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    Swan Elegant "Good Hanger"

    2011/10/22 10:25:00 26

    Her neck will always be Swan A gesture of stretching. Even a silhouette, or Silhouette Her body is also expressive. The most successful between 1930 and 1950s Photographer She was photographed. And she married one of them, Irving Penn.

      

     


    Lisa Fonssagrives

    Lisa Fonssagrives stands on the top of the Eiffel Tower, wearing a Lucien Lelong lattice striped dress, without any safety protection measures, with an eclosion gesture spread over Paris. This photo was imitated by countless photographers in the future. Lisa's line of lines and graceful and slender arms and stretches were completely forgotten. This is actually a dangerous and stressful shot. But in the memory of the scene, the voice of the model himself was very unusual. Although her name is very important to the visual history of that era, she even described herself as "a good coat hanger".


    The significance of Lisa Fonssagrives to fashion history is much more than playing a "good coat hanger". Her full name is Lisa Fonssagrives-Penn, whose name also reveals her two marriages. Fernand Fonssagrives was her first husband, who married in Paris in 1935. Before that, all two were private dance teachers.


    Lisa was born in Sweden, and her parents loved art. Her childhood lived around the museum with her parents traveling around Europe. Later, her parents sent her to a comprehensive art school in Berlin, where she taught pure art and art related courses while she majored in dance. After learning, she returned to Stockholm to teach. Later, under the guidance of a famous Swedish dance director, she went to Paris and was taught by a Russian ballet teacher. This made her a ballet dancer outside the modern dancers.


    One day, in the elevator room of his apartment, Lisa met with a photographer working for a number of high fashion houses and fashion magazines in Paris. The other party invited her to take a group of fashion films with hat. Later, her husband recommended the photos to Vogue magazine. At that time, fashion magazines did not have a standardized process of photography and publication. Photographers are free to create, and magazines can choose to publish them according to their needs. That's how Lisa first appeared in fashion magazines.


    Although beautiful and elegant, with excellent posture and lines, Lisa, who first touched fashion magazines, suddenly lost confidence. Vogue arranged for her to test Horst P. Horst, one of the most famous photographers of that era. Lisa recalled that she was wearing simple clothes and did not know where to put it.


    If everything is simply photographed, Lisa will not have any successes. She is very strict with photography. In order to show the proper style of her clothes, she carefully observed the women in Paris, and studied the status of all kinds of clothes on different people. Then he practiced himself in front of the mirror in the way of dancers until he reached the right state. She even began to learn photography, learning how to use light to study what effect her face will produce under different light. {page_break}


    Lisa appeared most frequently in magazines from 1930 to 1950s. The most photographers of the same era, such as Horst P. Horst, George Hoyningen Huene, Richard Avedon, Irving Penn, all photographed her. The "good hangers" of that era were more than one of her. But under the lens of the photographers, Lisa always wears a neck like a swan. Even with a silhouette or figure, her body is expressive. Even her hands have superb acting skills. She has photographed many fashion portraits of black gloves, and even photographed with simple hands. In that group of works, light passes through the transparent glass and Lisa's hands appear in the picture, like a swan gliding on the water, dancing in a faint, fragile and poetic manner. However, elegance is not the whole of the Lisa Fonssagrives style. The Eiffel Tower fashion photos of the later generations show her strength and control ability, and she is young and straightforward in the sunshine. These will not be directly presented in the picture, but through the gentle relaxation of the skirt, the sudden tense state of the arm muscles, and the expression of a tight sense of power and a wonderful rhythm. It can be seen that outstanding fashion photography is not just empty beauty, but behind it there is a spiritual space that combines many factors to create emotional response.

    Lisa Fonssagrives's breathtaking blockbuster at the top of Eiffel Tower.

    Many outstanding works of Lisa Fonssagrives have been filmed by the second husband, Irving Penn. When she met with Irving, she was already a successful model, and after she finished her first marriage, she became the wife of Irving Penn. This is the legendary combination of the film masters and Mousika. Lisa has been active in the covers and pages of magazines such as Vogue, Happer s Bazaar, Vanity Fair, Town Country and Life, and her model career lasted until she was 40 years old. In the middle of 1950s, Lisa began to try to design clothes. Her works were used in her husband's commercials and some private customization. She later became a full-time designer of Lord and Taylor, which lasted for six years.


    Besides the fashion designer, Lisa also tried to learn painting and created sculpture in her studio. She even became an excellent artist. When she died at the age of 80, her son and daughter had their place in the art and design industry. "I am a good hanger". When I say this sentence from Lisa Fonssagrives, the implication is worth pondering. You can see this as a self deprecating expression, but this metaphor is quite appropriate.
     

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