Home Textile Design: Feeling The Beauty Of Harmony But Difference

< p > > span style= "font-size: 12px"; > a > Xia Yi is dense > /a >, and when the China international home textiles design competition is about to be held.

Since 2003, the competition has gone through 11 years of development. In every year's competition, we can see the latest home textile fashion design concept and the most innovative design techniques. Enterprises, designers, teachers and students participate actively, and enhance the originality of Chinese textile, and have a huge influence inside and outside the industry.

It enables Chinese textile industry to further attach importance to creativity, emphasize design and promote brand. It is an important event to promote the innovation of home textile design in China, and plays an important guiding role in the future development direction of China's home textiles.

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This year, the China Home Textile Association, the sponsor of the contest, launched the theme of the contest, "Mei Yuan", which aims to give home textiles a sense of beauty and imagination to give the family textile life and inspiration, and to create beauty with the beauty of the times. Through beauty, beauty, beauty, beauty and beauty in the form of beauty, the beauty of beauty in the form of beauty can be attached to the visual beauty of the masses through the beauty of images, and the beauty of beauty in the form of beauty and beauty in the form of beauty and beauty in the form of beauty and beauty in the form of beauty and beauty in the form of beauty. In this way, the Chinese family Textile Association's theme of "beauty margin" will be given to the home textile designers for their life and inspiration, imagination and imagination.

The edge is also a kind of beauty, which is the great beauty given by the times. It makes Meida shine.

The competition spokesman, Professor of Academy of Fine Arts and master of Qiingdao University, introduced the way.

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< p > with the development of < a href= "http://sjfzxm.com/news/index_p.asp > > economy < /a >, China's home textile industry has entered a stage of rapid development.

People's demand for textiles is no longer confined to the simple materialization function. They attach more importance to the artistry and individuation of products, and pay attention to the cultural, emotional, spiritual and aesthetic psychological feelings of products.

Because of people's life experience, cultural level, economic conditions, personality and temperament, the choice of textiles also presents a pluralistic tendency, or fresh and fashionable, or simple and natural, or luxurious or luxurious, or implicit and restrained.

People hope to reflect their personal cultural temperament and aesthetic interest through home textiles.

The individualized and diversified demands of consumption aesthetic interest put forward higher requirements for home textile designers. We should make full use of all natural, humanistic and contemporary resources, and integrate different ethnic and regional cultural designs to create multiple styles of home textiles.

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< p > < strong > originated from nature in Art > /strong > /p >

< p > since ancient times, no matter the inspiration of poetry or the technique of painting, the ancients advocate "harmony between man and nature". Advocating nature is the inherent emotion of human beings. People are in nature and deeply connected with nature.

Shi Jin said, "heaven and earth have great beauty but no words", but we have all the beauty in nature, such as boundless grassland, golden sand beach, white wall grey tile, golden palace, blue sky and clear water, desert wind and smoke, numerous branches and forests, and spring Ding Dong.

All of us are moved and enthusiastic.

Integrating art into nature, integrating everything, and harmonious coexistence of man and nature.

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< p > "today, with the rapid development of science and technology and the richness of material life, people yearn for simplicity, serenity and nature.

At the same time, people began to reflect on the environmental and ecological problems caused by the science and technology culture. Returning to nature, showing nature, green environmental protection and presenting the great beauty of Oriental philosophy have become a major trend of home textiles design.

Shi Jin said, in view of this competition, designers can draw inspiration from nature. Through the summarization and refinement of natural materials and the expression and processing of artistic techniques, the natural beauty of eternity, the beauty of beauty, the beauty of harmony, and the beauty of strength will be presented on textiles of wool, hemp, silk, rattan, bamboo, straw and other materials, so as to create a colorful and vibrant natural indoor environment and realize the communication and communication between man and nature.

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< p > < strong > < a > href= > http://sjfzxm.com/news/index_cj.as > > /a > culture dare to create < /strong > /p >

"P >" the influence of culture on home textile design is everywhere. The textile itself not only has the practicality of material, but also embodies a kind of humanistic spirit and aesthetic culture implication.

