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    Cornice Sleeve Design: Chinese And Western Harmony And Tolerance

    2010/11/29 12:41:00 120

    Cornice Sleeve Design

    The fashion trend of the year is controlled by several designer. A world fashion show will show people the fashion elements that will be popular all over the world: fabric, design details, style and so on.

    The design of the masters of Europe and America can integrate the various styles of the ancient and modern, Chinese and foreign, and draw on the charm of clothing to show the various elements absorbed and carry forward it.

    It has to be said that the design of European and American masters affects the streets and alleys of the whole world. Chengdu, the world's Garden City, is no exception.



    Absorbing Chinese architectural style



    Sleeve design of costumes and cornice



    Chengdu has always been a tolerant city. Chengdu girls are praised as "Chengdu powder". This is a general term for the beautiful women who live and work in Chengdu.

    Pink love and dared to wear have become a beautiful landscape of Chengdu's idyllic city.

    Today's popular "eaves" sleeves highly reflect the concept of strong women in the world, and the design style of clothing stores in streets and lanes in Chengdu can be seen.

    Knowing the beauty is not enough. The key is to know the source of beauty.

    How should women who love beauty follow the fashion of the world and understand fashion when they love fashion?

    Li Wenshu, a senior fashion designer in Chengdu, said: "Chengdu girls are born with beautiful quality and have always been very particular about their dress.

    Most of the local girls are small and delicate, and the eaves sleeves of strong women are acceptable, but they can also be improved according to the local cultural environment and cultural details, so they can not be blindly copied.



    People in the industry know that the "eaves" wind this year is that foreign designers absorb Chinese architectural styles and apply them to dress design, which is recognized by global fashion people.

    Li Wenshu traced back the design elements. She said: "cornices are the elements of China.

    One of the forms of the eaves of Chinese traditional buildings, mostly refers to the eaves, especially the upturned eaves of the corners of the houses. If the flight is lifted, it is often used at the corners of the roofs of pavilions, towers, buildings, pavilions, palaces and temples. The four corners are raised and stretched like birds flying wings. They are light and lively, so they are often called cornices.

    From the architectural style, the cornice is an important manifestation of the national style of Chinese architecture. Through the special treatment and creation of the eaves, it not only expands the lighting surface, but also increases the movement of the buildings upward, as if there is a kind of gas lifting the eaves upward, and the eaves with layers of layers in the building group create a spectacular momentum and the unique flying lightness of Chinese ancient architecture.



    Fashion communication culture



    "Clothing is the carrier of culture, as well as the disseminator of culture. Clothing is the window to reflect local civilization."

    Li Wenshu said.

    With the development trend of Chengdu as the world's Garden City, many international brands have been stationed in Chengdu. To a certain extent, they have promoted the public's understanding of the international clothing culture.

    In fact, the trend of fashion is also a reflection of culture.

    International designers absorb Chinese elements in clothing design. At this time, the cultural flow is the process of "from west to west", so when it comes into play its fashion function and disseminates international dress culture, its cultural popularity is "from west to middle". Is it fashionable to assimilate or absorb effectively fashion beauty?



    Designers have the most say in clothing culture.

    Li Wenshu said: "the costume in the show is a manifestation of the designer's self-consciousness and self level, embodying his personality style, and at the same time, it is related to the cultural background of his life.

    Then, the designer's acceptance of design elements has a strong personal color. Exaggerating the use of certain elements or reflecting a certain feature depends on his historical, natural and cultural environment.

    As a senior designer in Chengdu, she believes that the eaves sleeves on the show are slightly exaggerated. The design and application of cornice can enhance personal temperament. In the use of "from west to middle", the eaves sleeve height can be reduced, and the cultural characteristics of China's implicit and inclusive culture can be embodied. With the soft sculpting of garment design, the inner quality of clothes and dresser can be integrated into one another, so as to create more elegant fashion people.




     
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