Milan Men'S Wear Week 2011/2012 Autumn Winter Series: DNA In The 60-70'S.

Milan men's wear week 2011/2012 autumn winter series two

DNA in the 60-70

Gucci NEW PLAYBOY

There is a sexy appeal in the rocking style of young models and the successful combination of luxury and everlasting appeal, which is the brand of Frida Giannini, the creative director, for the Gucci autumn winter men's wear series.

"2011 is the 90 birthday of the brand. I explored the code of Gucci from many manuscripts, and put forward some elements from the 70s DNA and the spirit of idols as a reference."

Freda Giannini said.

Image: new playboy.

Outline: pure 1970s outline, clear water chestnut.

Key styles: the shoulders and exaggerated Lapel suits are the core of this series. The waist waist jacket and bell bottomed trousers are lined with neat knitted sweater and the same color shirt and leader.

The coat was branded with all luxuries, ostrich skin.

Color: a light and deep subglossy color, soft cappuccino coffee and neutral color and soft shell or buccal pink compatibility, rich Burgundy wine, strong coffee, tea, camel and black, with emphasis on Cambridge, sapphire blue and violet.

Cloth and knitting: the luxurious texture of velvet and flannel.

Details and decoration: pointed collar and fur collar.

Shoes: dark colored ankle boots.

Accessories: Knitted long scarves, canvas belts, belts, soft silk chest handkerchiefs, black handle bamboo knitwear, its material is washed skin, pig skin or buffalo skin.

Roberto Cavalli 70s impact

With a glorification of the masculine appearance, Robert Cavalli chose a comfortable profile that clasp shoulders and legs, while bell bottoms and polo collar sweaters add a wonderful 70s atmosphere.

Image: an emotion that is affected by 70s.

Profile: tight knitted tailoring and boots trousers, sluggish super large knitted fabric.

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Key style: cut the body tightly, the jacket is tight in the shoulders to the chest, and be emphasized with wide lapel.

The sleeves of the sleeves are narrow and pinched waist, while the suit pants are tiny trumpets or boots and trousers. In 70s, the influence produced a combination of polo shirts and sports jackets, matching with tight fitting jeans; extra large code knitted fabrics including scarf knitted sweaters, popcorn pattern needles and slack knitted pullovers at the bottom.

Color: yellowish brown and cigar brown, oil blue, grass green, gray.

Cloth and knit: goat skin, velvet, shears and rough fur, horse hair, black leopard jacquard, printed knitted fabric, soft flannel.

Details and decorations: the foot of the simulated crawler scale, the jacket on the back, the Indian style leather inlay, the spliced and folded goat skin, the trousers one side is snake skin, the whip stitch, the satin lapel on the evening jacket, the flash bead collar, the fur collar.

Shoes: middle and Goat Leather Ankle Boots.

Accessories: scarves and soft silk scarves, feather pendants and Indian pearls, necklaces, floral necklaces, wide edge feathered hats and hard case suitcases.

Salvatore Ferragamo retro luxury {page_break}

In the next autumn and winter, design director Massimiliano Guionetti (Massimiliano Giornetti), taking the 70s style as a reference, from boots trousers to polo shirt and sports jacket, will soon become a trend from Milan.

"There are some references for 70s style, which are quite New York, quite fashionable and lustrous, but by playing the large outer covers in elegant costumes to play a gentlemanly feeling."

Massimiliano Guionetti said.

Image: luxury in 70s.

Profile: neat jacket and boot pants, super size coats.

Key styles: emphasize the coat of big proportion, coat, double breasted windbreaker, pike coat with cotton wool wind cap, luxurious wide collar shearing jacket, eight button buckles suit and long jacket, and pointed collar trim; the tight side jacket cover is outside the cashmere round top collar sweater, matches with the outlooking boots trousers in 70s; the kid shirt shirt and the ankle cropped long crotch overalls.

Color: white, dusty, matte, rust and brick red, duck green and oil blue.

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Prints and patterns: suit stripes include double lines and coarse stripes.

Details and decorations: Velvet wide collar, trousers flanged leather belt, contrast nylon sleeves.

Shoes: thick bottomed washable leather shoes, leather shoes with decorative nails, contrast rubber bottom sports shoes and relief optical pattern bottom pedals and fringed shoes.

