Women'S Clothing: Sexy Enough &Nbsp; Graceful Enough.

Liu Wei: from fiber.

How can the unmanageable functional fabric cook a rich and fashionable meal? If high-tech elements are injected directly into fashionable blood vessels, will it lead to poor blood circulation? Dongli, the world's high-performance fiber leader, wants to ask for directions in China's fashion industry. Liu Wei will cooperate with Dongli to achieve his goal.

The strength of both sides is concentrated on one point - the explosion of technology storm in China's fashion industry.

As a result, Dongli's international advanced fiber fabrics, such as polyester Island super fine fiber, POY full dull fiber, high moisture absorption sweat nylon fabric, high quality silk like fabric and so on, were handed over to Liu Wei.

Liu Wei, the winner of Golden Summit, needs to interpret the true meaning of "comfortable fashion" in the face of new fiber fabrics and design concepts.

Liu Wei told reporters that the 74 new high fashion fashions released this time are all made up of the hi-tech fabrics developed by Dongli company, which are full of challenges in the design style and scale.

Without the rendering of lights and sound, Liu Wei's "magic world" technology show shows a good grasp of the texture characteristics of Dongli company's high quality silk like fabric, high moisture absorption and sweat perspiration nylon fabric, and uses the traditional Chinese painting freehand brushwork ink design language, deliberately rendering irregular shape effect, and dealing with the different parts of fashion.

In particular, the curves above the waist of women are highlighted, and the bold exaggeration at the lower part of the clothing is a good interpretation of the feminine charm and vulgarity.

Liu Wei's "illusion" sends out a signal: in designing garments, functional fabrics should be considered as important contents, and fashion will start from fiber.

We should not only focus on the performance of clothing styles, lighting and acoustics, but also pay attention to the technological content of fiber fabrics.

Cai Meiyue: the secret of the royal family

The theme of this season is the royal family classic. The theme is "royal secret". The structure of wedding dress mainly reflects the grace and elegance of the bride by stacking and over long skirts.

Multi level complex structure and unique Chua's embroidery method, princess sleeve and gold embroidered lace, the color is solemn and strong, from the chest to the ankle pleat, the woman's life's most solemn moment decorate infinite luxury.

Here we can see the classic dresses that the royal family admired, elegant and dignified.

You can also see Cai Meiyue's ingenious design conception with pure white gold, and the crown decoration with the diamond inserts also gives the wedding dress the supreme power and honor.

The bride's color yarn series "love Rose Garden" takes the color yarn and flower decoration as the main form, the matching of lace and silk, gold and red echoes.

The chest and waist made a compact chest shape, hiding the secrets of elegance and good figure in the long skirt design.

The third series, such as Cinderella's sacred wedding dress, except for the big skirt, the long sleeved long skirt dress with straight lines and smooth designs, the body outline is prominent and the body is slender.

The fabric is light and elegant, and its color is soft. It uses the fashion elements in wedding clothes to be bold, casual and relaxed, breaking through the traditional wedding dress design.

The collar around the neck is designed to get rid of the bondage of the skirt. The loose hem in the design of the yarn is mainly based on the lightweight fabric, and the elegance of the short skirt is reflected in the fashion of traditional fashion.

Weiss Kay: enjoy the beach sunshine

This season, Viske's women's wear continues to be noble, fashionable, elegant and slightly low-key elements. With every detail, the visual sense of beauty and fashion is pmitted from inside to outside.

So that all the women who love fashion can match their fashion style with their own sex, and show their unique taste.

First series: elegant Shu Yuan.

Inspired by the nostalgic nostalgia of Europe in the 60s of last century.

Full of Viske's traditional romantic style, smooth and bright lines cut out the overall shape of the ancient design sense, creating the image of noble and fair lady.

On the color side, the warm colors with affinity are the keynote, and the vivid green is a sign of early spring's yearning and freshness.

The second series: Romantic rhyme.

Inspired by the European Society of the 80s century, the designer created a series of romantic rhyme, which symbolizes freedom, freedom and elegance.

In the 80s of last century, the Navy elements were fused with a lot of interesting designs, such as refurbishing printing and so on, with the rich color of blue, which added strong ocean flavor to this season's fashion.

The third series: Princess sweetheart.

