Victory Of The World: How Can We Talk About Embarrassment

Although Robel gaddigion has given his new film an impassioned title, victory of the world is mainly about the plight of the working class in Contemporary France. In recent years, many literary and film works have tried to draw the audience's attention back to the real life and narrate the unsatisfactory life with various stories. Veteran directors like Darnay brothers and Ken Lodge tirelessly aim their lens at the bottom and marginal groups of their own society, recording their daily lives with extremely real scenes. In les miserables, new creators such as Raleigh gie portray the ethnic minorities who travel outside the mainstream society in a more dramatic and determined manner. Under such a general trend, as the mainstay of the French film industry, Robel gaddigion has also delivered a satisfactory answer. Whether in terms of script writing, performance or editing, victory of the world can be regarded as one of the most penetrating European realistic films this year.

The film begins with the birth of baby Gloria and ends with the imprisonment of grandfather Daniel. It tells the story of a common Marseilles family's happiness and changes in a short month. At the beginning of the film, a new life was born. The director does not hesitate to use slow shot close-up and melodious music to render the moment full of hope. However, Mathilde and her husband Nicholas did not fully enjoy the joy of their first parents, and soon they were on the verge of collapse because of the pressure of loans and work. The financial constraints also made their feelings split. Grandparents see the plight of the couple, but as bus drivers and cleaners, they can't provide much financial help to their children. Mathilde's half sister and her boyfriend opened a pawnbroker. She had a small success in her career. She was a relatively well-off member of the family, but she was reluctant to help her sister. The storm within the family is coming

Compared with the extremely realistic works of the same type, the victory of the world seems too dramatic at first sight. After the birth of the baby, family members have been in the occupation crisis one after another, which may be criticized by others. But in fact, this is the brilliant point of the film in the screenwriting. In fact, "victory of the world" is by no means a simple melodrama. It is not intended to tell the story of a single family. On the contrary, the director adds the most common and unsolvable dilemma in the contemporary era - a series of avalanche events caused by the family economic crisis, and tells the audience through the shaping of other social groups that there are complex causes behind each specific difficulty. Nicholas's Uber driver is unfortunately temporarily unemployed, which seems to be a personal accident, but why his desire to return to work has not come true? In this difficult process, what role does the social medical system play? Is it helping individuals recover, or is it destroying a family's financial resources on the ground that health is not in line with professional regulations?

The film also vividly depicts a failed strike: Mathilde's mother, heleby, is the most ordinary cleaner. When they want to make money, they are forced to work hard to make money. This plot is only a small episode in the film, but it shows the director's ambition to depict the complexity of the bottom of society through micro incision. All groups, whether it is the middle class or the marginal groups, can not be generalized. Every living individual, every seemingly determined choice, is the result of many complex factors.

In recent years, as a director of the city, Marseille has been focusing on creation. But he had no intention of depicting the bustling seaports and Mediterranean streets. He specially selected Marseilles to add more modern elements to the story. Gabriel gaddigian admits that he created "victory of the world" out of anger at the present reality, but at the same time, he also wants to use such an emotional story to convey warmth to the viewer. That's why he chose a midrange view that looked quite decent, rather than a close-up with a sense of oppression, to describe the family's living environment. Whether or not they're in trouble or not, they're at least trying to sort their way out of chaos. At this point alone, they are decent enough.

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