The Whole World Feels The Uniqueness Of Oriental Fashion.

The beauty of Oriental beauty is the collision between art and art, and the encounter between ancient craft and contemporary design.

The leaves and leaves of Luo are embroidered.

The theme of the Chinese style fashion show is the exhibition of the fashion brand, the "Nu LAN Jinlin 2019 senior custom conference" of Nilan red brand "Nu Lan", which was recently unveiled in the 2018 Beijing Fashion Week "debut Wangfujing".

2018 Beijing Fashion Week "appearance Wangfujing" branch is jointly sponsored by Beijing Commerce Committee, Beijing clothing textile industry association, Beijing fashion holding limited liability company, "fashion Beijing" magazine, Beijing appearance culture media limited company, Beijing fashion week limited liability company, Beijing fashion capital culture communication limited liability company.

Insisting on the integration of traditional ethnic culture into modern fashion, making it dialogue with the world, and attracting more and more young people to pay attention to Chinese culture and fall in love with Oriental fashion, so as to build up national cultural confidence, this is the beginning of the appearance of "2018 Wangfujing Fashion Week" in Beijing.

Excellent traditional culture is the root and soul of the Chinese nation. After long history of sedimentation and development, it not only possesses the eternal aesthetic charm, but also represents the cultural centripetal force of a nation.

The appearance of the culture is a reflection of the cultural identity and national confidence and pride hidden in the hearts of every member of the country. It gives the whole world a sense of Oriental fashion and unique concept, wisdom, grace and charm.

Gong Shang Jiao feather, wonderful sound haunts the whole scene.

On the stage of T, Chen Yi Hu's third generation descendants and Chen Yi Miao, known as "the Chinese Erhu princess," opened the chord of yin and Yang with erhu solo.

50 sets of Nilan red high-grade cheongsam embellish elegant jewelry, soft charm, beauty of heaven and earth, pregnant with Chinese charm.

It is reported that the dress of nalanhong, which has been carefully designed and selected for 5 years, has been designed and selected for a period of nearly two years. It has preserved the traditional embroidered elements of the royal family, such as Royal silk, Qing Dynasty embroidery, silks, satin and other fabrics. The Royal Style has been seen in the majestic mood, and the modern site has been modernized. Modern fashion French embroidery and gold embroidery are integrated together. The fabric is equipped with royal brocade and flower Luo. The craft has gold embroidery, needle embroidery, seed embroidery and bead embroidery. Besides, SWAROVSKI crystal drill is also used as accessories to show the audience the ultimate Oriental fashion charm.

Each set of costumes displayed on the scene is loaded with national stories and aesthetic attitudes, or auspicious, or rustic, flowing to inherit and believe.

The designer takes the design inspiration of "fish pmission" through the interpretation of the show model, brings the guests to the beautiful picture of "Sha Yu Xiang Ji" and "Jin Mei swimming" in the Yueyang Tower notes, and hopes that the Chinese traditional cheongsam culture will be better integrated with modern fashion, so that the "full embroidery culture" will "go abroad" to the world.

The most amazing thing for the guests is the unique embroidery with the rich royal style.

Manchu embroidery, as a non-material cultural heritage of Manchu, has a history of 800 years. It is a symbol of Manchu culture. It uses a tiny steel needle to pierced various colored threads, weaving and embroidering all kinds of patterns, and forming an artistic style with exquisite workmanship and exquisite art in the magnificent composition of the atmosphere.

The embroidery part of this season's clothing is finished by embroidered mother.

One needle and thread, as if you could hear embroidered mother's needle passing through the tiny sound of silk and silk, with one heart and one mind, as if you could see the persistence and tenderness of embroidered mother's eyes.

In addition, it is better to have the temperature with hands and the designer's full of sincerity, and the traditional Chinese aesthetics presented by the craftsman's heart.

As the inheritor of the fifth generation of the embroidery, the Liu Sitong, founder of nelan red, is constantly exploring and innovating, integrating the inheritance of intangible cultural heritage with the art of contemporary costumes and aesthetics, and deducing the elegance and fashion of Oriental women.

She has persistent dedication to artists and constant innovation in art.

In 2017, Liu Sitong and the fourth generation of national embroidery, the great Buddhist theme embroidery work, "500 Lohan", successfully created a new Guinness world record, and reached the cooperation with the international luxury brand Fendi home. He was the chief researcher of the "China National Art Image Research Center" of Capital Normal University and a visiting professor of Communication University of China. He pioneered the design of the Institute of non heritage and design, and made progress in the integration of the development of modern embroidery and modern fashion.

Liu Sitong thinks: "full embroidered Qipao has already surpassed the meaning of a garment, and is the continuation of Chinese culture and the continuation of history.

The Manchu embroidery is not as simple as my family inheritance. It is mission and responsibility for the inheritors of heritage.

In the forefront of China's fashion, both the technology and the design have been innovating. Nelan has become a representative of mainstream art and new fashion.

Just like this 2018 Beijing fashion week's debut Wangfujing theme "Oriental fashion, let the world love China", "give Chinese brand an opportunity to grasp the right to fashion discourse".

2018 the national brand Nilan Hong, unveiled at the "Wangfujing show" of Beijing fashion week, is deepening the distance between traditional culture and the public through in-depth research and exploration of national culture, so that Oriental fashion becomes accessible.

The audience was interested in the details of the Chinese dress because they liked the Chinese culture bearing the imprint of the national culture, so they had strong interest in Chinese elements and traditional culture.

Only a growing number of Chinese people feel the deep connotation of national culture, and realize the value and charm of oriental aesthetics. Chinese national brands can be more confident and proud to go to the world, and shine on the international stage, with unique Oriental fashion to lead the world tide.