She Nationality Dress With Red Green Color

the She ethnic group

"Broad collar small sleeves" Wei blue: "she custom", thirty-two years of Qing Guangxu (1860) "short coat cloth belt, skirt does not cover the knee" Fu Heng: "emperor Qing Gong Gong map" volume three, Qing Qianlong sixteen years (1751).

"Learning without foot binding" (Yu Shaosong's "Longyou County Chronicles" Volume 2, "geography examination 5 customs").

Hairstyles vary from region to region, whether they are married or not, or "high bun" (Lv Weiying, "Hou Guan County Local Records" volume five, "human") or "bun bun", Li Pu's "ting Zhou Fu Zhi" or "broken bamboo as the crown, wrapped in cloth, cloth spotted, decorated with beads, beads are numerous, all are five color beads" Zhou Jie "Jingning County Chronicles".

Wu Yao Yao of Fujian Yongding, "three Yao Qu" praised her female Feng Cai: "every family's new grass beads are light.

It is not used to the world of Shi Da Dai, the bright eyes and the white teeth of Ren Tiansheng "(Yang Lan," Ting Ting Hui Hui "volume three)," custom test 5 She people attached ".

Nowadays, the clothing of the women and men is basically the same as that of the local Han people.

However, there are still certain ethnic groups in the clothing of She nationality in Fujian and Zhejiang provinces whose population is relatively concentrated.

It is popular in Minhou, Fuzhou, Gutian, Lianjiang, Luoyuan and Ningde road.

Most of the creation creations of She nationality are native born working women.

They make clothing accessories for their own use without being restricted by commodity demand.

In design and production, they can do whatever they want.

The combination of embroidery or weaving and embroidery is the starting point of all the techniques, so that these patterns are colorful and colorful, showing distinct national artistic characteristics.

The content and style of dress patterns are often free and unconventional.

They stitch the flowers and plants in the mountains, birds in the forest, clouds in the sky, rainbows after the rain, and sew them on clothes and skirts.

This simple artistic emotion originates from life, so that the patterns of dress and pattern painted in their hands are full of vitality.

The costume patterns of She nationality are mostly drawn from various vivid images in daily life.

Such as birds and beasts, flowers, birds, insects, fish, farmhouses, horses and horses, and traditional geometric patterns, such as 10000 words, cloud heads, cloud hooks, floating dragons, leaf patterns, etc.

Some are arranged in words and patterns.

There are primitive forms and regular script in the form of characters, and some old auspicious words are used, such as "five worlds", "three yuan and the first", and "making money into treasure".

For example, the square pattern symbolizing farmland, the colored stripes symbolizing the river, and the cross pattern symbolizing the trees are preserved as a relatively regular pattern.

What the creators are concerned about is the harmony between human and art symbols.

No matter how the shape changes, as long as the concept is fully reflected in the image, it is the most ideal paradigm.

It does not discuss the imitation relationship between art and objects at all. It also disregards the use of human concepts to break the natural form provided to the arts. All existing objects can be regarded as the object of spiritual needs in the material activities of laborers.

Therefore, the design pattern does not take the light and shadow as the main way of expression, but uses the traditional Chinese line drawing or near line drawing style, and takes the single line as the pattern contour modelling method.

{page_break} girls are very good at catching the main characteristics of an image, displaying the most dynamic features in a similar way of silhouette.

But when they make patterns, they are not satisfied with a specific specific image, but on the basis of realism, use the techniques of deletion, addition, exaggeration and distortion to make the image more idealized.

They often rely on different points, lengths, lines, sizes, and specious forms, so that they can be changed and harmoniously combined in one pattern.

After creating the ideal image, women strive to pursue the rich and colorful colors.

The She people advocate black and blue, and dress in black and blue as the keynote.

On the basis of black and blue, some add some colorful lace or scarf, waist and so on.

The rainbow style flower collar of the women of the She nationality is made up of five broad blue, red, white, green, black cloth rings or colored satin, and some color sleeves are mainly red, yellow, green, blue and purple.

In short, it is designed in the color mode of rainbow.

It also contains certain symbolic meanings, such as blue represents the sky, green represents grass, red represents the sun, and so on.

The rainbow style flowers of the She nationality are colorful, harmonious and beautiful, but there are different ways of expression in different places.

She nationality in Fu'an and Ningde, Fujian Province, embroidered black patterns on the blue-green jacket, embroidered red, yellow and big green teeth on the collar, and placed a three or four point wide red cloth along the side seam of the dress.

The clothing of the women of the She nationality in the Fuding area is more beautiful. The top of the coat is mainly red with red peach, plus other color lines. The pattern of needlework is large and the flowers are large.

There are two branches on the lower end of the collar and on the cuffs. Yang Meihua has many colors, such as water, red, water and green, and embroidery.

The coloured edges of the cuffs are red, green and strong.

The clothes of the women of Luoyuan She nationality are all concentrated on the collar. They are arranged in red and yellow, blue, green, water green, black and other colors.

