The Artistic Features Of Tibetan Costume In Tubo Period

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The oldest and extant material materials are a few ornaments unearthed from the Kalo site in Changdu. There are ornaments, hairpins, jujube, pearls, ornaments, ornaments, shells and so on. It reflects that four years ago, 5000 years ago, the Tibetans in the Qinghai Tibet Plateau had already enjoyed a high aesthetic taste. They not only had needles for sewing clothes, but also had the need to create a certain aesthetic consciousness.

During the middle two Ding Wang (equivalent to the middle Western Han Dynasty), Tubo began to smelt iron, copper, silver and other minerals in the Yalong Valley, and created conditions for the emergence of metal ornaments.

Tibetan history records that in third Century, when the day of the day of La De De La Zai was praised, the costume of Zambian was different, and the difference of dress rank appeared.

During the Sze Song Xan Gan Bbu era, the history of Tubo opened up a new page. Tubo culture developed rapidly, and its dress culture developed day by day.

The hierarchy of the Tubo slavery Dynasty is becoming more and more sophisticated, and its performance on clothing is becoming more and more complete.

From the Dunhuang frescoes that reflect the time of Tubo, we can see that the monarch and his ministers

The Tibetan kings usually have only three petals with a grooved decorative cap, usually red and usually higher than the average hat.

The styles of clothes and robes are also different. There are two kinds of rules for the decoration of officials, such as first class gold, three gold, silver, four silver, five copper, six iron and so on. They are twelve classes, which are placed in boxes of three inches in the square garden, to distinguish the positions.

The warrior's helmet is shaped like a tower, and there are three colored flags on the helmet to indicate the date of birth. With the development of the "smelting industry" Tubo smelting industry, the armour and armour of the army are becoming more and more sophisticated. Some of them only show two sockets, and the fierce bow and sharp blade can not be broken. Its majesty and bravery are still vividly reflected in today's Tubo Samurai statue of the Jokhang temple murals.

In order to cultivate the loyalty of the nation, the fox's tail is placed on the head of the shrinking star as a disgrace mark, which is the source of the Tibetan man's fur cap.

The Tubo aristocrats not only dressed themselves luxurious, but also decorated their servants when they were having dinner parties.

As zap, Song Xan Gan Bbu used a red ribbon Baotou, wearing a long robe and wearing boots with toes on his toes. According to the history of red, this royal costume was influenced by the Persian Dynasty, reflecting that cultural exchanges had affected the level of dress culture. From the beginning of the close contacts between Song Xan Gan Bbu and the Central Plains at the beginning of Song Xan Gan Bbu, the long-term contact between the two ethnic cultures has injected fresh blood into the development of Tibetan clothing.

When the princess came to Tibet, she brought in twenty thousand kinds of brocade, brocade, silk and various colors, and a large number of jade instruments.

Song Xan Gan Bbu and Tubo ministers removed themselves from the carpet and changed to silk.

In modern times, senior officials in Tibet were dressed in a bun, wearing golden wings and white gauze cap, which was the dress of the Jinshi in the Tang Dynasty.

In addition, Wen Cheng princess was also recommended to ban the "ochre noodle" (oil coated noodle). Wen Cheng princess also brought sericulture and textile technology to Tibet, and the planting of mulberry silk was greatly promoted.

With the development of art, a large number of Tibetan costume relics unearthed in Dulan, Haixi Prefecture, Qinghai, vividly and vividly reflect the technological level of Tubo dress.

The fabric patterns of clothing are mostly of Lian Zhu, and the ornaments of gold jewelry and ornaments are amazing.

Today, Tibetan women's ornaments can be found in archetype.

Stein's book "ancient Central Asian cultural relics" also mentioned: "in the relics discovered in Tubo, there are many silk fabrics with patterns. Some of them are printed, some are woven, and many of them are changed in pattern and image. This is a good indication of the status of Tubo business.

It's probably the focus of trade between China and West Asia. "

Frequent exchanges promoted the development of Tubo economy and promoted the development of dress culture.