Olga Berluti, The Only Woman Shoe Maker In The World, Has Succeeded.

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< p > four generation < a > boots maker < /a >, "the spirit of the brand lies in respect for craftsman skills, and the pursuit of unique artistic style."

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< p > strong > Alessandro - breakthrough spirit < /strong > /p >

< p > Alessandro was born in 1865 in Marquis, a small village in Western Italy, when he was nineteen years old, he left his hometown to develop his career.

Later, he became a wooden cabinets. He met an acrobatic troupe and traveled with them for several years. They produced "a target=" _blank "href=" http://www.91se91.com/ "shoes > /a" for them.

He came to Paris in 1895 to engage in the boot industry for ten years. The customers who ordered the shoes included dancer Isadola Duncan, makeup brand founder Elisabeth Aden and Karina Rubinstein.

The beauty of artistic beauty and artistic beauty emerged in the global exhibition in 1900, laying the status of its shoe master.

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< p > < strong > Torello - perfect pursuit < /strong > /p >

< p > Torello inherited his father's pursuit of perfect skills.

Under his command, each pair of shoes reveals the pure enthusiasm of the aesthetical family and the esthetics of the sculptor.

Shoes in that era were highly artistic and elegant.

He opened his first studio / shoe store in Rue Du Mont-Thabor in 1928 and moved to Rue Marbeuf 26 later.

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< p > strong > Talbinio - love a target= "_blank" href= "http://www.91se91.com/" > Leather > /a > /strong > /p >

< p > Talbinio began to learn to inherit family business at the age of fourteen, but at the same time he studied architecture.

In his travels, he found the unique aesthetic feeling of leather.

He devoted all his life to making perfect shoes, and created five definitions of footwear: pretentious (pretentious), intellectual (fragile), masochist (masochism) and unlikeable (hate), and then started a series of advanced Footwear Series in 1959, which is beginning to be welcomed by young artists.

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< p > < strong > Olga Berluti -- love between human and foot < /strong > /p >

< p > as the sole shoemaker in the world, < a > Olga < /a > ingenious use of color and form, it has become a brand new shoe language.

The shoes created by her are nothing but artistic quality of classic temperament and individual personality.

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< p style= "text-align: center" > "around men's feet, accumulate life experience" < /p >

< p > Olga Berluti's creative power < /p >

< p > like many postwar young Italy girls, Olga Berluti grew up in a monastery before she was 14 years old.

During that time, she found a very special task.

She watched the crucifixion of Christ's feet and felt the pain of him. He was determined to "remove the nail that hurt the man's feet".

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< p > Olga went to Paris to work with cousin Talbinio in 1959 to learn about the family's boot business.

But she was not allowed to make tar stained sewing.

They said it was a man's job.

So she began to become more interested in other fields, leather, feet and customers.

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< p > she learned from plastic surgeons, read a lot of literature for years, and accumulated knowledge about foot.

At the same time, she listened carefully to the needs of customers. Before they could speak, she would understand their needs.

She thought that men wearing these shoes were more important than the shoes she made.

Many interesting men who came to Rue Marbeuf shoes store became friends with her.

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< p > after 1960s, Olga began to make shoes for many international celebrities, including Andy Wohl, Truffaut, Saint Laurent and so on.

She regards leather as the second skin of human beings, and specifically integrates the sacred totem, such as the princes of African tribe princes, pierced ears, tattoos in Japanese culture, etc. each series is a tribute to the interpretation.

Her favorite customers are the core of these refined shoes.

Olga Berluti gives the soul to shoes.

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< p > extreme comfort, enjoy walking steps < /p >

< p > since 1895, the heirs of the Berluti family have all been skilled in shaping shoes and leather, and have better knowledge of foot than medical professionals.

The shoes made by such knowledge have unique elegance and comfort.

For Olga Berluti, no comfort and exquisite shoes are not elegant at all. Shoes that hurt feet belong to the barbarian domain.

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< p > for Berluti, the foot is the foundation of the sacred sanctity of human body, and it is the focus of all attention.

It is a comfortable shell, and also a symbol of protective equipment.

The incomparable comfort is based on her precise examination of the foot.

With professional knowledge, a brand has to provide customers with the most suitable footwear.

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< p > in addition to the non form creation techniques, the brand also creates a unique sense of comfort by using advanced technology and even more innovative fabrics through solid knowledge of walking activities.

Because the feet are covered with a few centimeters thick leather, so a few centimeters of leather must be the best, because everyone's feet should get the best! < /p >

< p > "the first half of elegance is comfort.

Shoes are the last weapon of modern men.

