Clothes Are Always Cultural.

It was thought that the emergence of "Xi Li Ge" stems from the praise that modern youth has for free and wild, but it does not expect that it will brew "Xi Li Ge Costume".

Take a closer look. The style of clothing that is now derived is a loose, unspoken, deliberately disguised form of new poverty and ignores social norms.

That is to say, the costumes of this style have appeared several times since 1960s.

At the end of the 1960s, some young people in Europe and America were lack of spiritual life because of their abundant physical conditions, thus blowing up a "hippie" wind, not only in their behavior, but also in their clothes.

From then to the early 1980s, young men in the streets of western countries could always see their trouser legs open, and the large pins were worn on the earlobe, and their jackets were slack with large and small holes.

In May 1983, the Hongkong Institute of technology held the ninth fashion show of the Institute.

The judges agreed that this dress had a strong wandering flavor.

To create this rebellious spirit in the fashion industry and launch the "punk" style undoubtedly goes back to Vivian Westwood, the fashion designer.

She started the swing shop in London on 1973. By 1977, with the popularity of punk, she changed her shop name to "doomsday", and later created strange, fearful "pirate suits" in 1981.

The typical pattern of beggar clothing is that clothes include hats not to take sides. New clothes should also make moth shaped, burning marks, preferably with irregular holes.

Patches of other colors should be added to the casual suits and sweaters of adults and even civil servants, and should be made on the shoulders and elbows that are usually worn easily.

China's reform and opening up has just opened its doors. It was just the end of the 1970s. Although it was a few years before the beggar clothing was popular, middle-aged and old people still did not understand it.

People born in 40s and 50s were accustomed to living in poverty because they had gone through three years of grain shortage. Clothes and socks were broken and patches were put on. They were normal. Before the "Cultural Revolution", they were considered to be hard and plain.

After the reform and opening up, the days were good, and chemical fiber fabrics were not easy to break, so people were not used to wearing patches.

I remember a group of comics, a girl wearing a patch and holes of jeans to walk on the street, the elderly who passed by could not see it, so they took out 20 yuan to send the girl to buy a new pair of trousers.

Without thinking, the girl was white eyed, and got a scolding: "old land".

In the early 1990s, Szentgrolan Kalagpe, a fashion designer in Paris, launched the "ragged style" fashion directly. Following that, a 30 year old designer from Mali, Africa, launched a series of beggars in the name of "Hu Li Beit".

His idea of design is no longer groaning and "anxious to express new words". Simply buy the defective clothes from flea market, and then cut out the new clothes.

At that time, people believed that young people pursued heresy and hoped to be unruly, which seemed to reveal a faint sadness at the end of the century.

But it has been more than ten years since entering the new century. Why does the Bohemia wind linger? No underwear fashion is getting stronger. People want to return to the elegance of their past, and they want to get rid of the fetters of etiquette. Sometimes they want to reconsider the romance of the knight costume, sometimes they want to relax themselves and seek a way of escaping from reality.

In short, people want a space to do whatever they want, and such a space is easy to find in the clothing image.

It can be said that the so-called "Xi Li Ge Costume" is a ridicule of the language of clothing, at the same time it is the pronoun of an age dress image or the visual image of the idea.

Clothes are always cultural.