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    Cheongsam Follows The Fashion With High Heels.

    2011/3/21 8:55:00 51

    Cheongsam High Heels

    The modern and modern Tianjin is famous for its openness, tolerance, atmosphere and atmosphere.

    As early as Xianfeng emperor was still bored in the palace, the city had already opened up the port and connected with the world. Therefore, foreign businessmen came to China to open their own businesses.

    At the end of the Qing Dynasty and the beginning of the Republic of China, the western wind took the lead in wrinkling the hearts of women in Tianjin, and the spread of fashion. They enjoyed modern civilization and happy life.



    The cheongsam, which began in 1920s, has an oriental charm, and Eileen Chang compares it to a woman's life.

    The cheongsam of Chu Xing was welcomed by the new knowledge women represented by female students in Tianjin. The fashionable women in all walks of life followed suit and strongly attacked the old idea of traditional dress.

    Before and after 1929, the wind came up from the sea. Influenced by the short skirts of Europe and America and Hollywood movies, cheongsam made of cheongsam just a few years ago, the cheongsam was short, the hem fell to the knees, and the cuffs were on the top. "Inverted big sleeves" also became the most popular style of women in Tianjin.

    Short, let the blame four, and then grew down, a few years later, in the middle of 30s, Tianjin's "drag the floor cheongsam" hem almost fell to the ground, covering the foot.

    But this can not hide the love of beauty of the petty bourgeois woman. The sleeves of the cheongsam are quietly shortened to the two or three inch position of the elbows and even the shoulders.

    Around 1936, the sleeveless cheongsam scenery, and the arms of the ladies disturbed the eyes of the Tianjin men.



    At the same time, the paw of Shanghai cheongsam became more and more open. The knees of the cheongsam were then opened, and then the legs were exposed. The Tianjin cheongsam was also improved.

    The improved cheongsam adds temperament to the footsteps of women in the river bank and the market. The hidden curves form the moving street scene at that time.

    A few years later, the western style three-dimensional cutting technology appeared in Tianjin. The overall shape of the cheongsam was tight and narrow, and the visual effect was obvious, which made the woman more graceful.

    It can be said that some women who have some identities or good faces need to prepare cheongsam, including primary school students, including cotton, silk, cloth and spring and autumn.



    Of course, the women of Jincheng are swaying.

    At first, the high-heeled shoes on the blond blue eyed women's feet were only visually exciting.

    Although the "Tianjin tide man" who tried bravely tried to feel a bit like being punished, some people did not hesitate to squeeze his foot. He looked at himself in the mirror, but found that his legs were more straight and his manners were more graceful.

    The fashionable women in Tianjin quickly started their "honey love" with high-heeled shoes because they didn't want to be mediocre.

    In the late 20s and mid 30s, the style of high-heeled shoes in the big business of Tianjin was enough for customers to pick their eyes. They had toes and heels.

    Popular newspapers such as Beiyang pictorial and Saturday pictorial are also adding fuel to the flames. Sometimes the most modern shoes are published to attract readers.

    At that time, Zhu Zhi Ci also said: "shoes love high heels to walk several times, all clothes to see fashionable."



    The charming image of cheongsam and high-heeled shoes can escape the eyes of businessmen.

    The "Mei Mei Tu" trademark painting written by the old Tianjin Dahua Xingji dyeing factory is only a petal of "three thousand beauties", but the designation of "beauty and beauty" is probably the most telling question.



    There is no doubt that modern Shanghai is the frontier of fashion. Women in Tianjin were not very clear about their fashionable references. With the development of information in the north and south, especially the Shanghai style films, Tianjin women understood, so that they had the idea of "catching up with fashion", and Tianjin became the object of pursuit in the three north regions.



     
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