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The Twelve Chapter "The Dress Pattern Of The Royal Power"

2011/10/26 11:26:00 72

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Slave society

Clothes & Accessories

Pattern is one aspect of the spiritual culture of slavery society. The political meaning of the content of the pattern is greater than that of aesthetics.

The most important pattern is the twelve chapter on the king's costume. The twelve chapter is first recorded in the book of Shang Yi Ji: "the emperor says:" the desire to see the ancients, the sun, the stars, the mountains, the Longhua, the insects, the Zong Zong "

Embroidery

Five colors are applied to five colors.

Make clothes

Ru Ming.

There is no punctuation in this passage. If the sentence is different, it can lead to different parsing.

Red mountain culture Jade Dragon

In the early Han Dynasty, according to the analysis of Kong Guo, the sun, the moon and the stars were three suns, and the mountains, dragons, China (grass) and insects (pheasants) were painted with five paintings in banners.

Algae and weeds have grain, fire is fire, pink is ice, rice is like rice, if the axe is shaped, it is two.

In combination, the sun and the moon are under the sun and moon.

He divided the flour and rice into two chapters, which were not included in Zong Yi. If we divided the Chinese and the worms into two chapters, they would become thirteen chapters instead of twelve chapters.

After the Han Ma Rong put together the Chinese worm as a chapter, the rest of the statement is the same as that of Kong, and it is clear that the twelve chapters are Japanese, moon, stars, mountains, dragons, Chinese worms, algae, fire, powder, rice, jade and jade.

This statement was adopted by Xu Han Shu Yu Zhi Zhi. Later, Jin Shu, Yu Yi, Song Shu Li Zhi and Nan Qi Shu Yu Zhi Zhi were all alike.

But this argument contradicts with the system of the five crown of Zhou Guan, the clothes painting tiger Yi (we) Yin Wei and the long tailed monkey.

"The article of the Secretary" put forward another way of saying: "the desire to see the ancients, the sun, the moon, the stars, the mountains, the dragons, the Chinese worms, the works, the Zong Yi, the algae, the fire, the powder, the rice, the mun and the Xi embroidery. The ancient emperors are crowned with twelve chapters. Shun wants to observe the insects, and the insects of the five insects of the Chinese worms are called" birds and animals and snakes ". The four time and five colors are called chapters. Zhou Han, Zheng Xuanquan in the late Han Dynasty

And the nine chapters of the crown dress, Deng Long Yu Shan, fire on Zong Yi, respecting their gods, the nine chapter, the first day of the dragon, two times the mountain, three times the Chinese worm, four times the fire, and five times the Zong Yi, all of them are painted, but the next six are algae, the second seven is pink rice, the second is eight, and the second is nine.

The five chapter of Dun's dress, four chapters of the dress, and nine of them.

The pheasant is called pheasant, also called Hua Chong.

Its three chapters, four chapters, and seven.

The painting of tiger is called Zong Yi, and its three chapters, two chapters and five.

There is no painting of rice, but one chapter of clothing, two chapters of clothing, and three of all.

No clothes, no clothes. "

In this way, Zheng Xuan interpreted Zong Zong Yi as a painting in Zong Yi, and at the same time the tiger Yi Yi Yi in the crown of Zhou Guan was painted on tiger's form in Zong Yi, thus combining the twelve chapters of Shang Shu with the five coronation contents of Zhou Guan.

Although some scholars criticized Zheng Xuan for his reluctance to interpret it, he used Zheng Xuan's theory from Liang Dynasty, six of Sui Shu etiquette, tracing Liang Dynasty's service, and Emperor "Yi zhe", "Moon", "stars", "mountains", "dragon", "Hua Chong", "fire", "Zong Yi" and "painting".

The clothes are algae, flour, rice, and embroidery, which are twelve chapters.

In the Sui and Tang Dynasties, it became popular and became popular in the Qing Dynasty.

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"Twelve chapters" pattern

In the book of Shu Shu, Sui Gubiao said: "the sun and the moon take their presence, the mountains take their energy to make thunderstorms, the dragon takes no change, the Chinese take the article, the pheasant takes the good offices, the algae take the text, the fire takes the upper part, the powder takes white, the rice takes the energy to maintain, the" takes "can break, takes the good and evil to recite.

Song Nie Chong Yi said in his "three rites chart": "the sun and moon are painted in banners, the so-called sanchen banner, Zhao Ming Ming..."

The dragon can change, take the gods, take the mountains and take the people to admire them, and the fire takes their Ming.

Also with the book "corona" said: algae, water and grass, also take its article, such as the meaning of Chinese worm, powder rice to clean it, and take it to raise people...

According to their color, white and black are called "axes". If they are embroidered on objects, they are the words of the golden axe. They are close to the edge of white, and Qi (NG) is black.

Green and black are two, and form is the same.

The theme of the twelve chapter is not a slave society.

In the long years of struggle for survival in primitive society, we observed that the sun, the moon and the stars indicate the change of meteorology. The mountain can provide primitive people with living resources, and bow and axe are tools of labor production. Fire has changed the way of human life. Pink rice is the fruit of agricultural cultivation. Tiger, rattan monkey and Chinese pheasant are the objects of primitive man's hunting activities. Dragon is the totem object of many primitive clans in China.

Therefore, in China's primitive painted pottery culture, Japanese pattern, star pattern, Sun Moon Mountain combination pattern, fire pattern, grain grain, bird pattern, dragon pattern, bow pattern, hatchet pattern and algal streaks have already appeared.

In slave society, because slave owners dominate material production, they also dominate the data of spiritual production.

Days, months, stars, mountains, dragons, Chinese worms (pheasants), tigers, tails (long tailed monkeys), algae, pink rice, axe, and other subjects are used as symbols of ruling authority by the ruling class.

As for the origin of the twelve chapter, Chinese and foreign scholars have quoted the statement of Emperor Shun in the book of Yu Shu Yi Ji.

Yu Shu is an account of Zhou Dai's historian, but the twelve chapter can be doubted except that Zong Yi did not appear before Xia Dynasty.

Other patterns have long been seen in the painted pottery culture. The half hill painted pottery cover of Lintao, Gansu, has been decorated with the idea of human first snake. The Dragon Mountain Culture unearthed from Hunan Lixian has carved dragon theme, and the dragon pattern has appeared many times in the decorative patterns of jade, stone and bronze statues of the slave owners in the Shang Dynasty.

For example, in Anyang, Henan, the garments of the slave owners of the Shang Dynasty were unearthed. Their arms were decorated with dragons, their legs were decorated with dragon, their front heads were decorated with leading faucets, and their back and back decorations were arranged.

The bronze statue of Shu king, unearthed in the Sanxingdui of Guanghan, Sichuan, is dressed in another form of Dragon Robe.

According to "Kao Gong Ji," people have "dragon flag nine tours" record, meaning that painting dragon in clothing, to sacrifice temple.

The appearance of the Dragon Robe, a symbol of the supreme ruler, is an important symbol of the evolution of Chinese costume art from the original religious concept to the political ethics.

The twelve chapter is the core of Chinese Confucian school's dress theory system.

The slavery society in China was declared disintegrated during the Warring States period, but the "Twelve chapter" pattern had been inherited from the feudal emperors in the past because of its function of consolidating the ruling class's imperial power in ideology.