China International Fashion Week: Exploring The Limited And Infinite Beauty Of China

　　 Reporter Wang Zhenyu

　　 If we want to wear enough Chinese clothes, what else can we choose? Chu Yan fills your pursuit of Chinese beauty with practical actions

　　 On September 4, 2021, famous designer Chu Yan's "Chuyan" China International Fashion Week ss22 conference was held in 751 cans. This is a cultural feast across time and space, pushing this season's China International Fashion week to a climax.

　　 "Chuyan" this season will explore and express the infinite possibility of "China's beauty" in the new era with the theme of "limited · infinite", taking the tangible Limited clothing as the carrier, the "beauty" of connotation and human nature as the background color, and the "Chinese beauty" as the theme.

　　 This kind of exploration and expression breaks through the dimensional wall of tradition and modernity, classicality and fashion, East and West. On the basis of profound cultural accumulation and cultural self-confidence, we should transform "beauty" into "beauty power" to express the "great beauty" of Chinese culture; The new paradigm of "Chinese beauty" in the new era is demonstrated by the perspective and pattern of "each beauty is its own beauty, and beauty and common" are used to communicate with China's cultural spirit and aesthetic spirit, and with the world.

　　 Finite · infinite:

　　 Exploration and expression of Chinese beauty in the new era

　　 Since 2011, Chu Yan has founded Chuyan for ten years. Since the establishment of the brand, it has been committed to the contemporary inheritance and expression of Chinese traditional culture and aesthetic interest, integrating classical and modern, East and West, tradition and fashion, infiltrating cultural and artistic connotation in design, and full of innovative spirit.

　　 In this season's press conference, "Chuyan" continues and enhances the brand's deep cultivation and understanding of Chinese traditional culture, and extends to the exploration and contemporary expression of Chinese philosophy, aesthetics and "new era Chinese beauty" with the theme of "limited and infinite".

　　 Being or not, tangible and intangible, limited and infinite have always been important contents in Chinese philosophy, aesthetics and artistic creation.

　　 What you have is beneficial, but nothing is useful.

　　 Heaven and earth have great beauty but do not speak, four seasons have clear law and do not discuss.

　　 The elephant is invisible, generous and boundless.

　　 There is no limit to the meaning of words, the form is limited and the meaning is infinite.

　　 In literature, "without a word, you can be romantic", while in painting, "where there is no painting, all are wonderful places"; while in music, "silence is better than sound at this time". On the basis of "you", we pay more attention to the wonderful and wonderful use of "nothing". This makes the creation and appreciation of Chinese art cage heaven and earth in the form, frustrate everything in the pen; Can be within a short distance, feel thousands of miles away; Can concentrate on the eight poles, heart swimming ten thousand Ren.

　　 "It's hard to be easy to have or not." Visible and invisible coexist, limited and infinite. We can discover and create infinite freedom and possibility in the Limited space-time and life, regardless of the time and space, or the image of famous words.

　　 This makes Chinese culture open, open, rich, diverse, inclusive and extensible, and has infinite development power and vitality.

　　 In terms of design, visible design is tangible and limited creation, and invisible culture is intangible and infinite spiritual meaning and life energy.

　　 This is the charm and energy of Chinese culture and China's great beauty that can penetrate the ancient and modern times and integrate the East and the West. Therefore, no matter in ancient or contemporary times, we can use beauty as a medium and turn beauty into force to carry out exchanges between the East and the West and dialogue between ancient and modern times.

　　 China in the new era has such energy, mind, pattern and spirit; The "Chinese beauty" in the new era should have the temperament, bearing, weather and demeanor that match with it.

　　 To express the spirit in form:

　　 Transform the invisible into the tangible, into the infinite in the finite

　　 The beauty and vitality of nothingness need to be expressed through the external perceptual image and the beauty of things.

　　 Under the Chinese aesthetic and spiritual gist of "finiteness and infinity", Chuyan's fashion design of this season's press conference adopts the method of "depicting the spirit with shape", deconstructs and innovates the classical styles and structures of Chinese traditional clothing, and makes a lot of use of the cross collar, stand collar, cross stand collar, collar, straight collar, raglan sleeve and straight collar, And the design of classic structures and styles such as Shenyi, Ru skirt, Qipao, etc., which are rich in changes, diverse and inclusive, systematize the outline and collar type of new Chinese style clothing in the new era, and constantly explore the expression of "form" and "charm" of Chinese beauty in the new era and new Chinese style clothing.

