Chinese Knitwear Designer Deng Hao "Flower Demon", "Six"

China's International Fashion Week "Deng Hao - flower demon" third act highlights the works of Deng Hao.

Oriental gold enamel continues the story of Deng Hao's flower demon.

When seeking simplicity, it has become a norm. Where does the extreme of "complexity" come from? Look, Deng Hao came, complicated and clean, saturated and quiet. Deng Hao's "complexity" is full of flowers, and Deng Hao's "prosperity" is prosperous.

　　
FLOWER? Yes, it is flowers. Deng Hao's "complex" has never left the flower. When Flower demon After opening the curtain of women's flowers and women's demons, Deng Hao affirms that a woman's life is like a flower season, bright and gorgeous.

　　
Start the story of flower demon

　　
Among all the flowers, is there any woman who does not dance? The spirit of nature is transformed into a gorgeous woman. People who have seen Deng Hao costumes will be amazed at two words - colors and patterns. People who have seen Deng Hao fashion show will be amazed. One word - beauty.

Green is an indispensable element of flowers. It is always the pursuit of Deng Hao. In 2007, high saturation and high contrast colors were played by green. "Flower demon" The theme song, the oil painting creation principle and the artistic expression method have opened the "flower demon" performance. Combining the eastern and Western classical culture and the tattoo, the language of "flower demon" is displayed. This is the first act of "the flower devil", "evergreen", which is a beautiful and everlasting Green China.
　　
The color begins with the story of the flower demon, and the picture begins to draw the story. 。 Flower demon The second act Flying Matisse In the legend of green and beautiful flowers, Deng Hao quietly poured into the strong red, classical Matisse style paintings and Oriental soft lines. Plan to bloom with all kinds of flower patterns. The designer will come from Dunhuang, China. Classical architecture, tattoo case and aesthetical classic The "flying" image was integrated into the European Matisse style twentieth Century Art Nouveau, in which the original printed pattern and the muscles of different knitted fabrics were created. It's easy to play, like a flower demon, ghosts and self confidence.

What will be the next scene?

　　
    Flower demon Just like an endless play, when you look at the first sight, you will no longer expect the ending, but wait for the beginning of the next scene.

　　
Enamel, a technology that immobilized glassy materials on metal surfaces, originated in Egypt in the 2000 B.C., and came out of China in twelfth Century. With the traditional techniques of Chinese porcelain and bronzes, it created a new technology, gold enamel, with Chinese national style. That's what we call it. Cloisonne. The ancient craft can always permeate the mysterious and noble atmosphere, and the classical taste always attracts Deng Hao deeply. When the distant gold enamel is presented to you in front of you, what kind of story will there be?

　　
Baroque Architecture - shape free, dynamic pursuit, like gorgeous decoration and sculpture, strong colors show strong decorative style, coincides with the style Deng Hao inherited. What kind of story do you expect to bump into in such a collision?

　　
On the 2009 Beijing fashion week, the style and style of innovation remain unchanged. Deng Hao Yi "Oriental gold enamel" The theme is bold use of deep blue and enamel techniques to embed fine patterns into garments, while trimming, embroidery and other details are perfectly carried out. With Baroque's architectural aesthetics, exquisite decoration still keeps flowing like movement. The original stitching knitted jacquard grey fabric and woven printed fabric are combined with various handicraft embroidery, stickers, ironing, lifting, printing, and engraving techniques, so that the design is full of deep retro color. The color is gorgeous and luxurious.

　　
Women are flowers, women are demons, so that more women can enjoy the bloom like flowers. Beijing Hotel in November 8th, Chinese classicism and European architectural style jumped together. The third act of Oriental flower, the golden enamel of the Orient, continued the story of the flower fairy.

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