Paris Senior Custom Fashion Week 2011/12 Autumn Winter: Dream And Reality

Giorgio Armani (Giorgio Armani) is obviously looking at the East. Following the 2012 holiday series from Chinese emperors clothing Inspired by his inspiration, he expressed his respect for Japan in the autumn and winter senior custom fashion series. China represents an unprecedented business opportunity, which means that Armani's connection to the Japanese market is a deeper and more sensuous choice. He has been financially supporting UNESCO's scholarship program to help victims of the March earthquake in Japan. Armani Priv show is a designer who shows his support in a more personal way, and may be traced back to his decades ago, or at least his famous series of samurai inspiration.

The result of the show is to show the relationship between people and the state. The Japanese visual icon, from parasols to cherry blossoms, can be transformed into printing, and kimono waistband and origami can also be foreseen. But the series reflects Armani's thinking about new Japan and its old traditions, because there is a touch of Chuan Long Bao Ling radicalism, in men's tailored trousers, layered lengthening of the Edward VII line, like the odd cuffs on the sleeve of a jacket, especially all asymmetries. The evidence also includes a single arm coat, a monochrome flower print skirt, or a printed velvet inside. Full dress Oblique cut into two. People see the new theme, futurism flourishing, for example, the rigid bodice for trunk protection. {page_break}

Costume drama and its inspiration, literally, from the hat designer Philip tray's "hat" origami structure. They emphasize the nature of Armani's women's clothing structure, which is a deliberate result of a black lacquer corset and a flow away from its garments. It is worth noting that a man should move forward to his unknown country at this stage of his career. The road was illuminated by tight fitting and orange beads evening dress, which ended the show. {page_break}

Christian Dior building movement

For decades, Bill Gaiden (Bill Gaytten) has always been one of John Galliano's (John Galliano)'s closest assistants, and his sudden fate has thrown him to the leading role, which means he has to do everything he wants to do. More importantly, he has the best team in the industry, and those who cherish him for a long time are ready to help him realize his dream: Stephen Jones's hat, Jeremy Healy's music beat, Michael Howells and his device design, make-up pat Mcgrath's makeup, Orlando Pita's hairstyle. They do this not just because they like Bill, but because they want to acknowledge the achievements of the designer who has stepped down.

So what happens next? In the first place, there is no John Gary ano Dior. Fashion Show What will happen is a kind of effort to misjudge, and it is a good or bad idea to leave a deep impression on the aesthetic character of a strange character. There is a clear definition in the fashion world. After the performance, Gaiden Sing Gogh Maceli had a chance to stand out from his own design style. They were obviously architectural: Frank Gary, Jean Michel Frank, and the Memphis movement in the 80s of last century. An open garment -- a ruffled road pattern coat with a ruffled collar and a circular pendant pleated skirt, captured the madness of Memphis's post modernism. A series of subsequent displays - folding, stacking, unfinished taffeta, flashing floral fabrics and transparent hard yarns also had similar attacks in the orthodox atmosphere. There is a bar coat or two combinations, considered to be the legacy of Dior, but the overwhelming significance is that a demonic feeling has been released clean, so that the Dior woman is suddenly like a disco doll. {page_break}

There is also the echo of Italy fashion glory glory moment. The end of the show brings together the black and star white of Napoleon's hat. There is a pendant Party style dress, using gold and silver silk fabric, while the other fabric is covered with crystals. After the appearance of the famous model Carly Klaus, she was dressed in a clown costume and was alone in the spotlight until the sound of music ended and the bright powder came down from the sky. It feels like a metaphor for some crazy universe. {page_break}

Alexis Mabille dream of animals

A young designer like Alexey Mabil (Alexis Mabille) is a living proof of Paris's advanced mythology. His dress dress is what you imagine. A boy is tormented by the frenzied fashion dream in his mind: large, elaborate, luxurious snacks have once been the definition of Paris fashion, aimed at readers like magazines, people who watch movies frequently, and someone who lives in a place that is completely opposite to charm. But Mabil can always bring more things than these, usually something mysterious and completely French, which does not always work, but at least he is working hard for it.

This time, he looked at La Fontaine's classic animal fables and made models wearing costumes inspired by all kinds of fur, feathers and tentacles. "Ant" "black crepe dress" with gloss, slit on the thigh side. The wings of the grasshopper were copied on the corset of the Duchess Satin Dress.

The "black wolf" costume is a combination of black velvet and SWAROVSKI's tusks on both arms. Silk long fringed bundles form the "horse" corset, then their backs combine into the tail like tail. "Magpie" is perhaps the simplest and most effective: an elongated black swallow tailed coat covered with white crepe columnar skirt. {page_break}

All of these costumes are dramatic and logical. But this is not always the case. The poor swan is unlucky, and mustard yellow underpants are hidden under the shabby white transparent dresses mini dress. As for "frog", she is so large in a long silk dress that it is easy to imagine that the dwarf is supported by skirt in skirt. At least it is an image closely related to the fable theme, but it also highlights the tendency of the carving of MA BI le. Now, this is still a weakness.