On Appreciation And Expression Of Fashion Pictures
In fashion design work, we must have a good command of the method of painting, because costume painting is a necessary means to express the idea of costume design.
Today, dress drawing is becoming more and more important. Its function is expanding and its form is increasing. At first, it is mainly used as the design effect of clothing. Later, it shows itself in advertising, publicity and illustration, and develops from a production drawing to an art form.
Costume painting should be more typical than clothing itself and dress model. It can reflect the style, charm and characteristics of clothing, so it is more full of vitality.
Good costume painting can show the essence of dress beauty and the soul of beauty.
Nowadays, the art of foreign fashion painting masters has various styles, new forms and high artistic level, and has a unique appreciation value.
When a fashion designer draws a picture, the method of expression is not necessarily, some painting is very delicate, or like a real person, some paintings are very simple and simple. It must be combined with the purpose and use of the painting to decide how to draw. Although the painting method can be free, it is still necessary to convey the style of clothing, so it must be constrained to some extent.
Giving thought to a proper form is the most common need of mankind.
What is imagined is always floating and gone.
In order to "keep" vague ideas and emergent inspiration, we must apply some appropriate form.
Fashion design is an intuitive and effective way for people engaged in fashion design.
Through fashion painting, people can express their design ideas, correct their design concepts, and eliminate the fuzzy interference in their thinking, so that new ideas can be expressed.
However, whether it is painting appreciative costume painting or drawing practical costume effect diagram, it must have solid basic skills in Art: strict sketch, sketch and silent writing training, as well as the mastery of various techniques, all these are necessary means to acquire basic skills.
It is not difficult to remind people of the different styles of clothing, painting, costume and decoration.
In fact, they can be collectively referred to as costume painting, and are different members of the family of costume painting.
For the needs of society and clothing development, they gradually separated from the big family of costume painting and formed their own distinct characteristics.
Costume decoration painting is a new type of painting in recent years, and it is also a form of clothing that is separated from costume painting.
Because it is a "newborn", although it still has many characteristics of "mother", it grows with strong vitality.
The emphasis is on decorative beauty and formal beauty. There are no restrictions on the tools and materials used. Therefore, the expressive language is more diverse and expressive.
All kinds of special techniques and effects emerge in an endless stream, and the shapes of characters and clothing become more and more strange and weird.
The various ways of expression of costume painting are various forms of expression language of costume art. The exaggeration of costume painting has more distinct personality characteristics, and the embodiment of "shape" is most obvious. The simplification of costume painting, "simplicity" is its main feature, which is concise, simple and Jian Minge wants, and the interesting way of costume painting is not a bit of a taste.
If the interest is known as "love", then the way of dressing is to focus on "scenery".
There are many ways to learn and master fashion pictures.
The most effective method should be "combination of painting and painting".
Copying is indeed the best way to get started.
The second stage: imitation.
It is based on the method that we have grasped and conceived and created.
The third stage: variation.
It is to strive to change oneself and surpass others on the basis of the painting method that we have already grasped.
Generally speaking, the quality of clothing and the type of clothing pattern depend on the type of textile, such as wool clothing, wrinkles less, ratio is relatively wide, woolen overcoat is very heavy and sagging. When the elbow is bent, the coat pattern is concise and thick, cotton fabric is more wrinkled, and finely broken, irregular, silk fabric is soft, wrinkles are longer and longer, and the pleated lines are mostly curved and light.
The way to display woollen clothes is to use the plane of high temperature ironing pen, and make a uniform heavy color by Bibi.
If you use the line drawing method, you must use your pen to be strong and straight, the outline is strong and strong, and the less you can hook up, you can show the basic structure.
Generally used in modern portrait painting.
Silk fabrics are made with low temperature ironing brush. They are made by drawing. They are lighter and softer, showing light perception than silk.
Line drawing is mostly used for curve drawing.
Cotton clothing can be scalded with a combination of straight lines or curves.
The thick fabric is not easy to appear the details of the human body.
The thinner clothing such as silk can obviously reflect the details and dynamics of the human body. If we have a deep understanding of the structure of the human body, we should consciously emphasize the changes in the clothing pattern.
Through clothing, we can see the structure and dynamic changes of human body, and show the texture of silk.
The clothing pattern is due to the structure and dynamic changes of the human body, and it can also show the texture of silk.
The clothing pattern is caused by the structure and movement of human body, such as ribs, elbows, waist and knees and trouser legs, cuffs, clothes and hem.
Mastering their laws, no matter how they change, can accurately draw them out.
Occasional clothing patterns should be abandoned.
Some clothing patterns that should appear, but not very obvious, must be emphasized on these garment patterns. After processing and finishing, these garment patterns should reflect the texture and the dynamics of the limbs.
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