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< p > "whether it is pretentious or pleasing, it is precious, implicit or conceited. Any category of foot is not ugly, but moving."

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< p > leather art < /p >

< p > "Patina bleaching and dyeing technology gives shoes to life."

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< p > the bleaching and dyeing tones add gorgeous and pparent tones.

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< p > many customers will wear twenty years of shoes to bring back, many of the Patina color is still brilliant.

In order to make customers have the same color on their new shoes, Olga invented one of the brand's biggest secret skills. It initiated a revolution in men's shoes with patina bleaching and dyeing methods, breaking through the law of "90% black and 10% amino 'in a rich color.

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< p > she observed the change of the moon's light and dark and invented a patina tone with a unique sense of pparency.

As early as in 1980, she invented Venezia leather. This soft natural leather shows shades of color through special leather making processes.

She dyed the patina tone to leather, creating a gorgeous and pparent tone, and then injected essential oil to make the color shine like sake in Japan.

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< p > each pair of shoes requires craftsmen to spend more than an hour to do the last tonal modification, thus establishing the unique aesthetics of Berluti.

Each pair of shoes, each bag, each has its own unique color, revealing the unique personality of customers.

The tone varies widely.

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< p > "you have to tame the leather, and the cowhide is always rebellious."

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< p style= "text-align: center >" advanced custom shoes "traditional and unique skills < /p >

< p > "advanced ordering skills, reflecting the true feelings of every man, or the style he wishes to have, so that every pair of shoes is full of soul and wise demeanor."

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Since the four generation of P Berluti, the boots makers have only been promoted by an absolute purpose, and have established their own unique skills.

The aim is: absolutely do not harm the foot.

Superiority is the lowest standard of a brand, so the brand tries to attract professional craftsmen to take charge of all production processes.

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Below P, a pair of advanced shoe making shoes requires a shoe maker, a mold maker, a tailor and a sewing machine. At least 250 processes are needed, as Olga says: it is more complex than building a cathedral.

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< p > however, a pair of advanced customized shoes requires two elements, namely the craftsmanship skills, or customize the customer's personality.

For Berluti, craftsmen are the foremost labourers, and customers are the leaders of creative ideas.

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< p > after many years of research, today's Berluti has been able to make more lightweight models, and skillfully make better fabrics with advanced technology.

The shoe is light and full of wind. At the same time, the essence of traditional charm is the ultimate integration of wild personality and structural beauty.

There is no artificial element, perfect embodiment of the highest aesthetic standard of fabric and form.

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< p style= "text-align: center > > listening to customers' vision < /p >

< p > every customer is prince in the eyes of Olga.

She regards her vision as an instruction, and regards it as a friend, but responds professionally to her request.

Whether famous or silent, every customer is an important driving force for the brand and the inspiration for the brand.

In 1999, Olga set up a studio, where the quiet and elegant space reveals the temperament of the Renaissance in Italy.

There, she entertained customers from business, politics and the arts, a hotbed of communication and creativity.

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< p > The Swann Club < /p >

< p > passion for shoes becomes the pulse of all Berluti customers, gathering them at the Party of the club, and further sharing and sharing.

This club is called "Swann" because of Proust's hero. It praises its elegant and romantic nature and its inherent temperament.

Berluti's customers, like him, have their unique qualities not from the outside, but from the inside.

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< p > as a member of Club Swann, no one has a unique attitude towards life aesthetics.

The first evening of the club was held in the 1992 holiday hotel.

Since then, members of the gallery have praised the art of shoeshine on different special occasions and in different places.

The only rule is not to have any rules except one: absolutely no stuffy eggs at Proust's party.

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"P > Berluti memory shop -- sincere respect /p

< p > in order to pay tribute to the late customers, Olga hopes their precious imprints can be immortal, so they decorate their shoes according to their unique personalities, including Andy Wohl, Richard Burton, Frank Sinatra, James Joyce, Duke of Windsor, Luchino Visconti, Fellini, Sergio Leon and Sergio Leon.

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< p > courageous and innovative and classic inheritance, shaping the shoes of a lifelong company "/p".

< p > people, far more than anything, far more than shoes, won the love of Olga Berluti.

The customer with unusual personality became the source of her inspiration, inspired her creation of various chameleon leather shoes, showing the ultimate elegance or uninhibited.

Whether it is the most elegant dress or the most rebellious jeans, every man has a perfect pair of Berluti shoes at every stage of his life.

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< p > the brand has created countless classic shoes, unique styles, and shoes that do not fear the passage of time.

Their style and durability are immortal, and they live with their customers.

Every wrinkle, like a line of wrinkles on the face, is a mark of history.

