• <abbr id="ck0wi"><source id="ck0wi"></source></abbr>
    <li id="ck0wi"></li>
  • <li id="ck0wi"><dl id="ck0wi"></dl></li><button id="ck0wi"><input id="ck0wi"></input></button>
  • <abbr id="ck0wi"></abbr>
  • <li id="ck0wi"><dl id="ck0wi"></dl></li>
  • Home >

    The Evolution And Characteristics Of Cheongsam

    2010/10/13 13:38:00 388

    Cheongsam National Costume Chinese Characteristics


     

    (1)

    cheongsam

    Origin:

    Cheongsam was originally the gown of Manchu men and women in Qing Dynasty.

    The Manchu nationality is divided into eight banners. All the military and civilian leaders are called flag men, and the descendants are called cheongsam.

    At the end of the Qing Dynasty, it was still wide, with straight waist and long clothing.

    Women's Qipao are different from men's robes. Women's cheongsam has lace in their collar, skirts, cuffs and so on. The four sides of men's robes are slashed into left and right slits.

    So cheongsam has become a unique style of women.

    {page_break}



     

    (2) the development of cheongsam:

    After the revolution of 1911, cheongsam was gradually accepted by Han women and combined with Han nationality's dress habits. By 1920s, it became one of the common clothes for women in cities and towns.

    This period is the era of the intersection of Chinese and Western clothing. Cheongsam also absorbed the simple features of western style clothing, shortened from long and foot to the lower leg, and changed from straight tube to waist type. The sleeves were changed from big to sticker, that is, the cuffs were narrow, and the collar remained high territorial integrity.

    At this point, it became rich.

    Chinese characteristics

    The improved cheongsam.

    The collar is tightly buckled, the curve is sharp, and the rhyme of the oblique skirt is set off, so as to set out the dignified, elegant, quiet and reserved Oriental women's posture.

    The economy is convenient, beautiful and suitable, and the pearl embroidery is elegant and elegant. This style of clothing is subordinate to the ancient style. However, from ancient times, Chinese women's clothing basically has a straight line, chest, shoulders, waist and buttocks completely flat, without obvious twists and turns.


    It was not until 20s that Chinese women learned the beauty of curves and changed their traditions and made their clothes fit.

    Women wearing cheongsam and high heeled leather shoes reflect the beautiful posture of women.

    By 30s, under the influence of fashion, cheongsam developed to the slender type, and restored the shape of the garment to the full. First, the collar was raised and then the collar was lowered, and the collar was removed.

    The sleeves sometimes extend over their wrists, and are short and exposed. They are influenced by the Western skirt. The cheongsam is falling down, and the lace of many years has come back again. No matter how the clothing is, the edge and rolling strip are all called the "lace sport" of the Qipao.

    In the short term, the upper and lower waist of the gowns will be more and more narrow.

    The popularity of less than two years of high slat double reduction.

    The changes of the cheongsam on the cycloid and the slit, on the one hand, recorded the changes of people's aesthetics, and on the one hand showed the different demands of the times on clothing.

    Cheongsam in the decades of change, more charming, exquisite, comfortable fit, become

    National Costume

    A typical example of persistence.


    In 40s, cheongsam changed twice and removed the sleeves.

    When the clothing is long, it can be short to the knees.

    There are also changes in slit opening, low slit in the knee, high slit and under the hip.

    In 40s, we need to save cumbersome decoration and make it more portable.

    Gradually form the characteristic.

    There are straight lines, natural lines and slender lines. There are more variations in collar, round neck, middle round collar, small round collar, square collar, neckline collar, Impatiens collar and so on. There are more than ten kinds of skirts in the way of skirts, such as big circular, middle round, small round, straight, neckband, diagonal, triangular, pipa, ring, and single character. This period is the mature stage of cheongsam development. While retaining the characteristics of national costumes, it also boldly absorbs the factors of Western clothing, such as short sleeves, long sleeves, tight sleeves, tight sleeves, hairy sleeves and wool collar. The clothes are shortened, only under the knees, and the styles are increased.

    The way of wearing Qipao has also changed in a colorful way. It is modeled on the Qing Dynasty's flag style, that is, the cheongsam plus a vest, and evolved into a woolen sweater. There are Chinese and Western styles, that is, a jacket or a Western-style long sleeve, sometimes a fashion hat, a long scarf or a cloak.

    This shows that the cheongsam's collocation has great space, and its compatibility is strong, showing the excellent quality of the Chinese nation.


    Cheongsam began to be depressed in 50s and lasted for more than 30 years. By 80s, with the deepening of reform and opening up, the personalized characteristics of clothing have been strengthened. The traditional fine dress has once again been taken seriously by women. Qipao has been reborn and reformed in the new fashion trend. People call it modern cheongsam.

