Paris Gao Ding Zhou: The Dior Under The Dome Has A Long History With The Circus.

Four years ago, Maria Grazia Chiuri and the Vanessa Friedman of New York Times were flying back to Manhattan in the west side of the country, jumping up and down in the sky.

Her unreservedly open attitude towards this body exercise shows that some circus blood is streaming in her blood, which is appropriate for a fashion designer. When Chiuri is designing a new series for Christian Dior, she realizes this.

Fashion is a circus, every season, it will come to this metropolis, let people cheer.

It's as if the movie circus King defeated the negative comments and sold the box office. Isn't that every designer's dream?

Dior has been with the circus for a long time.

Richard Avedon's photos of Dovima and elephants in Dior fashion in winter circus may be the most iconic fashion photography ever.

In 1950, when Christian Dior held a press conference at The Savoy Hotel in London, every local movie theater was playing a short video of "The Dior Circus Comes to Town" (Dior Dior).

It is these special records that confirm the uniqueness of Chiuri design.

Other inspiration from this series comes from the stage design of Picasso's performance for Ballets Russes in Rome and Naples, Fellini's movie clown and G e rard Vicaire, which is comparable to the costumes of circus suits.

The other leading role of the conference is Mimbre, a female Acrobatic Troupe in London.

For Chiuri, there is no better example of her support for other women as a woman.

As shown in this Dior tent, the perfect performance of Mimbre acrobats depends on their trust in each other and mutual support.

It looks quite amazing, and some uneasy performances are gorgeous and difficult, reminiscent of the dance performance of Sharon Eyal at the last Dior conference. This circus performance has brought a strong but slightly opposite spotlight effect on the whole series of press releases.

Chiuri's design highly praised the fragile and lightness of matter, and the lightness of performance of acrobats, rather than the kind of energy consuming, endless and potentially dangerous side.

But the designer of Chiuri also embodies the other side of high fashion, which is composed of a series of blood, sweat and tears.

As a leader, the challenge she faces is to turn it into an excellent beauty.

Did she do it?

Her series undoubtedly covered a particularly broad theme.

The short skirts are gleaming to satisfy your inner vision of the image of the flying trapeze artist.

The stereotyped and elegant monochrome tone reminds people of the classic Italy clown actor Pierrot.

A glamour that glittering with gold and enviable, reminds you of a long time ago when circus was a cultural force.

But after that, Chiuri managed to take us to the modern world. Adut Akech wore Satin tie dye evening dress, which stripped the tradition.

With the jacket of shorts, decorated with a lot of embroidery, weaving his own mysterious story, making unexpected changes to the gauze.

She is also very firm in her belief that she can design clothes that women want to wear at the same age as their daughters.

Aside from the cost considerations, you can see that Chiuri is working towards this goal through this series.

And you can't see how many women are willing to come to her circus to enjoy themselves.

But if the movie "the king of the circus" proves anything, that is, if you are prepared to face unexpected things, the outcome will not be too bad.