Was The London Fashion Week Occupied By Celtic?

In the legend of the Celtic ancestry, the mansion has always been associated with the ghost story. Remember the Alexander McQueen 2006 big show "Widows of Culloden", the partridge feather, the waist waist and the blood red lattice? And the 2012 Vacheron Constantin Chanel (M tiers d) Art Paris Edinburgh Exhibition on the romantic Scottish Highland Dance.

Today, Celtic people believe that the inspiration of national cultural heritage lies in design rather than in words.

Yes, it is difficult for people to extract an aesthetic logical chain from their design works.

After all, emotional and practical relationships are two different things.

Julia Farley, director of the Celtic Art and identity exhibition in British Museum, said, "it's hard to define the Celtic Design Style precisely because it means a very large concept of time and space."

The exhibition opened on Thursday, two days after the London Fashion week.

However, as MS. Farley said, ancient Celts usually used abstract ways to draw inspiration from nature or various exaggerated shapes. Their works of art are full of tension and can absorb new information continuously, so they can always achieve re creation.

What do they have in common with the designers of London Fashion Week, Jonathan Anderson, Simone Rocha, Christopher Kane, Jonathan Saunders, and Holly Fulton?

Except, of course, they are the busiest and core designers of London Fashion week.

The answer is that no one comes from England.

They are all Celts - not Scotland or Irish descendants.

Is this a coincidence or a far-reaching trend?

"Over time, these Celtic people living in Ireland, Welsh and Scotland form their unique regional characteristics from the national tradition.

Use the local tradition to build up a distinctive Celtic style that we know very well today, such as the Scotland skirt, the metal neck ring (Torc), and the cross decoration with tassels.

In August 2014, Ms. Rocha and Regents Canal appeared near the studio in the east end of London.

Rocha is good at maiden style, and pays attention to details and has a fanatical followers. She believes that "the Irish style I strive to blend in is more of an emotion than a particular moment or form."

Ms. Rocha grew up in Dublin. It was only 20 minutes away from the coast.

"The scenery of my hometown contains a kind of wild nature which makes me infatuated.

The collision of different elements has had a great impact on my work.

Besides, the Irish are famous for their hard work. "This is also important."

Ms. Rocha showed that

Rich stories and poems are imprinted in her works, which is also reflected in the works of J.W. Anderson founder and Loewe creative director Anderson.

"When I create men's clothing, I always seek inspiration from great Irish writers, such as Beckett, who is a prototype of a famous scholar in history and gives him practical significance."

Mr. Anderson was born in a small village called Loup in Londonderry County, Northern Ireland, where he grew unsettled in 90s.

Anderson's works blend many local myths and histories.

"That is a very difficult period in Irish history. The religious and political situation is very complicated.

Irish culture has a unique strength, because it is conservative and creative, and you have to abandon conventional thinking.

Taking the Anderson 2015 autumn conference as an example, the inspiration of the work was from the Russian party girl on the side of the Berlin wall in 80s, and finally presented the male and female lines and the blatant refutation of the traditional red dress dress and evening dress.

All the designers interviewed in this article agree that the encounter between Scotland and Irish Culture in London Fashion Week is more of a coincidence than an inevitable outcome. For the industry's big sales people, this unexpected encounter has obviously produced a happy ending and made the emerging trend go all the way.

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They say, "they release the unconventional soul, inquiring people's accustomed habits, making efforts to create surprises and create ripples."

Despite the bloody history and brutal stadium confrontation, let alone the boiling Scotland independence vote last September, the less United Kingdom finally found a consensus on the T platform and made British fashion a foothold on the world stage.

Saunders was born in Glasgow, Scotland (Glasgow). After graduating from the local art school, she went to London's central Saint Martin School of art and design and got her master's degree. Then she was taught by the British fashion godmother Louise Wilson. But please believe that it was at the beginning that the education of Scotland school established him.

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"I and other compatriots have accepted bold democratic art education in the UK (UK), which is not only reflected in the regulation itself, but also the result of the inheritance of ingenuity from generation to generation."

Mr. Saunders talks about the tactility, wool and brightly printed lattices of the knitted fabric in the hometown, and the secret reveals the process of "emotional" advancement.

"Maybe because I am Scottish and working class, these backgrounds give me a new perspective.

I have approached people with different ideas and backgrounds and incorporated them into the design oriented college education.

Kane has been awarded the annual designer's title for fourth consecutive times by the Scotland Fashion Awards. "My blood flowing in my body is very important, and it often comes out of my mind without being aware of it.

But I am still an international designer. "

Other people regard it as an example.

Perhaps this is why the Celtic storm is just beginning.