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    Analysis Of Ancient Stone Skirt

    2011/11/25 19:24:00 15

    Analysis Of Ancient Stone Skirt

    In the Tang Dynasty,

    pomegranate-red skirt—feminine charms

    It is a fashion style for young women.

    This dress, such as pomegranate red, does not stain other colors, often makes the woman wearing it beautiful and moving.

    In the May prostitute, Tang Wan Chu said, "

    Eyebrow Daisy

    The red skirt is jealous of the pomegranate flowers.

    Weizhuang also sings, "do not hate red skirts, but cease to think white houses are low".


    Bai Juyi in "

    Song of the Pipa

    In the past, she painted the beautiful woman's art of playing Pipa: "Qu Ba once taught good ability to serve, and makeup became jealous of every autumn girl."

    The silver comb of the head is broken, and the bloody skirt is turned over.

    This "bloody skirt" is called a stone skirt.

    It was a long time ago. In Tang Dynasty, Tang Yin wrote in the poem "Mei Fei sniff fragrance": "plum blossoms are full of stones."

    Although it is written in the Tang Dynasty, it can be seen that in real life, this style of dress is still cherished by young women.


    Because of the durability of the stone skirt, the saying goes that men are conquered by beautiful colors, and they are called "lying down in the grave", which are still used vividly.


    Women in the Tang Dynasty were particularly fond of skirts.

    Besides the dress, there are many chic.

    style

    At first, the skirt was narrow and slender, and the wearer raised the skirt up and even to the breast.

    In the Tang Dynasty, the skirt was beautifully decorated and expensive. The main styles include skirt, bird skirt, flower cage skirt and so on.

    The skirt, which is made of two or more than two color materials, is made from one side to another. Each interval is called "broken", with six broken, seven broken and twelve broken colors. The colors are red green, red yellow, yellow and white.

    A hundred bird skirt, twisted by a variety of bird feathers, is woven into a skirt. Because of its exquisite workmanship, it has a strong sense of stereotyping. It "looks squarely at the same color, looks as one color, looks as one color, and looks as one color".


    The flower cage skirt is made of soft, thin and plucent "monofilament" embroidery and embroidered with flowers and birds.

    Hundred birds skirt and flower cage skirt are all skirts that are worn outside the general skirts.

    In addition, there are hundreds of skirts, painted skirts (directly painted on skirts) and so on.

    He, the poet of the northern and Southern Dynasties, wrote two sentences in his poem "meet the beauty of Nanyuan": "the wind belt grape belt, the sunshine dress", the pomegranate is darker than the heart beauty.


    Liu Xuan in the Yuan Dynasty called "pomegranate" directly referring to the skirt of a woman. "It is very hasty to drop Yang Ying in the interior, but only the garnet does not complain of the east wind, but the rain is rushing."

    In the Ming Dynasty, Jiang Yikui's "May song of Yanjing" was fixed.

    Millions of families can't buy them, but they still have their daughters dyed red skirts.

    {page_break}


    Red skirt.

    Liang Yuan Di "Wu Qi Qu": "Hibiscus with a stone skirt."

    In the Tang Dynasty, the stone skirt was a popular dress, especially for young and middle-aged women.

    Such as Li Wa and Huo Xiaoyu in the novels of the Tang Dynasty, they wear such skirts.

    There are also many descriptions in Tang poetry, such as Li Bai's poem: "moving boat Magnolia and wine," Bai Juyi's Poems: "eyebrows and deceit willows, and skirts are jealous of pomegranate flowers"; Du Shi Yan's poem: "peach blossoms immediately go up in a dress"; five poems of ten thousand Chu: "red skirt is jealous to kill pomegranate flowers". Wu Zetian's poem: "no longer believe in tears, open the box and check out the stone skirts".

    The dress has been spread to the Ming and Qing Dynasties, and is still popular among women.

    There is also a large depiction in the dream of Red Mansions, which can be corroborate.


    In China, the legend of the stone skirt is more vivid than the pomegranate fruit, and the red pomegranate flower is so red that it is easy to think of men's ardent pursuit and yearning for the opposite sex.


    "Lying down in the grave" is a metaphor for men.

    Airflow

    The adage of female worship.

    This proverb is related to Tang Minghuang and Yang Kuei Fei.

    It is said that Yang gufei likes pomegranate flowers very much.

    During the years of Tang Tianbao, Tang Minghuang took good care of him and planted pomegranates widely in the west of Huaqing Hot Spring, such as the embroidered hills and the Queen's shrines. Whenever the flowers were on the stage, the romantic emperor set up a banquet in the red hot fiery pomegranate flowers.

    When Yang Guifei drank wine, his cheeks were red. Tang emperor liked to admire the charming and drunkenness of the pet princess. He often drank the red neck of the princess with pomegranate flowers. Who was so gorgeous that Tang Minghuang was too fond of Yang Guifei and ignored the political affairs. The ministers did not dare to accuse the emperor, but he was angry with Yang Guifei and refused to make a courtesy to her.


    Yang Yuhuan had no choice but to love grangranates and love pomegranates, especially wearing colorful skirts embroidered with pomegranate flowers.

    One day, Emperor Tang Ming gave a banquet in honor of the ministers, and invited Yang Yuhuan to dance and dance.

    But when he took the wine cup to the lips of the emperor, he whispered to the emperor, "most of the courtiers are looking at their wives and concubines. They do not make ritual or deferential. I do not want to offer them dancing."

    When Emperor Tang Ming heard about it, he felt that the princess had been wronged. He immediately ordered that all the civil servants, the imperial concubines, and all the imperial concubines, should be courtesy.

    All the ministers were helpless, but when they saw Yang Yuhuan walking in a dress, they all knelt down to kneel.

    Therefore, the allusions of "lying down on a stone skirt" have been circulating for thousands of years, and have become a common saying of worshiping women.


     
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