Man's "Shaking" Crossover Exhibition, Double Arc Waist

Over the past few years, designers have been beginning to see the results of "cross-border" attempts by men and women alike.

While women's clothing advocates relaxing the outline, men's clothing industry begins to tighten up.

Over the past few years, designers have been beginning to see the results of "cross-border" attempts by men and women alike.

While women's clothing advocates relaxing the outline, men's clothing industry begins to tighten up.

In the past, the double camber of the back of the dress was reserved for women, but now it is likely to further serve the men.

Raf Simons, who pioneers the trend, has been trying to explore the hourglass effect of men's body since the autumn and winter of last season. After a variety of attempts, he finally identified the masculine way of waist collection, which is also the theme he displayed in his personal brand press conference.

Then, a group of men's avant-garde designers including Stefano Pilati, Dries Van Noten and Lucas Ossendrijver began to take advantage of the experimental results of Simons, showing the male masculine waist line through the way of wearing a coat and repeatedly wrapping.

This is perhaps the future New Look profile exclusively for men.

Although Bottega Veneta has deviated from its previous low-key line and launched a series of slightly publicized 1980s punks rather than a gentleman, the designer Thomas Maier had to admit: "I often see young people in Milan wearing self-cultivation suits, wearing bow ties and wearing top leather shoes."

Miuccia Prada also has a similar view: "they grow up in tattered T-shirts and jeans, and grow up immediately after adulthood.

Just two years ago, Prada was still at the daring stage of his design career, letting men wear ballet skirts or lowering the neckline of his sports coat to the ribs. However, an economic crisis changed everything.

Today's Prada is cautiously convergent. When camel suit suits match black trousers, knitted T-shirts and blue shirts, the time seems to be back in 1996.

Prada's sense of humor can only be expressed in proportion and detail: the shrinking sweater and the enlarged lapel.

It is true that most of the big brands return to conservatism is mostly for the purpose of catering to consumers. But if those designers who are labeled with avant-garde labels are also engaged in formal dress, will it be more obvious?

Through Alexander McQueen's complicated pangolin prints or marble lines, what you see is a straight line woolen suit and coat.

Do not be blinded by patterns, but neglect the excellent tailoring skills of McQueen trained in the Savile Row tailoring shop in the UK.

Similarly, don't be afraid of Adam Kimmel's monster headgear, otherwise you will miss the best velvet suit and exquisite gun barge lapel.

It is a new masculine body full of male breath, but no lack of elegance. He plays a real hero role in this autumn and winter. From boxers, officers to assassins, adventurers, masculine and smart polyhedron is the new image of men's clothing in autumn and winter.

Fine knitted fabrics were replaced by various heavy knitting styles in the autumn and winter.

Cashmere is expensive, but not for rough fabrics woven from coarse wool, blended wool or even cotton thread.

In the Domenico Dolce and Stefano Gabbana celebrating the 20th anniversary of the brand's men's wear show, heavy knitting has become an important style of the whole series that keeps pace with the tailor's tailored suit. In the Alexander McQueen show with mystic inspiration, heavy knitting has played a role in his department for the first time, and the logo of the logo has been amazing.

You should never have thought that there would be so many moments of coarse knitted sweaters that once felt old.

Jean Paul Gaultier and Salvatore Ferragamo wrapped a large coarse knitted scarf to male models, while Prada did the opposite, shortening the size of sweaters while making the stitches, and creating tight effects after shrinking.