Policies And Regulations And Quality Creation Are Parallel &Nbsp; Ensure Healthy Development Of Culture.

In July 23rd, the Ningbo Federation of Arts and literature, Chinese calligraphy and Painting Association and Ningbo tea

More than 20 art theorists and painters from China Central Academy of Fine Arts, Tsinghua University Academy of Fine Arts, The China Academy of Art, China National Academy of painting, Beijing Academy of painting, and Art Research Institute of the Chinese Academy of art attended the forum.

According to the participants, artists are in the best era, and the art market is flourishing. But the market is a double-edged sword. On the one hand, it makes the painter gain economic gains. On the other hand, it also creates the attachment of artists to money.

Wang Yong, a researcher at the Institute of fine arts of the Chinese Academy of Arts, pointed out that the promotion of market economy has promoted the situation of new and changing Chinese painting, which is of positive significance for promoting the development of Chinese painting.

But he also pointed out that at present, China's art market is not perfect.

Zhang Gan, deputy director of the Department of history of Academy of Fine Arts, Tsinghua University, agrees that capital intervention in the art market and the pursuit of maximization of interests are very negative.

Collectors are very important in the field of art market.

He has the judgment and certain financial strength to collect good works and circulate orderly. However, the intervention of capital makes some good paintings too expensive for collectors to afford.

As a result, works of art are totally reduced to capital preservation and appreciation.

In such a market environment, how can artists cope with the wandering of commodities?

On the one hand, it refuses to reject the market; on the other hand, it persists in the cultivation of its own ideas.

Wang Jinshi, a professor at Hunan Normal University, said that no matter whether the artist caters to the market, he needs to adhere to academic integrity and be emboldened. "We must have the bottom line of art and the spirit of art."

Zhang Liguo, a professor at The China Academy of Art, points out that many artists are still concerned about art.

"Many artists do not participate in the appreciation, but the eyes are not as good as collectors. How can they draw good pictures?

Artists need to have education and integrity.

Wang Xuehui, the painters and the president of the Shanxi Academy of painting, expressed their views from a painter's point of view. He believed that every artist should have his ambition and aim in front of the market. If he did not have this ability, he would not become ambitious if he had no ambition.

Even if fame is good, it will not help.

"Artists must settle down and create artistic pursuits."

Zhao Lizhong, a researcher at the China National Academy of painting, warned the artist that in recent years, "Remuneration" has prevailed, and artists have done a lot of work for work, making friends and marketing.

"Good works are not willing to be taken out. In fact, all of these paintings must enter the market. Therefore, whether they are work or creation or remuneration, they must be taken seriously. As the saying goes," planting flowers willingly without any intention of planting willow willows, "such as Fushan's wild grass, is unintentionally" willow ". If his wild grass is readily disposed of, the quality is not high, I'm afraid that posterity will not have such a high evaluation.

Yang Gengxin, a researcher at the Chinese Academy of Arts, believes that the market and artistic creation are two very important pillars of cultural undertakings. To achieve positive interaction and healthy development, we should formulate and improve corresponding regulations and policies from the perspective of managers, state and government.

In addition, artists should also improve the quality of their works and produce more fine works.