his design. His fabric texture must be fresh and distinctive. Taking full advantage of the fabric characteristics, the high-grade women's garments and ready-made garments have always been smooth and smooth. The materials made of various materials, even paper, rubber, plastic and other industrial materials, have also inspired him to create a variety of texture effects. Life is the most direct impression of Lssey Miyake. This pleats are different from the pleats of pleated skirts we usually see. The raw material of this pleat is polyester. When the machine is plucked, it is necessary to adjust the cut and crease directly according to the human body curve or shape, rather than the cut pieces cut from a large piece of pleat cloth that we usually see. This kind of clothing itself presents a clear geometric figure like sculpture, and when it wears, it forms the beauty of fluctuating rhythm with every movement of the body. He said, "clothes should be seen not only from the outside, but also from the inside." Therefore, he has to design clothes only after fully understanding the properties of a fabric. He experimentation with all the materials that can be used as material for fabric design, and even personally spinning and weaving. He often goes deep into textile mills or workshops to get inspiration and inspiration from semi finished products, even defective products and waste products. Lssey Miyake's Japanese colleague, Chuan Jiu Bao Ling, is also very good at using fabrics. In his design, he often concentrates 70% of his energy on the texture of fabrics. Even in the international fashion world, KENZO also designs fabrics for his own clothes.
It's like a futurist, like a futurist, a model on the T stage wearing a face mask and dancing lightly, rather a bit of self mockery of synthetic material clothing. In 2001, the series 100 women's clothing designed by Paul and Harvey was made of super light nylon single filament yarn, and the clothes were very small. When wearing the single piece, the fibers were like the skeleton of the clothes. The layers of different colors of clothes could be riched in color when they were stacked. The latex materials commonly used for making condoms and cleaning gloves were made into latex garments in the works of "fresh 1998-2000 years", which can perfectly match the outline of the human body as well as skin. There are numerous examples of the spanformation and application of clothing materials by foreign fashion designers. The famous designer Pierre Cardin designed vinyl mini skirts in 1968, and the red banquet designed by Walter van DAL in 1998.
It is not difficult to see that in the course of garment development, a large number of excellent fashion designers have made a deep study of fabrics. These designers have skillfully used fabrics to create wonderful clothing effects.
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