Century Carnival Fashion Fabrics

Fabric is not only the carrier of fashion, but the blood and flesh of clothing.

Fabric can inspire people's imagination, they have an irresistible charm.

For fashion, fabric is a kind of information.

Lace has the charm of mystery and temptation. At the same time, embroidery makes people feel luxurious.

Fabric is not only the carrier of fashion, but the blood and flesh of clothing.

Fabric can inspire people's imagination, they have an irresistible charm.

For fashion, fabric is a kind of information.

Lace has the charm of mystery and temptation. At the same time, embroidery makes people feel luxurious.

Fabric is the most basic part of clothing.

From a certain pattern, color or texture, designers can see the overall feeling of the fashion series.

With the discovery of silk and the development of textile related industries, great changes have taken place in the fashion industry.

Textile manufacturing technology has always been a basic element in the fashion industry for a long time, but it still does not lose its gorgeous characteristics.

In 1820, the invention of the "CA card" loom paved the way for the development of the textile industry.

In the mid nineteenth Century, Charles Frederick Vos laid the foundation for the development of high fashion.

He has extensive knowledge of textiles and adornment with flowery embroidery and lace.

In 1871, his studio had 1200 employees and had the ability to produce more than 6000 garments annually.

Worth broke the strict hierarchy.

Producers of fabrics, lace and embroidery occupy an important position in the fashion industry.

Now, these have become part of high fashion.

The mysterious color of the East is reflected in fashion.

Paul Polret, once a worthy student, is a well deserved master of style.

The prolific fashion designer liberated women from their corsets and replaced them with comfortable silk clothing.

Fortuny was born in Grenada in 1871.

In processing raw silk, he adopted a unique technology.

As an artist and inventor, he innovatively introduced the famous wrinkles.

This unique fabric led to the birth of the "defos" women's dress.

Many designers, including Christian Dio, have launched a series of magnificent costumes for this purpose.

Chris and Barbara gagga waited until the end of the Second World War to release their amazing talents.

The fabric rationing system in 1940s changed his design style and added plain and plain colors to the fashion.

At the same time, the geometric lines of clothing are more obvious.

Balun's costume has given special attention to the face itself.

The designer is very interested in fabric's weight, texture and materials.

He regarded the fabric as marble in the hands of the sculptor.

Balunshara is a pure artist.

She does not advocate cutting the fabric, but rather let the fabric appear on the body intact, fully respect the characteristics of the fabric itself.

There is no doubt that she is one of the most important and rigorous designers in the fashion industry.

In the process of design, she is bold and innovative.

Mrs. Grice likes silk flat fabrics and crepe fabrics, and makes wrinkles with her own hands.

She wanted to be a sculptor, so just as the sculptor kept the characters buried in the stone alive, she made the charm of the clothes reflected in the fabric.

As the spiritual successor of Mrs. grace, Lssey Miyake also painstakingly carvings the fabric.

He finalized, plucked and starched the fabric.

The unique artistic style he created combines traditional Japanese style and contemporary fashion features.

The characteristics of Lssey Miyake's clothing series are clearly reflected in the fabric he chooses.

The inspiration of designers comes from these raw materials which are exquisite but not strong.

The unique fabric became the special trademark of the three house clothing, and he created the most "Chaowei" costume in twentieth Century.

His love for fabrics has established a unique style for his design.

Today, changes in the textile industry are linked to Japanese designers.

Lssey Miyake's fashion has become a symbol of Japan's sense of innovation.

Three houses are decorated with their own models with flowing, close fitting or wrinkled fabrics.

He has achieved a degree of flexibility in the use of clothing materials, and established a fabric centered design system.

This makes the importance of ready-made clothes retire to second place.

Lssey Miyake regards fashion as an excuse for artistic creation.