The Youngest Designer Of Golden Summit In China -- Wu Xuekai Nine

Wu Xuekai - character introduction

Wu Xuekai, design director of Shanshan Group, China top ten fashion designer, China Fashion Design "Golden Summit Award".

In people's memory, Wu Xuekai is a man with long hair, a shy smile, and a low profile man. He is only a little idealistic about fashion madness and almost infatuation, just like a man coming out of a comic book. The current design director of Shanshan Group Kay has won the title of the top ten fashion designers in China and the Golden Summit Award in Chinese fashion design.

　　
The designers of Chinese clothing industry, different personalities and same dreams, are all in the forefront of fashion. Lu Yu has an appointment with Wu Xuewei and Wu Xuekai about fashion designers' fashion life.

Wu Xue Kai

Dancers of fashion

　　
Director and chairman of China Fashion Designers Association.

　　
Member, expert committee, Shanghai international fashion centre

　　
Shanghai senior fashion designer

　　
Director of China Fashion Designers Association, chairman of Fashion Art Committee.

　　
He graduated from Tianjin Textile Institute of technology in 1994.

　　
Since 1995, he has worked in China Shanshan Group Co., Ltd., and is currently the design director of Shanshan Group Co., Ltd.

　　
In 1998, she won the title of the top ten fashion designers in China and won the Golden Summit of Chinese fashion design in 2002.

　　
In 2003, we went to Paris to hold "Fashion China" contemporary Chinese outstanding fashion designer's work conference.

　　
With the soul, I appreciate the director of the Art Committee of the traditional and modern China Fashion Designers Association, the top ten designer of China, and the winner of the Golden Summit.

Personal achievement 　

In 1996, the design was awarded the gold medal of the Fourth International Youth designer competition.

　
In 1996, he won the gold medal of the fourth "brothers Cup" China International Fashion Designer competition. The unique language tells the contemporary Chinese women: Gorgeous rather than square white collar beauty.

　　
Elected top ten fashion designers in China in 1998

　　
In 2002, the China Fashion Designers Association awarded the "Golden Summit" award for costume design.

　　
Won the "best Chinese costume designer" award in 2002.

　　
Won the "brothers Cup" achievement award of the China Fashion Designers Association in 2002.

　　
On behalf of China in 2003, held the "Fashion China" exhibition of contemporary Chinese outstanding fashion designers at Le Louvre Museum, Paris.

　　
In 2003, he was awarded the "Best Fashion Designer Award" by the Organizing Committee of Ningbo Fashion Festival.

　　
On behalf of China in 2006, held in Milan, "2006 Milan fashion week China day" brand designer works conference.

　　
In 2006, he was awarded the title of "China fashion designer" by the Organizing Committee of Shanghai international fashion brand Expo and the Shanghai apparel industry association.

　
Since 1995, we have held the 9 fashion publishing conference, a fashion designer fashion designer in China. National tradition is a kind of spirit, not fabric, color and so on. For this purpose, Wu Xuewei abandoned the superficial description and imitation and used himself.

Wu Xuekai - design concept

　　
Design is human nature, which can touch, perceive and experience.

　　
Wu Xuekai - design style

It is good at modernizing the shape and color, using cotton, hemp, knitted fabrics and other natural fabrics to reflect the unique understanding of the nation and human beings, and tends to be neutral in color. He believes that good clothing is to use nationalized characters in an international language.

Da.

　　
"Let life be artistic and make art life".

　　
The first fashion week was in 1997, when it was nominated by the top ten designers. In 2002, I won the Golden Award of the highest award of Chinese fashion design. I am so impressed and excited by this award. It affirmed my design and encouraged me. We must move forward. Fashion week has provided an exchange platform for countless young designers. The involvement of print media, TV and newspapers has also greatly promoted the discovery of the talents of new designers, enabling more people to get to know Chinese fashion designers. The status quo and talent, and promote the cooperation between designers and brands. It provides designers with a wider range of business opportunities, so that the design can be truly integrated with the market. China International Fashion Week is slowly moving from the first stage to the market. A mature expression. At the same time that China International Fashion Week is becoming more and more international, I find that Chinese designers are more and more concerned about local elements, and they all unearth the essence of Chinese culture. I hope that the fashion week in the future will become a communication between designers at home and abroad. The stage of learning is getting better and better.

Design conception:

    Fusion and integration

　　
This is a season full of contradictions and unity, a season of low key and luxury, lustre and simplicity. A season of rigour and moderation, elegance and leisure, low-key and jumping, hard and soft, a happy but not sad season. The designer interprets a new style of "contradiction" through the latest design elements, and combines this style with happiness.

　　
Wu brothers, who were born in the small towns of northern China, seem to have received little attention from urban fashion nutrition since their childhood. But they have seen a lot of design works in their show today. Wu Xuewei and Wu Xuekai brothers are now successively awarded. The award is the highest award in China's fashion design industry. The release of the two brothers at the annual China International Fashion Week feast has also attracted the attention of many designers. And their brother's clothing design complex has also become a good phrase in Chinese fashion design industry. 。

　　
Wu Xuewei smiled and said that many of his career directions and career choices came from his own brother. Originally, Wu family had three brothers, and the difference between brothers was five or six years old. Because Wu family elder brother loved painting from childhood, let Wu Xuewei have a crush on the world of paper. 。 This made the young Wu Xuewei understand that he could express all kinds of feelings and feelings as he wished. So Wu Xuewei found his fate on his brother's desk, and Wu Xuewei gradually entered the fashion design industry. Also laid the younger brother Wu Xuekai's study and career path.

