How Did The Costume Of The Spring Festival Evening Actor Be Designed?

　 province

Clothing recycling in Spring Festival Gala

In the past 2008, Chinese people experienced great joy and great sadness, but approaching the Spring Festival, people are facing a global economic downturn. Are these two situations having an impact on the design concept of the year of the year?

Guo Pei revealed that the worldwide economic downturn has a great impact on fashion design in the fashion industry. People emphasize simplicity in their daily costumes, but there is not much change for the most important festival of Chinese people. She said: "this Spring Festival evening performance costume, director's request is more colorful, so the style I design will be more luxurious, more flashing, details will be more detailed, more exciting, try to foil a gorgeous atmosphere to match the needs of the performance site. After all, people's attitude towards life has not changed, and the pursuit and expectation of good things will not change.

In order to cater for the festival atmosphere, the costumes of Spring Festival Gala are mostly gorgeous. Therefore, many viewers feel that the Spring Festival Gala is suspected of "wasting money". Cheng Jun said that the preparation of the Spring Festival Gala has always been based on the principle of less cost and more work. Although the overall budget of clothing this year has not changed, it still needs to save as much as possible and at the same time not to make the stage effect discounted. Over the years, he has maintained a cooperative relationship with many fixed garment manufacturers, but in order to control the budget of clothing, he has to do everything he can to bargain with his old friends every year to reduce the cost of clothing production.

Many people think that the costumes for Spring Festival Gala are all disposable, but in fact, 80% of them can be used in other performances. There are some special programs. The costumes of the Spring Festival gala will continue as a costume. Cheng Jun said, "because of the need to recycle, we have a very high demand for the quality of clothes."

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Clothes follow the program at any time.

As we all know, if a language program wants to go to the Spring Festival Gala, it must go through layers of reviews and rehearsals. Every line is deleted. Two or three months later, the script is completely different. Like these programs, the gorgeous and joyful costumes on the stage of Spring Festival Gala have been modified repeatedly.

Clothing also has rehearsal, usually in the Spring Festival evening dress rehearsal a month before the general pattern, samples after the approval of the director group, immediately put into production. From the first rehearsal, the test of clothing has also begun. With the deletion and modification of all kinds of programs, clothing has been constantly adjusted. This adjustment will also continue with the adjustment of the program until the last moment before the Spring Festival broadcast. What impressed Guo Pei most was that one year Spring Festival evening, due to some temporary changes, Zhou Tao's dress had to be remade, leaving Guo Pei only 24 hours. During the 24 hour rush, Zhou Tao was redesigned to produce a green dress. Like actors, Guo Pei is nervous before every program, dress rehearsal and even live broadcast. Although she has been involved in the costume design of Spring Festival gala for ten years, she still feels this way when she sees actors changing clothes in the background.

For Cheng Jun, the most profound feeling is "tight". He always feels that time is not enough. The Spring Festival evening costume design task is large and time is tight. He calculates that he can't remember how many sets of design schemes he has made every spring and evening from the group to the last live broadcast. Only knowing that usually from the task to the finished product, usually two weeks, the actors more than 700 sets of clothing are all in place. In order to catch up with time, the designers spent the night in the same way as their lives. When they lived in the theatre, they hurried home to change clothes because they had a little leisure. Because they were often tired driving, he fell asleep several times when driving, and now he was afraid of it in retrospect. {page_break}

　 change

Costumes show personality of actors.

Cheng Jun and Guo Pei said that for the big stage of Spring Festival Gala, the most important concept of clothing design is integrity. Actors, actors, actors, programs and program backgrounds need a kind of coordination and echo elements, and in addition to the overall response, each garment is also aimed at individuals, showing the personality of the actors. The most difficult part is the clothes of the host, especially the hostess. Because the host of CCTV Spring Festival Gala is relatively fixed. Every Spring Festival party should have at least three sets of clothes. Designers must have special consideration: what kind of design can distinguish them from each other and how to make every dress innovative.

Guo Pei, for example, said that Zhou Tao was the three female hostess in the Spring Festival Gala with the oldest and longest seniority, so her style of dress was steady and traditional, with a sense of magnificance. Qing Dong would give people a sense of beauty and generosity in accordance with their temperament, and appropriately add some shining fashion elements. This time, Zhu Xun and Bai Yansong joined the new team, Zhu Xun was small and lively, and the design was lighter and more intelligent. Bai Yansong was always a news anchor, and he was interviewed by the earthquake and other sections.