2012 China Fashion Week: The Curtain Call &Nbsp, Youth No Regrets.

Up to 9 days.

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The 5 consecutive show is based on Colleges and universities, not without "playing the stage" color.

However, relying on the style and concept of their respective colleges and universities, the "graduation examination paper" handed down from their own shows their own strengths.

For example, a large group of brass zippers used in Wuhan spinning is like gold ornaments, many works of men's wear in Dalian Industrial University. The Tsinghua art academy's concept works are outstanding, and the Chinese Academy of fine arts actually impressed me with knitting instead of silk.

It's all my own opinion.

Inside and outside the show, the popularity is strong, and it shows that the young creativity has never been short of audience.

Compared with the special show of mature brands and famous designers, people generally hope to have an informal imagination and whimsical creativity in the students' show.

This is also the advantage of youth, as Picasso said: I spent all my life trying to paint like a child.

Where are the children? No prejudice, no constraint. Rules are used to break them.

So we saw the deconstruction, geometry, installation art, the different space on the profile, wild grass, insects, overturned paint plates, humorous contrast.

These are both amazing and true to our expectations.

Think about it. In the 4 years of professional study, all the skills you have learned should be fully presented in the 5 suits. How can the young people not take all the treasures or even the sword to go sideways? They want to talk too much.

But there are also a lot of calm, concise and atmospheric works.

The latter seems to inspire me more.

Those implicit, point to point structural performance does not affect the overall effect of the clothes themselves, but highlights the ingenuity; those are not textural expressions for craft, because they are led by a clear theme.

Although there are endless white and too many classic black in the field, the color of students is basically no problem. Some minor problems in the process can be understood. The high frequency of knitting works also fits the reality of the rising market share of knitwear.

But the most important thing is whether the students are ready to "professional designers" in their consciousness. How can the expression of individuality blend with the common needs? Can the artistic pursuit of oneself be consciously combined with industry and market?

With the platform and opportunity, students seem to be missing: pattern.

Where does the practice of pattern come from? Time, practice, events.

It's about trade-offs, a sense of responsibility, a mature and professional demeanor.

During the break and wait, I also chatted with the professional designer friends who came to watch the show. They were very realistic, market and operational topics.

After I finished talking, I felt a sense of alienation.

Of course, the main business of students is to learn, and mainly to learn on campus, so we can not directly request them from the enterprises and market rules outside the campus.

But in the end, it is the ultimate goal of both sides of the teaching.

It is not just designing products, but they need to know as soon as possible about the complete system of fashion operation.

We have already seen the students' expressive power towards the pluralistic integration and infiltration of modern cultural thoughts. They still need to wait quietly for the development of their social life consumption needs and the cultivation of their professional demeanor.

Youth no regrets, wish our young people to achieve a big pattern as soon as possible!