Future Perfect Fresh Technology Sense

For those who have a great deal of interest in fashion research, they should be able to take the lead from this year's spring and summer fashion center.

Indeed, a large number of elements related to "hi tech" have appeared in this season, reflecting the intention of the major brand designers to further innovate their styles in the overall trend of futurism.

The style of futurism that appears every autumn and winter is now the basic element of the spring and summer women's wear show in 2011.

In addition to using a large number of metallic colors and hi-tech fabrics in this season's works, fashion designers add a sense of future warriors to the elegant tradition of women's clothing.

The Jacqueline style extravagant outfit with the branding of the 50s century, or the British seaside holiday dress, which is full of the 1970s style, has disappeared from the T platform. Instead, it is replaced by a series of new works that can ignore sex or even call the fashion aesthetics.

In fashion week in Paris, designer Gareth Pugh brought a cosmic technology feast.

He released the 2011 spring and summer women's ready-made clothes, which rejected the straight line and color, with metal grey blended fabric and metal fabric as construction elements, visually as fashion for the aliens.

Although fashion critics have pointed out after the show that the new group of Gareth Pugh is an alternative but not outstanding, "grudgely grafting technology and fashion is just another kind of vulgarity".

But a lot of fashion fans still show great appreciation for the design of deconstruction of Gareth Pugh, especially some of the fashions made of fancy fabrics, such as the armor made of glittering stainless steel, and the long skirts with a space filled digital pattern, are unique and future oriented designs.

Like Balenciaga in any previous season, the new season of Nicolas Ghesquiere still focuses on high-tech new fabrics and advanced manual tailoring art, emphasizing unique visual experience and luxurious experience.

The whole show began with a cocoon leather jacket with metal riveted holes on a round collar, followed by six or seven cocoon shaped leather coats, a sleeveless shirt with triangular metal trimmed edges, a leather belt full of riveted holes, and fluorescent color boots, and so on.

At the end of the season, Nicolas Ghesquiere also specially invited the famous model Gisele Bundchen to deduce the Future Warrior style with laminated and masculine effect, revealing a single white collarless white vest, lined with black and white tulip dress and pparent waxed paper mini skirt, with a wide men's watch and buckle men's shoes. The effect is quite amazing.

Fortunately, the new design combination A.F.Vandevorst also in its 2011 spring and summer women's suit series with a suit of armor - like fabric, mottled gradual color fabric, presented a series of fancy "war clothes".

The jackets made of mesh fabric are decorated with sparse holes, reminiscent of the lock pads made of iron rings. The leggings tight trousers with zippers show a fishbone hollowing effect. Dense horizontal lines are perfectly carried out with the same gladiators decorated with zippers. Soft silk tunic jackets also have silver sequins on the shoulders, mottled patterns on white fabrics, and both vicissitudes and luxury.

It seemed as if he had just come back from the battlefield.

In addition, many of the series are made of shiny silver metallic textures, with low profile iron gray and specially treated reflective fabrics, just like metal armor.

Although there is a trend of futurism on the overpass this season, there are also a few brands that are against the trend, including Bottega Veneta.

Bottega Veneta, which always used natural colors and cool colors, has recently presented a series of relaxed, meticulous and implicit costumes.

The series is long and dynamic, with breathable and lightweight material. It is comfortable and permeable from classic luxury fabrics to new fabrics with advanced technology.

And the uniqueness of this series is to draw inspiration from industrial design, and at the same time, it also conveys the other side of people's desire to return to nature.

Of course, from the two opposite concepts of "returning to nature" and "technology sense", we can deduce the popular elements of conflict and integration, contradiction and contradiction, and the integration of multiple concepts such as past and future.

Correspondingly, Belgium's tide brand Kipling is reunited this spring.