    By 1990s, Qipao is more colorful, becoming a dress for middle-aged women. It is also a must dress for young ladies to act as etiquette ladies.

    Bold new cheongsam, the two sides open to thigh, the back has a back type design, the lower chest collar, and some heart chest.

    The new cheongsam, as the representative of Chinese clothing, participated in the international fashion show.

    {page_break}



     


    (3) the characteristics of Qipao: the vitality of Qipao is unmatched by other women's garments.

    The reason is that it has unique advantages and is loved by many Chinese women in many ways.


    First of all, the cheongsam system is simple, and a piece of cloth is cut off from top to bottom, so it is suitable for ordinary family women to make their own decisions.


    Secondly, the dress requirements of cheongsam can be high and low, which can be used in high-grade brocade, velvet, ordinary indigo cloth and folk blue printed cloth, which is also suitable for the needs of women of all walks of life.


    Thirdly, after the Qipao is dressed, the lines are concise and fluent, beautifully drawing out the beauty of the curves of women, and at the same time can cover some deficiencies in the body.

    Cheongsam can be tailored according to the size of its body.


    Fourthly, the diversification of collar and sleeve can not only satisfy the aesthetic requirements of different women, but also set off the feminine charm and elegance.


    Fifthly, the application of cheongsam is very wide. It can not only be used for solemn social etiquette occasions, but also for daily life.


    Six, cheongsam's clothing is very easy to match. Regardless of the Chinese and western, regardless of winter and summer, a cheongsam can be matched with other clothing and accessories, and each has its own unique charm.


    In addition, the image of cheongsam is very compatible with Chinese traditional aesthetics. It not only shows the Chinese people's aesthetic requirements of being regular, implicit and dignified, but also caters to the moderate and restrained character of Chinese women.

    The smooth arc is the concentrated expression of this gentle personality.

    The slit on both sides of cheongsam is the result of the leading role of aesthetic factors in the development of clothing, which is developed from the first to facilitate the movement of seats to show the graceful legs of women. It shows a kind of time generation psychology while retaining traditional introverted style while pursuing self beauty, and this psychology has a great role in promoting the development of clothing.

    • Related reading

    Shanghai'S Dragon And Phoenix Cheongsam Inherits Chinese Culture

    Dress culture
    |
    2010/10/13 13:25:00
    164

    Street Tide Brand Billionaire&Nbsp; Boys&Nbsp; Club

    Dress culture
    |
    2010/10/13 13:52:00
    145

    意大利品牌班尼路 (Baleno)

    Dress culture
    |
    2010/10/13 13:46:00
    74

    Cultural Characteristics Of Chinese Tunic Suit

    Dress culture
    |
    2010/10/13 13:28:00
    147

    Brilliant 61 Years? Popular &Nbsp At That Time; Lenin Suit In Chinese Tunic Suit.

    Dress culture
    |
    2010/10/13 13:32:00
    83
    Read the next article

    Brief Introduction Of Hongkong Fashion Clothing Brand Clot

    Edison Chan, a EDISON of Asian Fashion teacher, founded his fashion brand Clot in Hongkong in 2003. He personally participated in all aspects of clothing design, materials and other aspects, becoming China's first wave brand and has certain influence in the world.

    主站蜘蛛池模板: 无码av免费一区二区三区| 国产精品资源在线| 大佬和我的365天2在线观看| 夜夜影院未满十八勿进| 国产在线一区二区三区在线| 亚洲高清免费在线观看| 亚洲国产精品无码久久久蜜芽| 中文字幕精品视频在线| eeuss影院eeuss天堂| 99精品国产第一福利网站| 色先锋资源久久综合5566| 欧美日韩国产综合在线| 差差漫画页面登录在线看| 国产大片b站免费观看推荐| 亚洲熟女综合一区二区三区| 久久精品国产亚洲AV蜜臀色欲| 中文字幕在线日韩| 亚洲色图欧美激情| 燃情仕途小说全文阅读免费无弹窗下载 | 国产乱子伦农村叉叉叉| 亚洲国产欧美国产综合一区| www.精品国产| 老子影院理论片在线观看| 日韩高清一区二区| 国产精欧美一区二区三区| 免费人成动漫在线播放r18| 中文字幕日韩在线观看| 高潮毛片无遮挡高清免费| 精品一区二区三区无码视频| 本子库全彩无遮挡无翼乌触手| 大荫蒂女人毛茸茸图片| 双女车车好快的车车有点污| 亚洲欧美乱综合图片区小说区| 三上悠亚伦理片| www.欧美xxx| 网站视频大片www| 日本中文字幕有码在线视频| 国产无遮挡吃胸膜奶免费看| 刚下班坐公交车被高c怎么办 | 日本爽爽爽爽爽爽在线观看免| 国产精品久久国产精品99|