In Front Of The World &Nbsp; What To Wear Represents China

I am afraid that people who go abroad often have such problems. What can we wear to represent our long culture?

Traditional clothing is a national cultural symbol.

In the movie Cherry Blossom love, Cecilia Cheung, a Japanese bride, wears a kimono with an unusual beauty of elegance and purity.

The kimono is the traditional costume of the Japanese nation. It was formed on the basis of the Chinese Tang Dynasty clothing on the basis of more than 1000 years.

Mr. Li, who often commute to Japan and China, said that kimono has a very important position in Japan, not only when they are married, but also to wear various kinds of festivals and important assemblies. Graduation ceremonies and funerals are also required.

Kimono's configuration is perfect, from inside to outside, from head to toe.

Each Japanese woman owns one or two kimono suits, and when they get married, they have to rent an expensive kimono.

although

In Korea, Hanfu is also respected and loved by people.

As we all know, Hanfu is also developed on the basis of traditional Chinese clothing.

In Vietnam, traditional clothes are the first choice for girls to wear school uniforms and air hostesses.

The Vietnamese government stipulates that traditional costumes should be worn on major festivals or international occasions.

Fu Daobin, chairman of the Heilongjiang Literary Federation, said that clothing is not only a practical value of shelters, but also a symbol and symbol of a country and national culture. It is closely related to the etiquette and music civilization and the system of rules and regulations in a country.

Therefore, we should attach importance to dress culture just as we attach importance to the national flag.

Although China's traditional costume has changed and developed like civilization, its overall style has not changed, such as implicit and restrained, paying attention to the whole, elegant and steady, romantic elegance and so on.

The Hanfu system, which has a history of more than three thousand years, has affected many Asian countries' national costumes, such as Japan and Korea.

Therefore, we should encourage more designers and experts to design a traditional clothing that is comfortable and natural.

This is not restoring the ancients, but adhering to the Chinese culture based standpoint, and integrating modern fashion elements to create the national representative clothing conforming to the modern people's aesthetics.

Chinese elements need the treasure of the public.

Lu Yujun, director of the clothing department of Academy of Fine Arts of Harbin Normal University, will also add many Chinese elements when designing fashion.

She said that in the minds of most ordinary consumers, the Chinese element has become a symbol of "rustic". Many people can give up buying because of the "button" of a garment.

At present,

Zhang Xiang, Dean of Heilongjiang modern watercolor academy, said that due to the lack of aesthetic education in traditional culture, and the fact that western culture is dominant, people still do not have enough sense of identity about their culture, including traditional costumes.

Simple and elegant Hanfu is consistent with Chinese literati's pursuit of poetry and elegance.

After more than three thousand years of development and evolution, China's traditional costumes have created many cultural treasures, such as the exquisite jade ornaments of the pre Qin period, the robe of the Qin and Han Dynasties, the elegant shirts of Wei and Jin Dynasties.

They are the symbols of Chinese culture as well as Chinese violin, chess, book, painting, incense Road, tea ceremony, flower road, etc.

Fu Daobin stressed that it is unreasonable for people to mention formal clothes at the moment.

We should set a standard for formal dress with a more open mind. As long as it is natural and steady, it should be a formal dress.

As for the establishment of national costume, we still need to wait for the opportunity. I believe that with the development of the times and the enhancement of people's aesthetic consciousness, there will be a costume with Chinese traditional characteristics and national aesthetic psychology.

The more the nation is, the more the world will be.

Duan Guangda, Dean of the school of history, culture and tourism management of Heilongjiang University, said that in the process of inheriting traditional culture, we should not lose the important link of national costume, because it is a symbolic symbol reflecting the cultural connotation, nature and taste of a country and a nation.

In modern clothing dominated today, countries and peoples still stubbornly preserve their national costumes, such as Germany, Britain, Austria, Russia, Japan, South Korea, India, Vietnam, Mongolia and so on. The construction of Chinese national costume is a serious and serious problem and can not be treated casually.

But at the same time, this is also a gradual process of cultural accumulation, which needs to be slowly screened and identified step by step.

Dong Hongyang, a sociology researcher at the Heilongjiang Academy of Social Sciences, said that Naisbitt, a futurist and sociologist in the US, pointed out in the grand trend that the development trend of the future culture will inevitably bring about a revival of national culture.

Along with the process of globalization, although cultural development is showing the trend of globalization on the one hand, on the other hand, people's sense of identity towards the national culture will become more and more intense.

Therefore, from a long-term perspective, we should consciously explore Chinese culture, Chinese style and Chinese style, while absorbing positive factors of foreign culture and creating a national, scientific and popular culture with the characteristics of our times.