Berluti's shoes are designed to show the true feelings of every man.

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< p > bags and accessories < /p >

< p > Berluti has created numerous baggage bags and accessories to meet the requirements of distinguished customers.

Diary books, bags and purses are much more important than ordinary bags and accessories.

They are born for what they contain. They are the seal of the past and the secret place of residence.

Meticulous polishing and making give them a strong sense of firmness and never erase the footprints of time.

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< p > leather lives its true soul here.

It's not material, it's memory. It's not object, it's story.

To travel across the world with you.

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< p > classical pattern < /p >

< p > The Alessandro laced-up court shoe Alessandro belted hull shoes < /p >

< p > 1895, Alessandro Berluti, a senior cabinet designer who loves to explore the form, conceived this pair of famous leather shoes.

Since then, Berluti generations of every generation have continued their elegant demeanour, making this type of evolution constantly evolving.

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Less than P, wisdom, grace and charm, these characteristics of customers inspire Berluti to constantly improve this model while preserving its soul.

These shoes are made of raw leather and without obvious stitches. They are loved by the distinguished customers in Paris and elsewhere.

It is a sign of identity and a pledge of club members.

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< p > the natural flowing form and perfect flawless sense of proportion. These three hole leather shoes deduce the essence of the brand with a few centimeters thick leather: elegance, culture and wisdom.

This belt shoe is a classic representative, symbolizing the ultimate pursuit of Berluti's extraordinary sense of fashion.

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< p > classical pattern < /p >

< p > The Andy loafer Andy flat heel slipper < /p >

< p > Olga Berluti studied and dealt with shoe store business in 1962, when Andy Warhol first came to Berluti.

At that time, Olga knew that the artist, who was still silent, must be an extraordinary giant.

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< p > she ignores the opposition of the whole family and secretly makes leather shoes for him.

She collects available leather from the four corners and designs modern leather shoes, her first masterpiece.

The finished product is perfect, but there is a flaw in the leather: one of the shoe upper has a big mark.

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Less than P, until 1963, Andy came back to collect his soft leather shoes.

Olga explained to him that the shoes were not similar to the ordinary ones. The skins she chose came from a bold cow. It always rubbed the barbed wire with its body.

Andy Wo Wo understands that this single characteristic is the uniqueness of shoes and is attracted by this surreal aesthetics.

He threatened to wear shoes made of bold leather after that.

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The avant-garde style of "P" in 1962 still has a long and fashionable fashion and is also a symbol of brand innovation style.

It reflects the personality of customers, and is also the soul of Berluti creation.

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< p > classical pattern < /p >

< p > The laced-up loafer belted flat heel slipper < /p >

< p > is different from the general band shoes, which is different from the general ship shoes, reflecting the spirit of the brand -- respect and treason.

The tribute is to respect the tradition and the skill of shoemaker with distinctive lines and sharp shapes.

The unique structure is the symbol of brand.

The upper part of the hand sewn is similar to that of Andy's shoes. The waist of this pair of Oxford shoes is raised as much as possible to emphasize its long pointed lines.

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< p > unruly demeanor, showing the ultimate sense of elegance.

Diverse styles, endless changes in collocation.

It breaks through the traditional image of shoelace, combines fashion and leisure sense, and has a sense of humor and lightness.

A chameleon shoe with mature charm, is pleased to be tamed by gentlemen to match suits, jeans or slender trousers.

This is a shoe that does not belong to any single faction. It is a single item that every man deserves.

Berluti's bundles of shoes and shoes are constantly changing, just like a thick book with only blank pages, waiting for customers to write their own stories.

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< p > classical pattern < /p >

< p > Deux Jours < /p >

Since P was born in 2005, the Deux Jours bag has accompanied many men travelling around the country.

As light as a feather, elegant and vivid lines blend the unique sense of maturity of leather, creating a modern and graceful posture and revealing the charm of classic attention.

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< p > Deux Jours leather purse is soft and mixed with many brand iconic elements: noble and touching Venezia leather, such as Japanese sake, special pparent patina bleaching and dyeing, and extraordinary stitching technology.

Olga Berluti, through this iconic single product, presents every guest with the exquisite quality of romantic poetry and adds a sense of practicality and elegance that can be carried around by tourists.

It is accompanied by Berluti customers traveling around, brighten up every day's wonderful life, and write an unforgettable story.

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< p > store > /p >

< p > "different, but not the same."

Each Berluti store is unique, but it also keeps a portrait of Berluti's descendants in the past. It reflects the Venice style fur coat, the details of iron, and the ubiquitous leather products. The most important thing is that they also gather enthusiasm to satisfy customers' desire.

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