Xinjiang'S Ever Fading Textile

Here world

The little editor of the net introduces Xinjiang: the never fading soil textile.

In Xinjiang's Hei Ying Shan township, the most clever woman in the Ming Braque village is the paraziz, which is also the most popular in bazaar.

"Ming Braque" means "thousand springs", where the water and grass are luxuriant, and all the courtyards are planted with fruit trees, and people live happily.

When the weather is fine, the center of the yard is often placed with wooden looms, and a frame is opened up, and women are chatting and laughing together to make a blanket.

Numerous

Paridanm Yakup has the most excellent skills.

Paridanm Yakup, 57 years old, is of medium height and loves to laugh.

"Click, click..."

Paridanm Yakup was busy sitting in front of the loom. Her works had already taken shape: 3 meters long, 0.3 meters wide, crimson, grass green, bright red, lake blue, rose red, orange, purple, and seven or eight colors of wool were still a rainbow, from loom to long belt, and the adjacent two colors were also mixed with goose yellow wool pition.

"It's still early for a complete Parazi!" Paridanm Yakup began to adjust the height of the loom when he spoke, so that the shuttle could run freely.

She said that it is necessary to weave a number of such ribbon blankets and then stitch them according to the required size so as to form a practical Palz.

In Paridanm Yakup's house, there is a paratz on the Kang, with a pile of paratz stacked on the top corner of the Kang corner.

She is very happy to take the exhibition for visitors.

These parzzi are simple and unadorned. They are basically striped patterns. They have no complex decoration. They are very elegant in color matching.

She was somewhat proud to say that these flowers and patterns were handed down by her ancestors. The color matching rule between the ribbons is entirely based on the feeling that they feel more natural.

Today, the flannelette sold on the market is beautiful and the price is not high.

But locals still like to use their own Pazzi, which can be paved and covered.

In the past, all the houses were used by themselves.

Parazi is still a valuable bridal dowry. When a daughter gets married, there are 4 Paras in the dowry.

Visiting the Ming Braque village, several families have antique Palas, which have been handed down for generations over hundreds of years, mostly using camel wool without dyeing and weaving, and some edges have been fragmentary, revealing the traces of time, and are still being used in a cherished way.

An old man said, "when I was young, I was playing on this piece of lazzi, and my children and grandchildren were playing and growing up, so long as they could be used, they would continue to use it."

Because of her exquisite craftsmanship, Paridanm Yakup also signed a signature on every parzi.

Bazar of Hei Ying Shan township or county town, occasionally she takes her work to occupy bazaar. She pulls up the rope and hangs out a piece of parzzi. It looks like a rainbow.

People who want to buy palzzi often recognize Paridanm Yakup only.

Because of her pure handwork and skilled craftsmanship, she can only produce three or four pieces of PRZ every month, with a limited monthly income, but that pride can make her happy for a long time.

Art inheritance does not fade.

From the wool twisting, dyeing, to warp and weft textile, and then the synthetic thread blanket.

Parazi, a primitive handicraft carpet, once existed in many mountainous areas in southern Xinjiang, but gradually disappeared in recent years.

Perhaps the location of Hei Ying Shan is remote, and material life is relatively poor, so that it can be retained.

A few decades ago, not only para Zi, but also the wool used for sacks, bars and loops were processed by the villagers themselves.

Weaving a parzzi should at least use 4 kilograms of wool, and after the wool is twisted into thread, the next dyeing process is quite critical.

Black Yingshan people use very rich natural dyes, both plants and minerals. The production process is ancient and complex.

Paridanm Yakup produced several kinds of ore and grass roots, she said, and made walnut skin, pomegranate peel, mulberry bark and so on.

Jia Yingyi, a researcher at the Autonomous Region Museum, has been studying Xinjiang woollen fabrics for many years.

She discovered that the vegetable dyes used in ancient Xinjiang carpets include: pagoda, pomegranate peel, Ulda (i.e. "madder"), mulberry bark, walnut peel, raisins, etc.

Mineral dyes are mainly indigo and Zach.

Indigo can be dyed blue and Zach can be dyed yellow.

In addition, Xinjiang also produces alum, green vitriol and other dyeing medium.

The book of the Sui Dynasty is recorded in the Western biography.

Rao green salt, realgar, Hu powder...... "

These can be used as dyes.

Jia Yingyi said that many of the natural pigments derived from nature are still in use among the public today.

The carpet is simple and unfading, and the softer the older the color, there is a strong flavor of folk art.

Ore dyes can be obtained from the surrounding black Yingshan, but the road is far away from danger. It takes 4 days to ride and more than 200 kilometers to go.

In the past, the use of mineral dyes was widely used in weaving carpet around the mountain area, and because of the high price, some male villagers in Hei Ying Shan went to mining.

In recent years, because of the sharp reduction of carpet tapestry and the use of finished wool, few people have ever collected ore dyes.

The twisting and dyeing of itself costs much time and requires great patience and high cost.

Paridanm Yakup sometimes uses the finished yarn at the moment, "but paolzi, who is woven, lacks a certain flavor. The person who knows the goods will still choose the Parazi with more than doubled price."

Once, Hei Ying Shan's local textile technology is known far and wide. Many foreigners come here to learn textile technology. Many local men also use carpet weaving as their business.

Gradually, Parazi's demand was reduced, and young people were also left behind. Few people were willing to learn.

As a "living fossil" of the textile industry, the technology of indigenous textile has a long history. Its soil selection, spinning and weaving process has certain academic research value. In addition, it uses natural plant and natural ore dyeing technology. Heying mountain textile has been included in the intangible cultural heritage protection project of the self governance area.

The local people have realized the valuable value of the textile technology in Hei Ying Shan, and the township has intensified the inheritance of the textile technology.

Since 2005, a local textile vocational class has been set up in local high schools, students in half day culture classes, and textile lessons in half a day.

During the weekly textile class, Paridanm Yakup and his daughter taught their students hands-on skills.

Seeing that the students were weaving an imperfect piece of palzzi, Paridanm Yakup was very pleased. She hoped that more people would love this door.

Because that is what passed the ancestral spirit of the Hei Ying Shan people.