Like clothing and architecture, it is a microcosm of the whole social culture and a manifestation of people's aesthetics in a particular social environment.

People feel the beauty of textile form and culture, and experience the beauty of culture in different nationalities and regions, understand the beauty of modern fashion culture, perceive the beauty of brand culture of different enterprises, associate with classical traditions, become modern fashions, and become brand names.

Shi Jin said that culture is the soul of home textile design, and is a powerful driving force for home textile enterprises to develop and rebuild their brands.

The mainstream trend of cultural consumption is more and more obvious. People are not only buying an item, but also buying a cultural interest, and the cultural and spiritual ideas conveyed by home textile design conform to the aesthetic pursuit of buyers.

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< p > in the 5000 years history of Chinese civilization, the origin, diversity and uniqueness of cultural tradition are the inexhaustible source of modern home textile design.

"But we have to face such a phenomenon: Although China's home textile design has made rapid progress, compared with the European and American countries, the original design style is not strong enough.

They show their ignorance, strangeness and inability to control their excellent culture and traditions.

Contrasted with this, many foreign textile designs have their own interpretation and expression of Chinese elements, such as Chinese characters, blue and white porcelain and various auspicious patterns.

How to deal with global homogenization is undoubtedly to strengthen the sense of innovation, to highlight the spirit of Chinese culture in an international perspective, and to create a home textile design culture with Chinese characteristics is a topic of common concern in the home textile industry today.

Shi Jin said that with the rapid development of science and technology, the material and culture of the world were shared, and the regional and national characteristics of home textile design weakened and tended to converge. This change prompted people to attach importance to the national and regional culture.

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< p > design is a kind of cultural behavior. The social and cultural attributes it carries determines that the design can not only focus on the form and function of the product itself, but also needs to show the national identity and cultural connotations of the product.

Therefore, in the global context of design style assimilation, designers from all over the world cast their eyes on the traditional culture of our country, and use their traditional discourse resources and modern design concepts to construct the localized design with the characteristics of the times, in order to confirm the cultural identity on the international design stage.

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< p > < strong > the technology focus technology > /strong > /p >

< p > in today's increasingly developed information technology, the progress of science and technology, new equipment, new technology and new materials emerge in an endless stream. Different texture of materials pmit different aesthetic experiences, bringing new styles and new aesthetic taste to home textile design.

With the participation of new and high technologies, the materials and functions of textiles will be diversified. The textile materials with high technology content and functional properties can produce artistic effects and will affect the performance of textiles.

"Home textile design is not only an artistic creation, but also a material production that needs to be put into practice."

Shi Jin said that the pformation from "artistic imagination" to "practical things" is inseparable from the support and promotion of technology.

With equal emphasis on art and technology, we meet people's material and functional needs by means of science and technology, and satisfy people's spiritual aesthetic ideals by artistic means. The scientific ideas and achievements are embodied in visual and emotional artistic forms and techniques. The artistic form of beauty needs to be embodied and accomplished by scientific achievements and technical means.

The integration of science and technology brings people to a better home textile design realm, enabling people to appreciate the beauty of nature and the beauty of culture while experiencing the beauty of technology, beauty of materials, beauty of function and beauty of science and technology.

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< p > with the development of science and technology, various technological difficulties restricting design have been solved or are being solved step by step. Digital printing has no objective limitations, and brings broad prospects to the textile industry.

"The use of jacquard, embroidery, patch, hollowing and other means to change the surface effect of a product can give people different vision and touch. It has a higher artistic charm and added value. The theme set by this contest is" beauty margin ". It is expected that designers will use the symbols of self, culture and technology to weave the unique Chinese characteristics of home textile dream, edify, infect and intensify people's aesthetic source.

Every beauty, beauty and beauty, beauty and harmony, and great harmony in the world.

In the diversified aesthetic culture, ethnic and regional cultures should be respected and respected, thus creating a road of home textile design with "harmony but difference".

The brocade said.

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