Sherman'S Works Will Soon Enter The Gucci Museum.

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< p > Cindy Sherman is the pioneer of this art form of photography.

Guided by herself, she successfully portrayed many characters as her own object. In addition, with the help of make-up and < a href= "http://www.91se91.com/" target= "_blank" > dress < /a >, she naturally merged herself with the heroes of the life story she had explored.

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When p lived in Buffalo after graduating in 1976, Sherman and a group of artists jointly created a studio called Hallwalls.

In the following year, this enterprising and solidarity team created a considerable number of works and organized numerous exhibitions.

We are pleased to be able to develop 3 main works from the most important works of the creation period: the 1976 Murder Mystery, the 1976 Bus Riders, and the 1975 dolls, a href= http://www.91se91.com/ target= "_blank" > dress /a > (Doll /a).

The "mysterious murder" and "passengers" were completely damaged as a clippings after the exhibition on Hallwalls.

Fortunately, in 2000, Sherman reproduced these works as a complete series.

The attraction of this series is its clear expression of the essence of Sherman's creation.

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< p > 1976-2000< mysterious murder > is a virtual crime film, telling stories through some typical characters.

The story focuses on a love story between an actress and a movie director who was once popular in 1930s.

Timely photography reveals the characters through the complex feelings of joy, sadness, joy and sadness.

At first, the work was conceived as a movie, and the characters were displayed in the form of clip art. The 82 scenes were surrounded by the exhibition space, just like a micro movie.

In 2000, Sherman reprinted 17 of his characters in black and white.

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< p > 1976-2000< passenger > was originally created for the first Photo Bus exhibition held on Metro Bus 535.

By depicting the behavior of typical everyday characters in driving, Sherman used his exquisite mastery of details to describe them, and we moved them.

By changing facial expressions and gestures, the difference of every character created by her is immediate.

The relationship between Sherman's major film courses and performances at university is not to be underestimated, and it also contributes to the formation of his unique narrative genre.

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Cartoons "doll Costume" launched in P 1975, were created for Sherman when he was still studying at university.

It focuses on Sherman's story of being a clippings, wearing underwear and constantly trying on various costumes.

A real big hand larger than the picture appeared. One grabbed the little statue, whipped her and stuffed her back into the plastic sleeve of the book.

This big hand reflects the conflict between society and women through compliance, structure and identity.

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The creative work of < p > embodies Sherman's deep involvement in gender and identity research and continues to deepen in the future.

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