Female Fashion: Satomi Ishihara And Kong Hyo Jin Wear Classic

If you want to talk about putting on a cowboy, this year's hottest must be the two characters in the fashion drama, Satomi Ishihara and Kong Hyo Jin! Because their two plays are all hot, and the Japanese style and the Korean style are all the objects of competition. The collocation is different from each other. Next, the world clothing shoes and hat nets Xiaobian take you to learn the classic match of the two.

In the review of the girl, the play can be said to be Satomi Ishihara's personal fashion show. The exquisite Japanese style hits the young girl's heart firmly. The way she wears can be said to be a template for many netizens to wear, and from head to toe, all the collocation is very fine. She changes her style almost every day, and her temperament is different. It seems that she will not wear the Savior of netizens. Every one is really too fashionable, practical and highly referential.

One of the biggest features of Satomi Ishihara's modeling is his good use.

As an ornament, it has a super personality.

It is really the scarf of this accessories to play a variety of collocation to the extreme, such as wearing on the head as hair accessories, the most common is tied to the chest, plus a scarf.

Japanese girls not only have delicate makeup, but also do well in details.

If you have long hair, you can make silk scarves and hair together like Satomi Ishihara.

It's much worse than wearing a short version.

You can also try the broken flower dress, remember waist belt, belt or a simple scarf.

You can wear a metallic color.

Collocation, from these little details, you can see that the Japanese girls are exquisite.

Kong Hyo Jin's new play is "the incarnation of jealousy". She can draw many new models that can be used in the play. Kong Hyo Jin plays a anchor in the play, and she goes to and fro on TV every day. Naturally, she will be more sophisticated, and she will wear a good textbook for white collar workers.

In the play, Kong Hyo Jin continues to maintain her simple style of Korean style, which is reflected in many collocations.

In the play, Kong Hyo Jin appeared a lot of coat modelling that she did not have before, plus autumn and winter, so these models are very worth learning from. The style of her coat is very rich from the elements to the style, the elegant lattice, the classical pure color, and the shape of the partial Korean wind are all worthy of reference for the coat modeling.

It can be seen that in this play, apart from wearing more different styles of clothes, Kong Hyo Jin still maintained her excellent Korean style. In the aspect of collocation, many single products still go on a simple route, which can be used for reference.

Kong Hyo Jin in the play and her mixture of wind and style, both casual and fashionable, are very good.

In Kong Hyo Jin's wardrobe, there are still many difficult to control the retro system, such as grid, elegant and temperament.

There are also some mixed colors of the same color system.

Not only echoes with bags, but also with earrings.