What Is The Mainstream Of "Biography"?

The clothing of the moon in the youth month

Hairstyle in Warring States Period

The crown of the king in the Warring States Period

The crown clothing in the pre Qin Period

Recently, the "biography of the moon" has been launched, and the circles have been brushing up. The costumes of the actors have been heated, and netizens have opened up the pattern of Tucao, especially the question of "colorful clothes" in the play: "are the clothes in the Warring States period so bright?" "big red, big green, big purple", so that the color is blinking, so how can we see the feeling of "Mama drama"? The clothes in the Warring States period are not so colorful? "

In the Warring States period, it was the mainstream that "red" and "black" were the mainstream.

Costumes in the spring and Autumn period and the Warring States period have been included in the important series of etiquette and custom.

"Li Ji Yu Zao" cloud: "the clothes are upright, and the clothes are in color.

Kong Shu: "it is called" green, red, yellow, white and black five colors. "It is not true that five colors are green, red, blue, purple and yellow.

"Column collection" means that there is color but not clothing.

The ancients used the positive color as the most expensive while the inferior color produced by the same color was inferior.

Such rules as "purple, Fei, green" and so on, such as "dampness of Si Ma Qing" were formed during the Sui and Tang Dynasties.

The rule of grade color is not the same from the Warring States period to the Qin and Han Dynasties.

The colorful red colors we saw in the play were not the nobility's choice, but also wrong in the nobility.

As early as the "biography" issued posters, many people noticed a very aggressive red and black dress.

Why do we choose red and black as the main colors? This is a combination of the color of clothing advocated by Chu and Qin in history.

During the Warring States period, the colors of different countries were different. At that time, the Chu kingdom was still red, and the Qin state was still black. Zhang Zhengming, Chu Xue, said in Chu culture history, "Chu people are still red (red)".

Mo-tse Gong Meng Pai also said, "in the past, the crown of the king of Chu Zhuang was tassel, and the robe of red clothing was used to govern the country and its national rule."

Among them, "Jiang Yi" is red clothes.

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In the Chinese dress system, the official rank system is characterized by clothing color. Ancient times, the colors respected in past dynasties are related to the color of the Five Dynasties.

Each dynasty before the Western Zhou Dynasty, summer to Mu De, Shang Qing; Yin Jin De Bai, Shang Bai; Zhou Yi fire, advocating red; Qin Dynasty with water as the virtue, respected black.

That is to say, when the moon was born in Chu Kingdom of Chu Kingdom, its court and state respected red. In Qin Dynasty, the Qin Dynasty respected black, and the society should take black as the color of fashion.

Bun "hate sky high" is not popular in Warring States Period

The bun of the Warring States period to the Qin Dynasty is not common. Even if it is, it is not very tall.

The tall and lofty bun began in the last years of the Han Dynasty. During the Wei and Jin Dynasties, it became prosperous. It also created a bigger bun, such as flying bun and cloud bun.

In the play, Chu Wei wore a high bun, and when he became emperor Qin Xuan, he also had many high bun shapes.

Although this hairstyle appears to be more consistent with the character and identity here, it is not in line with historical facts to pplant the high bun of the Wei and Jin Dynasties to the TV dramas that reflect the Warring States period to the Qin Dynasty.

The female bun of the Shang Dynasty was characterized by the total hair on the top and the plait behind the head, followed by the spring and Autumn period, the Warring States period and the Qin Dynasty.

From the later Qin Dynasty to the Han Dynasty, the fallen horse bun was popular.

There was no wood in the Wei and Jin Dynasties.

A very big bun made.

Late spring and early autumn in Guangshan, Henan, Huang Jun and his wife had two purple embroidered silk on their tombs.

Mrs. Huang wears shoes on her feet and adorn with many jade ornaments with strong central plains and ancient style. Her hair is well preserved. It is first to make the long hair smooth, and the top of each part is tightly tied with silk thread, and is divided into two lines. The left hanging bar is a vertical bun, then the right line is in the direction of the left bun, and the ends are pushed into the bun, making the left high bun, and from the left to the right, two wooden sticks are inserted.

This kind of left high bun is similar to the popular hairstyle of Shandong Qi women. It is totally different from the bronze figure of the Baoshan Chu tomb.

However, in the tomb, a jade carving male head, a pair of ear rings, a flat flat crown with a left eave, and a bun on the back of the head may be the image of the local man.

"Curtain" should be lowered.

We often see that the emperor wears a hat like a bead curtain on his head, which is not casual, but the number is exquisite.

The number of pendant crowns on the corona is determined according to the type of corona and the identity of the coronal. There are three, five, seven, nine and twelve.

The crown is twelve, twelve jade for each jade, two hundred and eighty-eight for jade, nine for jade, two hundred and sixteen for jade, seven for seven, one hundred and sixty-eight for jade, five for jade, one hundred and twenty for jade, and three for jade.

The king will hang 12 and 12 jade each.

Those who wear twelve will be emperors, princes, doctors and doctors. They can only be nine, seven, five.

That is to say, the number of hangs is corresponding to their identities. It shows that the number of hangs is large, indicating that the official rank is large, the rank is high, and the number of hangs is low.

In the biography of Chu, the king of Chu Wei wore the crown, but it was not right.

Looking closely at it, we can see that the crown of Chu Wei and Huai Wang are 11, and they are not jade, but gold, far more than 12.

Though there is a lack of gorgeous stripes.

To see it more carefully, the crown clothing of the pre Qin period has another feature, with twelve chapters embroidered on the crown.

Zhou Dai's crown clothes are mostly Xuan Yi and his clothes. The color of his coat symbolizes the unseen clothes, and the next clothes represent the twilight.

The unity of heaven and earth is a reminder of the diligence of kings.

Embroidered the twelve chapters of the day, the moon, the stars, the mountains, the dragons, the worms, the Zong Yi, the algae, the fire, the powder, the rice and the jade.

In the most important and most solemn sacrifices, the ancient emperors wear twelve chapters of the crown dress, so the twelve chapter is the most expensive. In accordance with the severity of the etiquette, the crown clothing and its stamp have diminishing.

There are no twelve chapters in aristocratic costumes.

Clothing without twelve chapters is not in line with the crown dress system.

The most popular variant of dragons and phoenix is the dragon and Phoenix, which symbolizes that the palace moves to Longchang or is full of marriage. Crane and deer are related to longevity myth. Qu bird is a symbol of the status of the empress.

Through the combination of branches and flowers, vines and lively and romantic birds and animals, the flowers and vines on the branches grow along the pattern skeleton, rectangle bone, diamond bone and diagonal skeleton, playing the role of "non functional skeletons" (that is, not rigid geometric bones).

"Yue moon" became the first female politician to listen to politics and Empress Dowager in the history. The design of the "Taowu" trailing pattern followed this idea, and the design creation sublimated the characteristics of these patterns, which not only followed the history but also had the visual ability of modern vision.