Every woman has a sweet romantic princess dream, naughty broken flowers, charming lace, soft pink, pure nude color and so on. These most charming sweet elements are skillfully applied by designers in this season's main series, so that every woman who is full of fantasy and hope can make a sweetheart princess.

Ye Jianying: "yulan magnolia" is the beauty of Hangzhou school.

Ye Jianying borrowed Yulan's elegance and elegance, and the color of the flower was pure and colorful. He also took the beauty of "coloured glaze" and harmony.

The magnificence of silk and the "flower Luo" permeate together to sculpt the outline of the clothing magnolia flower.

Ye Jianying, art director of Wei Yun, uses his unique style language and expression method to make the elegance of Hangzhou women's dress perfectly incisive.

The first series of "morning dew bud" is the highlight of the design, highlighting the three-dimensional cutting style, with simple atmosphere and strong sense of fashion.

The color of the fabric is orange powder, orange red and white.

In the second series of theme design, Ye Jianying emphasized the feminization design method. The fabric was decorated with "flower Luo" skillfully decorated and spliced with different materials, so that the original concise shape showed rich levels and magnificent feeling.

The third series of jade pavilions are designed to create an independent and elegant "Magnolia", which is leisurely and graceful in its natural posture and gradually progressively.

In this series of colors, highlights of different light perception of pink, linen powder, silver and so on.

The fourth series is the bloom of Yan Yan, which shows the most charming marine green style of 2012 spring and summer in the application and evolution of the overall color.

One of the highlights of the conference is the large use of "Hua Luo" fabric.

According to Ye Jianying, "flower Luo" is one of the national intangible cultural heritage "hang Luo" fabrics.

Its touch is light and material is permeable.

Due to the complexity of manufacturing technology, it has been lost in recent years.

The designer rediscovered "Hua Luo", combined with modern design elements to fashion it, so that "flower Luo" replayed brilliance and shaped.

In addition to its unique fabric selection, Ye Jianying also made use of many layers of tailoring techniques and artistic expression techniques, combined with elegant silk fabrics such as silk, flower, flower, and brocade to make costumes, trying to express the elegance and charm of Wei Yun's dress.

The theme of Ye Jianying's "glaze" is released through three-dimensional modeling, concise and exquisite design techniques to reproduce the original shape of the sensory objects and the original appearance of the clothing function. It brings visitors the aesthetic artistic conception of wandering in the water like illusion and time coloured glaze, and expresses the unique brand characteristics, elegant and intelligent fashion style of Wei Yun.

Luo Jingjie:

Designers first create visual works from the most basic sources of life, such as photography and painting, and then extract and extend the lengthways and longitudinal changes of brand spirit from these works, absorb other kinds of artistic expression techniques and combine the core technology of the brand, and finally create the original works of Vientiane based on the plain and basic cotton and linen material on the basis of environmental protection.

2012 the development of spring and summer products is based on the idea of nature. It is divided into 12 bands to correspond to 12 solar terms in spring and summer.

From product characteristics to listing planning is closely related to nature.

It is hoped that a new life attitude of inaction should be advocated through the reappearance of traditional ideas in the farming era.

The conference is divided into two series, namely "wood" and "water".

It is hoped that through the observation of the state of wood and water and the refinement of different properties, the design method which is derived from the form but pcends the shape will embody the natural rules. Therefore, when expressing the wood, it mainly embodies its texture, simplicity and natural attributes, and the corresponding design includes fabric finishing, imitation embryo cloth effect, linen knitting embroidery and wood grain printing.

And the performance of water is mainly derived from the water in artistic techniques, such as the visual works of water perception, such as splashing ink, freehand brushwork and traditional Chinese painting, so that the water is clear, smooth, and freehand, and corresponds to various heavy water sensing methods such as lifting, dyeing, dyeing, pressing, folding and digital printing.

In terms of material quality, it mainly selects natural fiber fabrics that can show environmental protection, nostalgia and nature. In spring and summer, the combination of cotton and linen is needed. What needs to be emphasized is that the material characteristics are more embodied in a material sense of manual feeling, embryo cloth, imitation and texture.

In terms of color, the natural color of the wood series is mainly natural hemp and wood color, supplemented by natural tones such as white and brown; while the water series is mainly composed of ink, blue and black, with the color of green and white.