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    The Fashionable Life Of French Sweet Girls In 60S

    2012/3/12 8:59:00 23

    Fashion Life France Dress Up

    In the early summer, when the sun was shining, a Bobbi doll appeared.

    Short skirt

    The girl was painted with exaggerated eye make-up, thick eyelashes and curly hair, full of honey peach color on her full lips, and laughter in her sweet mouth. If she went home, she could find crayon old radio in a bedroom full of gentle and romantic girls and a large stack of Y albums -y albums in 1960s.


    Y e -y girl is in France, just like The Beatles in the British Isles.

    At the end of the 1950s, the French made a gentle pformation of rock music with their own romance. They blended classical music, chanting and rock music. The Y -y -y style, which was suitable for girls to sing and sing, was born, and the trend of music, film and fashion swept through the 1960s.

    Love wear

    Chiffon

    Mousika, -y e, a long skirt, white shirt, crayon sweater, and geometric figure A skirt, was praised by the French designer at that time as Mousika. So far, she is still the idol of "swaying 60s".



    In the 50s of last century, the wave of rock and roll began to spread in the United States, on the other side of the Atlantic.

    Europe

    People are also conquered by its charm.

    The The Beatles, The Rolling Stones and other British bands quickly became popular. Meanwhile, the French used their unique Romanticism to pform the rock music gently, which was suitable for the "Y e -y" style which was expressed by the girls singing pure romance.

    In 1959, a radio music program called Hello, friends was launched in France. From Monday to Friday evening, rock music was produced by French local musicians, including Eddie Mitchell, "Queen Elvis" Johnny Hallyday and "music poet" Serge Gainsbourg.

    Among them, Gainsbourg has created a series of popular songs that blend classical music, song and rock music. It is shown by a sweet girl singing voice, and is often called "Y e -y e" because it often appears like "Yeah, Yeah".

    The "Y e -y e" tunes are light and casual, and the lyrics speak frankly and romantically about the views of boys and girls on love and sex.

    Soon, these breathing sounds, like the shy kittens, swept through the campus by radio mouthpiece and gradually formed a cultural trend that included music, movies and fashion.


    {page_break}



    Maiden's feelings are always poems.


    In 1964, the American Life magazine wrote "-y e" to all over the world, and wrote, "" Y e -y is in France, just like The Beatles in the British Isles. "

    The female singers, Fran oise oise Hardy, Sylvie Vartan and Sheila, who are called "Y e -y girls", have the magic to make all girls follow their footsteps and imitate their dressing.


    Sheila has a bright brown hair that appears in public sight, always wearing white shirts and woolen sweaters, and curly curs in hair; then, "knitted Queen" Sonia Rykiel is a common housewife in Paris, and she weaves a striped sweater called "poor boy" in her husband's shop, but it just catch up with Sheila, and the sweater is empty.

    So Rykiel began to play in the fashion industry relying on the first pot of gold.


    The central European beauty Sylvie Vartan skeleton designed to emigrate to Canada is a sexy one in the "Y e -y e girl".

    Before she became famous, she often patronized a boutique named R al. At the very beginning, she tried to make a fortune to see if she could meet her idol Brigitte Bardot, and then gradually became fascinated by the girl's long skirts in the shop. She often wore these Lace Chiffon skirts on the stage.


    Sylvie Vartan has the sexy charm of Brigitte Bardot style - blonde hair, good figure, light and slightly hoarse voice, even big teeth, all of which make her star path smooth.

    At the age of 17, Eddie Vartan, a music producer, introduced her younger sister to Frankie Jordan, a young rocker Frankie. After the two person chorus "Panne D essence" went to France, Sylvie immediately finished her studies, joined the pop music world, and soon became a girl idol under her brother's training.


    In 1962, she was invited to serve as a guest of rock star Vince Taylor concert in the background of "Johnny Hallyday". Hallyday was in love with her at the first sight, and immediately launched a fierce pursuit.

    With such a heavyweight romance, Sylvie has gone from France to America. This relationship is not a deliberate hype or a rock and roll relationship between men and women. It has lasted for 17 years.

    In 1965, Sylvie held a grand wedding with Hallyday. The tabloid reporters and music fans in Paris moved in and moved the street from the wedding car to the Lonconville Cathedral in three stories and three stories.

    The wedding even alerted the British royal family, and the Buckingham Palace invited them to sing for Queen Elizabeth II.


    In the years with Hallyday, Sylvie Vartan ushered in the golden period of business, and also witnessed the 1960s y culture.

    To this day, she is still active in the French performing arts industry, maintaining the first record of the pop music sales in France.

    The Sylvie style of "what to wear and what to red" is changeable. Apart from Sheila's white shirt and crayon knitted woolen cardigan, the hippie style A dress is also the daily wear of the Y girl girl.

    In the middle of 1960s, she worked more closely with Yves Saint Laurent.

    In the MV of Comme Un Gar on, YSL designed a combination of smoked clothing and jazz dresses for Sylvie, and then the designer, who was well versed in the fashion of Paris, carried out the "Y -y -y" improvement of the famous Mondrian straight dress, replacing the non style red and white blue block with the color Pope stripe that is more suitable for the "Y -y girl" flavor.

    In 2008, when the designer's coffin was buried in the Majorelle garden in Morocco, her old friend Sylvie also came to see her off. She was wearing a little black dress with white Peter pan collar.


    {page_break}




    Forever young, with tears in my eyes forever


    Fran C oise Hardy is a special one in the "Y e -y girl": tall and thin, dark skinned, with a slightly downward corner of her eyes making her eyes look pathetic, straight golden long hair tamed on her shoulders, and thick bangs covering her forehead.

    Shy Hardy always does not want to attract attention. She has a high intelligence quotient.

    On the stage, she sang quietly; on the stage, she lived in peace and quiet, and remained frozen for thousands of years in 1960s, full of twisted faces and exaggerated howls.


    Of course, as a "Y AI -y girl", Fran oise also inevitably withdrew from fashion, even though she was extremely unwilling to spend her time in dressing up.

    In 1960s, the fashion stylist in Paris said with one voice: "the tall and thin Fran C oise Hardy is pretty good in whatever she wears, and no matter what she wears will be more beautiful."

    The "Y e -y girl" became a fashion icon in a reluctant manner and became a regular cover of magazines such as Paris competition pictorial and Vogue, and gradually displayed or avantgarde fashionable or healthy sexy images under the pformation of YSL, Paco Rabanne, Andr Courr Courr ges and other fashion masters.


    Fran oise, a daily life, has been kept the simplest dressed for many years, which is closely related to her plain personality.

    For many years, white shirts with geometric printed A skirts -- usually from YSL, Courr ges, Mary Quant and Lanvin -- become the iconic costumes of "swinging 60s"; Fran Fran oise believes that the tight and moderately striped T-shirts can give her freedom, so they are often casually covered; the "go-go boots" that are popular in the trend of Mod are considered to be the most suitable boots for swing dancing. This kind of boots with low length and above knee length is sought after by rock and roll fans.


    The "Y e -y e" trend, which is free and natural, is gradually ending in the end of 1960s.

    In the 1970s, fashionable French Frenchmen scrambling for the next wave, and the Y e -y singer turned to other fields of art.

    But the so-called classics will not be easily eliminated.

    For example, sexual liberation and liberalism in 1960s; for example, the poetic and meaningful "Y e -y e" music created by Serge Gainsbourg is gently hummed by these youthful "Y e -y girls"; for example, the "Y e -y girl" costume representing the pure era of rock music has been inspired by fashion designers for countless times in the past half century, and whenever it is put on, it will create a fine feeling of "forever young and forever tears".

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