Embroidering some rough natural patterns on the bottom of the upper collar, mostly red and yellow.

The pattern of the skirt is characterized by a large cloud head pattern and fringe fringe patterns.

The color combination of she clothing is mainly red green.

"Red green, flower clusters", they call it Phoenix makeup or cock dress, self considered to imitate the beautiful feather of the cock.

In short, they are very good at choosing a variety of strong contrast colors, but in terms of color arrangement, they often do not make large area contrast, but use fine and uniform small area contrast to make the color rich and harmonious.

At the same time, the mottling and changing color spots are unified with very deep or very shallow background and striking and powerful contour lines.

This method of coloring can make the colors more colorful but not more colorful.

Even a very prominent block color can be melted into the whole tone instead of moving away from the screen.

Although there are changes in density and dispersion of patterns, compared with the composition of paintings, it does not emphasize the theme, and does not emphasize the change of the relationship between the master and the subordinate.

Most patterns are based on the composition of the ground floor flower to suit the requirements of the overall sense of clothing.

Sometimes it is necessary to pick dozens of patterns in a piece of embroidery, freely and irregularly combined into a main pattern, or flowers in flowers, or flowers combined with birds or insects, or several birds sharing one wing.

This ingenious conception shows their intelligence and dexterity.

They use different formats according to different decorative parts.

Generally speaking, symmetrical or balanced structure, radiation layout, and the echoes of flower and flower are all used repeatedly and widely in the composition of patterns, thus showing the unique artistic strength of dress patterns.

These patterns not only beautify the costumes, but also have profound implications. Their techniques can be roughly summed up into three kinds: homophonic, symbolic and symbolic.

Homophonic, that is, borrowed words, such as mandarin ducks spouses, five FU (BAT) holding longevity.

It means to borrow something or a group of pictures to describe beautiful things, such as four things.

Some patterns are homophonic and implied in expression, such as longevity and happiness.

The concept of folk art creation is the unity of individual consciousness and collective consciousness. Collective consciousness is a collective mentality that has been inherited for a long time. It penetrated to the object historically through the practical activities of the main body, so that the objective objects related to the vital interests of human beings are gradually fixed as a substitute for ideas and become specific symbols, such as the Ruyi head embroidered on shoes.

The dress pattern of She nationality contains the essence of artistic creation of the masses of people for thousands of years. It has very high artistic value and profound cultural connotation, and its content is very rich.

The most amazing thing is that these ordinary working women not only use wooden looms and weave coarse cotton cloth, but also use simple tools and materials such as needles, strings, and small wax knives to add countless fine works of art to the treasures of human art over the long years, which is indeed worth cherishing forever.

She men usually wear colored linen round necktie, big skirt and short trousers.

Winter cotton padded trousers without trousers.

Elderly men's black cloth headscarf and outer cover.

The wedding dress is a blue gown, and a red gown is worn at the time of ancestor worship.

The dress of the women of the She nationality is characterized by its "Phoenix dress" which symbolizes all the best things. It is embroidered with various colored patterns on the dress and apron, with gold thread and silver thread, and a high head with a red head tied on the top, and a tinkling silverware all over the body.

She likes blue and green best, and red, yellow and black are also popular.

The costumes and stripes are arranged orderly and clearly arranged, and some red and yellow patterns are often embroidered on the collar.

The costume features of She nationality are mainly reflected in the dress of women, called Phoenix dress.

{page_break} she women's costumes are unique, mostly made of self woven ramie cloth. They are black and blue, and black is the most common. The dress is right cardigan, and the collar, cuffs, and right buttons are decorated with colorful lace. Generally speaking, the flowers with many flowers and wide sides are the clothing of young and middle-aged women.

They were each wearing an apron of one foot wide, with a flower belt around their waist, also called a hand towel band, four centimeters wide and a metre long, with decorative patterns on it, and auspicious sentences embroidered with "one hundred years of good luck" and "five generations".

The other is made of blue calico, and it doesn't have any style.

Clothes and aprons are embroidered with flowers, birds, animals and geometric patterns. They are colorful and very beautiful.

In other parts of the world, women in some areas are wearing black skirts and embroidered shoes with spikes and spikes; some like to wear a skirt, and skirts and feet are embroidered with lace around, embroidered with white clouds in the middle.

The jewelry of she women is called "gie". She used to wear it when she was married. After that, she wore it when she went out or on holiday.

Dress up as the back of the head bun, hair around the black crepe, around the top of the silver foil wrapped bamboo tube (about an inch in diameter, about three inches long, the rich are all silver), wrapped in red paw, erect two silver Chai, forming an obtuse triangle, nail eight ceramic beads, porcelain beads around the crepe to fix the "gie" body, porcelain beads hang over the shoulders, each end of the small silver bolt, right ear ear a silver hairpin, two ears wear silver ear drop.

Phoenix heads.