　　 According to the current life scene and dress requirements, the "Chuhe Tingxiang" this season's press conference combines the pattern and structural characteristics of the world's popular jackets, suits, hunting suits, etc., while the women's clothing combines elements such as western style suits and skirt support of the dress, and integrates Chinese color and Chinese patterns and crafts. The overall style is unified, rich in changes, and combines Chinese and Western styles, Integrating ancient and modern.

　　 The stars are bright and the universe is vast; The mountains are green and the sky is high; In terms of patterns, in addition to the traditional classic Baoxiang flower, cloud water pattern and tiger pattern, it also uses crystal pattern, triangle, cone, infinite symbol ∞, abstract patterns of star sky, mountain, water and tiger, 3D printing assisted and hand-made percussion accessories. All of these make the works of "Chuyan" in this season's press conference not only have traditional classics, but also have traditional classics Elegant safety, quiet beauty, but also has a strong and intrinsic strength, with a strong tension and penetration, fashion and a sense of future. But these two seemingly contradictory temperament, but with a kind of invisible aura perfectly blend together, so that each garment has become a rich presentation of inclusion.

　　 In the limited visible clothing and show, the gorgeous and peaceful color is not only the color, but also the inner interweaving of the past and the future. The sun and moon are bright, everything is shining, and life is in the vast world, opening and relaxing infinitely

　　 Good life, use oriented:

　　 From listening to the fragrance, the nature and the color

　　 "It's so dedicated that it can be used."“ The daily use of the people is the way. "

　　 When Chu Yan founded "Chuhe Tingxiang", her brand concept was "harmony for beauty, and use as the foundation". Most of her clothing was customized for men and women. In March 2021, "ask tea" was launched to lead the new Chinese elegant life, and launched the "Chu He Tian Wu" ready to wear series.

　　 At the 10th anniversary of the establishment of the brand, Chuyan officially launched four brand product series of "Chuhe Tingxiang", "Chuhe Jueshi", "Chuhe tianwu" and "Chuhe jueshe". These four series correspond to the new Chinese style dress, new Chinese business formal dress, new Chinese elegant life and new national style. They basically cover different ages, different etiquette scenes and public life scenes, as well as dress requirements of various temperament and image shaping, so as to meet the people's needs for a better life and a high-quality and high-quality life.

　　 Color into the Chinese dress:

　　 Chu and Chinese color

　　 Since its establishment, "Chuyan" has been committed to delivering the most beautiful Chinese color, applying the awakening, awareness, awareness and awareness of Chinese color to fashion design, enabling contemporary Chinese design, adding color to a better life in the new era, and enriching the color pedigree of Chinese fashion design. In recent years, each press conference of "Chuhe Tingxiang" will deeply study Chinese traditional art, integrate traditional aesthetics with four seasons' customs, and combine international popular colors to launch "Chu and Chinese color 12 colors". In the first three press conferences of "Kaiyuan", "Xingyuan" and "asking for tea", the "Chuhe Tingxiang" has released 36 "Chu and Chinese colors".

　　 In this conference, "Chu and listen to fragrance" continued the journey of tracing the origin of Chinese color, bringing "Chu and Chinese color · fourth season". The 12 Chinese colors released this time are mainly inspired by the Palace Museum and natural features: Palace Palace red, glass yellow, pine cobalt blue, mother of Pearl White, Wenyuan black, spring green, ink dyed, Ning purple, green lotus, clove, apricot powder, royal blue.

　　 The beauty of China in the new era

　　 Should not be too high and low, but should be with the light

　　 Chu Yan believes that there is a seed of "beauty" in everyone's heart, and there is a seed of "Chinese beauty" in every Chinese heart. So many incredible, moving and rich beauty, not only in the traditional Chinese culture, in the delicate craftsmanship of craftsmen, but also in the daily life of clothing, food, transportation and living, but also in every beautiful soul around us. Finding beauty, creating beauty and sharing beauty can nourish more people's body and mind, and improve the quality of life and the dimension of life. This persistence in "Chinese beauty" is the direct driving force of "Chu he listening to incense" in exploring Chinese culture.

　　 In the future, "Chuhe Tingxiang" will continue to create "Chinese beauty", share "Chinese beauty", and share the beautiful things found and created to more people. As Chu Yan said: the most beautiful things should not only be high and low, but also be in harmony with the world.