Photographers Prepare For Fashion Week Secrets
How did they take the best pictures in the days when everyone had iPhone?
And the cost of good photos (Mr. Newton was pushed over the Paris fashion week last year), and the biggest goal of the season: old brand.
Tide man
Taylor Tomasi Hill and Joanna Hillman, and the discovery of new faces.
Joy
。
Scott Schuman of The Sartorialist
Shooting goal: "
grace
"
The target is "Robert Rabensteiner is a nice guy and wears great clothes."
Fashion week's experience: "fashion week is an exciting and fast-paced moment, but the real tense moment for me is the moment of finding a good movie any day."
For the idea of dressing up for a mirror, "this is a two-way street.
Some people like to spend their efforts in modeling, and others do not like it, no matter because they do not like being focused or interested. They even tend to be more low-key than usual.
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Jason Jean of Citizen Couture
Shooting goal: "anything and all the things that attract my eyeballs".
The object I want to take is: "I have a list of editors / stylists / models to be taken, such as Kate Lanphear, Taylor Tomasi Hill, Joanna Hillman, Shala Monroque and Frida Gustavsson.
The list will be longer and longer, especially when I go to other fashion week. "
The most embarrassing situation: "when I shot Ulyana Sergeenko, I waved to a man behind her to avoid him.
He didn't understand English, thought I was going to shoot him, and he posed for me.
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Shooting goal: "attitude and character.
I also like beautiful hats.
The target: "discover new trends.
(Fashion Week) is like a stage -- everyone is performing.
Fashion week's photo experience: "there really is a Fashion Week Street pat" business.
Every month, every day is the same group of people, very concerned about being photographed.
Brands provide them with new seasonal products because they know they have exposure.
It also means less fashion spontaneity and surprise.
Fashion week is quite different from ordinary street pat.
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