　　
Wu Xuewei's "China clothing King" press conference in 2005 fashion week and Wu Xue Kai "colorful China" fashion conference seemed to link the two fashion news with the word "China" as the key word. And this south, north, North and downstream brothers are at ten. Years ago, I participated in the brothers cup. The design series called "paper-cut" theme has made many people think about it now. The inspiration of this group of designs comes from Chinese northern folk elements window cut paper-cut. And two brothers are the source of creativity. It is a painting exhibition by Professor Lv Shengzhong of the Central Academy of fine arts.

　　
A ray of sunlight passed through the wooden window lattice in the northern city, and a pair of lovely children were playing on the northern Kang Kang in the sunny day of the twelfth lunar month. The sun passed the fiery red paper cut window flower, leaving this auspicious pattern on the child's face with a strange shadow, and they had a face. Confusion and innocence, looking toward the sun in the direction of the past, looking at the past, that beautiful window flower seems to be very large. In the main hall of the Chinese Academy of fine arts, the works of modern art are displayed, and the two brothers are not wearing small ones on the warm Kang. Children with cotton padded clothes have long hair. If you know the brothers, they will gradually forget them. Because they are so low-key, almost do not want to face any media, and do not want to speak in front of many people. In China's clothing industry, design At the annual gathering of the industry, we often see the two of them walking silently through the crowd. Even though many people greet them warmly, these greeting people have association leaders, media reporters, private business owners, and many of them are designed. Their Fans in professional colleges, but they are still calm and low-key. Brother Wu Xuewei often gaze at you with wide eyes, while his brother Wu Xuekai is a soft smile.

They have been in South and North for many years, but actually they have been separated for more than 10 years. The annual Beijing fashion week, which is usually on schedule, is a gathering of two brothers. If they are not in fashion week, they often communicate on the telephone. At that time, two brothers are smiling. He said, "our telephone charges are very high, and we have to call the brothers." They said that ten years ago, they talked about the design of the fraternity cup competition. Often quarrels, often no one is willing to compromise until they understand each other. The other side's train of thought.

　　
In Wu Xuewei's mind, Wu Xuekai is a more talented and more graceful designer, because Wu Xuewei completed his professional studies in Shandong, and Wu Xuekai graduated from the costume design department of the Chinese Academy of art in Hangzhou, Zhejiang. So, Wu Xuewei's design is often. Like oil paintings, like printmaking, Wu Xuekai's designs are like watercolor or Chinese ink and wash paintings. The two person's style is very different, but in the past many years, seeking common ground while reserving differences, encouraging each other and making progress together, this kind of fate is commendable.

　　
When it comes to their eldest brother, they say big brother is not engaged in artistic work now, but it is very important to give them guidance at an early age. If it weren't for the bamboo horse games in a yard decades ago, Wu Xuewei would not have climbed on his brother's desk and looked at him. If the crow works, he will not have a yearning. If Wu Xuewei had not been in Beijing to run a clothing company in the early years, he could have the position of making design drawings, and his younger brother Wu Xuekai would have no longer a platform to realize his dream. Therefore, this link is closely linked. The Chinese call it fate.

　　
"We can go back to a sunny day in the northern town many years ago, in the morning of the twelfth lunar month, where there are warm and hot Kang, with the mother's clean cooking stove, the snow that has not been melted on the underside of the haystack, and the glacier stick falling downwards under the eaves. It's not the same thing. "Fashion", but now, we will see the classic shoulder line in the works of Wushi brothers, exquisite embroidered beads, the skirt of Miao man and show a graceful cut. Presumably, they understood the perception and existence of beauty and used all kinds of ways. A skillful way of expressing it.

　　
It is said that designers are the leaders of the times and the soul of the brand. We see the "Gemini" of the Wushi brothers in the fashion design industry of China. They are not only the architects of the way of life of the times, but also have gone through many years. Vicissitudes have undergone many baptism. It can be said that the two brothers are the two generation designers of Chinese fashion design industry. If Zhang Zhaoda, Wu Haiyan and Wang Xinyuan are the first generation of fashion designers in China, Zhang Jicheng, Wu Xuewei and Ji Wen Bo are the second generation designers. Wu Xuekai, Fang Ying and Luo Zheng are the third generation. In spite of successive successors, the elite do not take age as the watershed of the age, or the aura of the Golden Summit Award. But in the later process, the Wusi brothers can represent the backbone of Chinese fashion design circles. And interact with each other. In their twenty years of reform and opening up, they have laid an important foundation for the future bright prospects of Chinese fashion designers by practice. Designers and brand enterprises have successfully cooperated with each other and set up a market oriented artistic inspiration. Type.

　　
Although many young Chinese fashion designers are constantly lamenting and hesitating in the stage of "young people do not know how to feel sad and strong," but it is important to emphasize that if you are the seed of swans, you should not abandon your environment and complain about yourself. If you dare to practice and not be afraid of difficulties, there will be many things that can affect you and push your "brothers".

　　
In the days when Zhang Zhaoda often said "fashion dignity" gradually came to China's fashion industry, the brothers of the Wushi brothers paid their own efforts for the arrival of "fashion dignity". It's not just the two of them, it's everybody. It's all China's design work. Everyone who has worked hard is a big family. Maybe they have no rich capital and no leisure life, but just like a Fashion Critic expresses to fashion: "fashion is the expression of mood in a small circle of society."

　　
Therefore, these brothers, this family is a rare spiritual treasure, as if the famous paintings have been appreciated in recent years, just because they have been around us for many years, so sometimes we ignore their existence.

　　
These two words of brothers contain too much emotion and unique traditional Chinese complex. When time slipped through our fingers, we could not retain our youth, but ushered in the brotherhood. The story of history in silent writing age, every glory. Behind it is mostly the sweat and blood that can not be measured, and the fragments that are intoxicated with the heart. It's like a sunny day in the northern town.