Accessories: silk flower, plant and animal pattern, soft top hat and Beret; striped and veal strap with patterned buttons; suede leather handbags and briefcases with crocodile skin or lizard skin details, large size natural cowhide bags, tramps, rucksack knapsack and saddle shaped bags.

Prada 60 's bad taste

Creative director Musia Prada (Miuccia Prada) likes to challenge fashion, often pick ugly things and turn them into unexpected directions and fashion frontiers.

For 2011/2012 autumn and winter series men's clothing, its reference is from 60s, all vulgar and bad taste of that era.

In this case, there is a high Lapel sweater two piece suit, a four square square suit and a diamond shaped patch of kid's leather jacket.

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Image: the minimalism and modernism created by the 60s retro ism.

Outline: rectangular cutting plane, the upper part of super large code.

Key style: the elegant jacket is super size and quadruple square, with a wide sleeved sleeve, three buttons or four single breasted buttons, and trousers are tapered, pants on the ankles or cut short to the knees; the 60s style quadruple square polo shirt, the two piece consists of a narrow collar Pullover and a flashing V knitted sweater; others also have zipper tops and rayon jogging pants, and the kid's turnip trousers and the kid's commuter coat has a contrasting diamond front.

Color: dark winter colors include deep purple, purplish red and green; metallic lustre PARROT GREEN, pink and pink; brown and cigar brown, emphasizing the color of Kingfisher blue, white, matte black.

Cloth and knit: smooth light suit material, flash metal knitted fabric, goat skin, cashmere, viscose.

Prints and patterns: nostalgic knitted patterns.

Details and decorations: Diamond blending.

Shoes: thick bottomed boots, high glossy tie shoes, Oxford shoes, laced flat bottomed canvas shoes.

Accessories: hard case luggage, square bowling bag, knee flash socks.

Dolce & Gabbana poor children become rich {page_break}

In the Dole cut and Bana 2011/2012 autumn and winter series, the iconic workmanship and the rough casual wear are taken simultaneously.

The idol in the show is Brian Ferry. The classical rock star sits in the front row. The background music used in the show is his latest album.

Image: poor children become rich.

Profile: small one and four square suits are covered with comfortable shallow crotch pants.

Key styles: the smaller one is fitted with double breasted or short single breasted jacket, matching with shallow crotch trousers.

The silkworm pilot jacket and waist jacket give a sense of roundness to this contour. Large fur coats and gorgeous clon inspired jacket make up the choice of outdoor outfit.

The white or striped shirt and the striped sweater of the poor children are matched with the bleached jeans. The Lazy Lizard velvet evening dress adds a gentleman's feeling.

Color: black, gray and white with bright red and dark purple.

Cloth and knit: flannel, combed stripes, velvet, brocade, checked velvet, bird grid material, Prince Welsh grid material, denim and coated denim, coated leather, digital printed velvet, poplin and artificial fur.

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Prints and designs: black and white paintings on jeans, Brian Ferry slogans on flowers and T-shirts.

Details and decorations: Velvet lapel and accessories, Evening Dress Satin and velvet contrast.

Shoes: shining high climbing shoes

Accessories: small crown hat, slender tie, thin strap.

Ermenegildo Zegna East meets West

For Zegna's rich autumn and winter series, the East is a stopover point.

This series celebrates everything with subtle luxury.

Image: the East meets the West.

Outline: luxurious cascading.

Highlights: luxurious leather and wool sheepskin: a Parka Coat, windbreaker, fox fur coat, overlay on four waistcoat jackets with belts and Welsh's three buckles suit.

Six button knitted sweater and flannel trousers with flannel and tweed.

The jacquard without a dashed line adds a novelty to the soft knitted sweater.

Gold Plated jacquard shirt and shiny evening dress accomplished a rich sense of Orient.

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Color: gold and brown and camel, red, dark gray constitute a rich mixture.

Fabric and knitwear: fabric emphasizes luxury. In the series, it is understated as flannel, Prince Welsh plaid and pane cloth. Donegal tweed and silk jacquard blend with the rough appearance of the cortex, wool skin and fox hair accessories.

Print and pattern: delicate jacquard scroll pattern, no dashed line jacquard landscape design.

Details and decorations: Fur decorations.

Shoes: Antique Oxford shoes and leather shoes, lace decorated high boots, short leather laces.

Accessories: Hunter's leather cap, hanging purse's flat buckle belt, checked wool tie.