"The Spring City Fashion" International Fashion Week, Guo'S East Palace Series Displays Oriental Aesthetics.

From the Chang'e in the moon to the fairy in the Dragon Palace, the eastern myth is long and mysterious, and romantic. The fairies and Taoist men in the palace wear big sleeves and silver hair. In the eastern culture, the palace has always been the place of residence for the Royal noble, and also the spiritual rest place for the immortal. Palace is not only the symbol of supreme power, but also the pronoun of Queen. Palace is not only a paradise on earth, but also a place for immortals. In the east of the five thousand years of the East and the west, the palace has staged a series of legends, which have been shown in one scene after another. In the spring and summer of 2019, Paris gaidding stage, Guo Pei focused on the theme of "East Palace", using her unique middle school as the expression way of Western learning, telling a legend of "Donggong Palace" in the rich oriental culture.

Guo Pei 2019 spring and summer high show, again appeared in the "Spring City fashion" international fashion week's dream stage. The pillar of red and red is solemn and quiet. It integrates the eastern cosmology concept supported by Tianzhu with the earth in the myth of creation. In the palace of Tokyo, the designer constructed a virtual void of communication. The magnificent and solemn court aesthetics and natural philosophy of wisdom coexist harmoniously here.

During this season, the designer tried to express western culture in her eyes: the twill weave, soft fabric, the sequins and prints of the colored metallic lacquer, and the texture of the crazing texture, which tells us the glamour of the modern city; the floating and floating pure gold fabric with the sun shining like the sun, revealing the vitality of the nature.

Part of the fabric comes from the cooperation with the Jakob Schlaepfer fabric factory. The Oriental view of Westerners brings designers a new artistic experience. In the eyes of the Orient, the peony, which is full of purple and red, is replaced by a high purity color grey with low purity; the Oriental palace is marked with the red metallic and indigo, which is coated with a modern gray metallic coating. Oriental elegance meets western elegance and elegance. Mysterious and romantic, a creative color change opens.

This is the content of this great show, which is a new interpretation from the Japanese Valley valley. The method of the weaving of the nuts was originally originated from the foil of the Tang Dynasty. It is a technique of replacing the gold and silver foil fabric with the thread of the gold thread. The craftsmen sanded the tin plate to 0.1-0.2 millimeter thickness, and then cut it into silk. The whole process required the manufacturer to concentrate on the calculation of the gain and loss between the millimeters, so that the rich rays of the sediment deposited by the shellfish could be perfectly attached to the fabric. Elegant and soft shellfish luster, like the heavenly rays of the heavenly palace, shows the magic and intelligence of the eastern court.

The designer stroll through the exotic Oriental palace and discover the surprising Eastern outline. From the eaves of the palace to the dragon pattern base, then to the dragon dragon pattern and the carved palace lanterns. The outline of oriental architecture and decorative arts is wonderfully integrated with Western cutting techniques, presenting Oriental style with modern aesthetic feeling and classical lines. The traditional costumes of the eastern court are also used. The wide sleeved robes, the diagonal lapel collar, the Japanese style kimono and so on are presented in a gorgeous manner. The traditional clothes, such as belly dresses, trousers and trousers, are infected with the fashion of the world with the unique style of the designers.

In Guo Pei's nearly 30 years of design career, she has been committed to the expression of Oriental culture, so dragon is still one of the main elements of this conference. This series of dragons has gone through the wilderness to the flowers, and inherited the dragon's slender and free body in the Han Dynasty. It has also been given a richer look and emotion. The Dragon presents in black, green, gold, silver and red colors, containing profound and mysterious philosophy of Yin Yang and five elements.

From the storm to the green dragon, to the birds of the three fires of the rosefinch, the Golden Phoenix and the Phoenix, to the serpent snake and the mighty kylin, the designer draws materials from the ancient mythology, and brings together the eastern animals to depict the intersection of the two parallel worlds, blurring the boundaries between the sea and the sky, between the human world and the myth. When the carp leaped to Longmen, it was magnificent and magnificent. The free and easy ride of cranes and clouds was a wonderful picture of the spiritual paradise pursued by the Orient.

Since ancient times, palace art represents the highest standard, and the top technology has been gathered here. In the latest series, extravagant heavy embroidery has been used again. On the basis of inheriting the traditional palace embroidery, the designer innovated the different embroidery methods including plate embroidery, net embroidery, cushion embroidery, and so on, so that one after another lifelike design was in sight.

Each accessory is a delicate artwork. Colorful jewelry, a large number of dragon shaped, fringed and lantern elements emerged, the traditional Cui Cui and the gold wrapping process revived again, deducing the romance and legend of the eastern court. Most of the shoes are designed with the same fabric as clothing, which integrates them into embroidery. The handsome and hollowed dragon pattern on the heel comes from the carved beams and painted houses in the eastern court. The golden shaped heel of the relief dragon pattern and the winding grass pattern is inspired by the components of ancient gardens and legs of ancient furniture, which skillfully blend architectural styles with artistic beauty.

The "East Palace" created by Guo Pei is not only a beautiful and dazzling eastern palace, but also a spiritual holy land full of philosophy and wisdom. Guo Pei's every show is a spiritual practice. It is far from fame and gain, and has nothing to do with doubts and applause. The end of spiritual practice is to transcend oneself, and attain the ultimate state of happiness after nature and relief.

Guo Pei

Guo Pei is one of the most iconic fashion designers in China. She graduated from the Beijing Institute of industrial design in 1986 and began her career in the Chinese textile industry. In May 1997, he began to design his own clothing series and set up his own studio, rose Fang. Guo Pei has drawn inspiration from China's 4000 years of history. She has trained more than 400 craftsmen and transformed her ideas into her advanced custom fashion series. Her design process is very complicated and takes more than 50 thousand hours to complete. Her works, The Legend of The Dragon, have been in preparation for nearly three years, and premiered in Beijing in 2012. There is no doubt that Guo Pei's works are highly sought after. She has designed costumes for Chinese famous stars such as Zhang Ziyi and Fan Bingbing. And won numerous awards and honors, including "China's ten fashion designers" award, she is an exemplary contributor to China's textile industry. Internationally, Guo Pei is also very famous. She held the "mirror China" exhibition at the Metropolitan Museum of art, and the TIME Time called her one of the 2016 most influential 100 people in the year. In November 2015, Guo Pei was appointed as a guest member of the Paris high fashion Union and was the only person in China to be recognized. In January 2016, she appeared for the first time in the official calendar of Paris's advanced fashion week. Guo Pei is a founding member of the Asia senior custom Association, and is the only Chinese designer among the 22 members of the Asia high definition Association.