Hirokazu Kore Eda, Truth And Prejudice

2miao/ text

After winning the Golden Palm awards from the Cannes Film Festival, Japanese director Hirokazu Kore Eda accidentally chose to shoot a French film. This is the first time that he has left his roots in the social and cultural soil and tried his previous career.

The new film "truth" invited the French legend actress Catherine Deneuve as the heroine in the film. Fabian, also a respected actress, looks like a beautiful actress. But her youth is gone. The performing arts also face crisis due to natural aging.

Truth. Data map

Like Hirokazu Kore Eda's predecessor, "walking on the road" and "deeper than sea", the truth reveals a warm and painful family history by telling the story of the present tense. In order to celebrate his mother's upcoming autobiography, the daughter of Lu Mir, who was a screenwriter in the US, returned to Paris. But she found that in this autobiography of "truth", Fabian willingly wrote herself as a loving mother, coined the death of her ex husband, erased the traces of the existence of a faithful housekeeper, and invented an actress who did not exist in real life. Lu mil devoted herself to reading her mother's autobiography and arguing with her about the details of the book, but Fabian thought that the public did not need to know her true side.

After a few days and several matches, the reunion mother and daughter began to notice their respective feelings of indifference to each other. Truth and lies may be opposite sides of each other, but when memory is involved in the relationship between them, it becomes impossible to distinguish the truth from the truth.

Sara, the departed, is a soul from the past. She is Fabian's former competitor and the difficult knot at present. She is also a very close elder with Lu Muer. An accident took away Sara's life and created a crack that could not be erased between mother and daughter. There is a very important drama branch in the film. During the visit to Lu Mir, Fabian will take part in a science fiction film to explore mother daughter relationship. The film's actress, Manon, enjoys the title of "new Sara". Her role is a mother who goes to space to save her life. She can only return to earth to visit her daughter every seven years. She is always young, but her daughter is getting older. The strong mother in her life is Fabian, the fragile old daughter who yearn for love and care.

Fabian's Manon in front of him was not only close to Sara in voice and acting, but also as cursed as Sara in the age of change. Sara, who never appeared, existed in the conversation between people, hidden in a beautiful skirt, and attached to a promising future. She is like a switch to the past, a carrier for memory, and a weapon for Hirokazu Kore Eda to pry open the secret mind of the characters.

Hirokazu Kore Eda's family stories are all sharp and tender, hidden in mystery, and the truth is no exception. Once the feelings were awakened again, details about the past were constantly touched and mentioned. Fabian and Lu Mir ask and reveal their feelings to each other. At this point, they are giving each other a different view of the same person and the same thing. The so-called "truth" is confusing because everyone's memory is inaccurate, and the subjective and selfish feelings have prejudiced and intensified contradictions. In time, the truth will even be rewritten and rewritten.

Fabian and Lu Muir may have completed the reconciliation between mother and daughter, but the same problems will still be mentioned by the next generation. Near the end of the movie, Lu Mir's daughter asked her, "but is that the truth?" The lens cut to the face of Lou Muir's face. She did not answer her daughter's question. In nearly ten seconds of silence and unpredictable smile, she contained the realization that she could not resort to language.

It is worth mentioning that Fabian and Lu Muir play different roles in the film industry. Their professional identity also determines the presentation of the truth. In the drama, as the actress's mother is playing the role and role of the self, while the playwright's career daughter is committed to creating new plots, stirring up the emotions of the people around us and the audience. Therefore, "truth" can be regarded as a movie about the movie, but Mie Hirokazu's use of "Yuan movie", not only to construct the level of film narration, but also to relate to different ways of movie how to influence the narration of a movie.

At the same time, the audience is placed in an almost omniscient perspective. We saw the faces and actions of every member of the family, observing the sweetness and warmth of the three families of the house of Lu, who were surrounded by family members, and found clues to break their mother daughter relationship in the play. The fans who love Hirokazu Kore Eda can find out how the film writer continues to outline and interpret the kinship relationship between cross language and culture in a "exotic" environment in this multi text full of everyday details and spatial interpretation.

?