The coat is a large shirt, with a long knee length, embroidered lace, collar, sleeves and flats. The lace is brightly coloured with many colors.

Cloth, the old society for the purpose of weaving linen, now silk, polyester have.

Waist tied apron, she called "waist", for a length of a foot, a width of five of a piece of linen, dyed blue or blue, with red cloth waist head, nail colored ribbons.

In the past, men and women were all alike, with wide laced pants for their trousers.

In the old men's society, they wore large breasted long gowns and wore big breasted blouses for labor.

In the past, she worked uphill and wore straw sandals and clogging at home.

Wear socks in winter and walk on snowy days with brown feet.

Flower shoes, blue cloth green cloth, embroidered patterns around, the front hard nose, red tassel, women are more detailed than men's patterns, usually do not wear shoes for life.

The adornment of the ex family members is two.

In the women's bun, "the haunts of the Hakka women in the past were made of high bun. They were like canoes. They were called" boat bun ". They were tied with red rope, silver instead of a bun, and the front of the bun was exposed, and the five inch long colored strips of cloth hung around the wind.

(Wang Zengneng's relationship between Hakka and the She nationality) put the plait into a high bun and tied it with a red head rope, like a canoe. This is the so-called "spine bun"; "on the bun can be set cool Liang".

The consistency between the two {page_break} is very clear. Taking the dress of women, in the past, Hakka women wore the right cardigan, the right side of the collar and the tail of the shirt, decorated with lace and a width of one inch.

The trousers are big, the trousers are deep, the trouser feet are also lace, and the cloth shoes are made up of two pieces of colored cloth. The shoe ends are slightly upturned and look like small boats.

The flowers were embroidered with multicolored flowers, and they were also lined with skirts. They were made of silver, and their skirts were like "convex", and the upper part was embroidered with flowers or patterns, and so on.

They wear silver collar around their necks and wear silver bracelets on their wrists. They dress up like a woman of the She nationality.

(above), in terms of the color of clothing, until several decades ago, Hakka people also liked a cloth called "Dan Dan Lin", and its color belonged to the blue and blue range.

Obviously, the dress of Hakka women was also influenced by the She nationality, or she could be learned from the women of the She nationality.

In the past, there were two styles of clothing for the women of the shes, one was a large lapel blue T-shirt with no collar, the other was a dress worn on marriage or ancestor worship, a red top black satin hat, a blue or red long gown, a coat of dragon and Phoenix, a gown of a long gown, and a pattern embroidered with a dragon on the front, and a white cloth stockings with feet, and black shoes with round holes.

Because they have been mixed with Han nationality for a long time, these two kinds of costumes are rarely worn nowadays, and their costumes are no different from those of Han nationality.

The clothing of the women of the She nationality is unique, mostly made of self woven ramie cloth. It has black and blue, two colors, and black. Most of the clothes are right cardigan. Collars, cuffs, and right buttons are mostly decorated with colorful lace. Generally speaking, the flowers with many flowers and wide sides are the clothing of young and middle-aged women.

They were each wearing an apron of one foot wide, with a flower belt around their waist, also called a hand towel band, four centimeters wide and a metre long, with decorative patterns on it, and auspicious sentences embroidered with "one hundred years of good luck" and "five generations".

The other is made of blue calico, and it doesn't have any style.

Clothes and aprons are embroidered with flowers, birds, animals and geometric patterns. They are colorful and very beautiful.

In other parts of the world, women in some areas are wearing black skirts and embroidered shoes with spikes and spikes; some like to wear a skirt, and skirts and feet are embroidered with lace around, embroidered with white clouds in the middle.

The adornment of the women of the She nationality is most attractive.

Especially married women, they comb their hair from the back into a cylindrical bun, like a cockscomb hat on the back of the head, with red hair loops around the hair.

Some of them put a small bamboo tube five or six centimeters long on the top of the head, and the hair was wrapped in a bamboo tube to form a spiral shape.

When you comb your hair, you should not only use tea oil and water, but also mix it with wig, so it looks tall, fluffy and bright.

When married, the small bamboo tube should be wrapped in red cloth, and decorated with silver hairpin and silver medal.

Some of the top of the head is also surrounded by silver head flowers, and there are numerous silver ornaments and silver decorations on the lower edge of the head.

The unmarried girl's hairstyle is relatively simple. Just comb her hair around her head and tie it up with red thread.

However, many girls from shes also have short haircuts or braids.

She women wear large earrings, silver bracelets and rings, and wear exquisite hat when they go out.

The bamboo hat is a famous weaving handicraft of the She nationality. It has exquisite workmanship. It has all kinds of exquisite patterns. It is made up of more than 200 millimetre thick bamboo threads. It is beautifully shaped, and is also decorated with water red silk ribbon, white ribbon and colored beads. It is more exquisite and beautiful, and becomes the most adorable ornament of She nationality women.

She people, like men and women, like gold teeth.

Between laughter and laughter, there is no flavor.