The Rise Of German Fashion

Although New York, Paris, Milan and London are still most concerned.

The picture shows the models wearing the design works of Uli Richter (Uli Richter) in 1959.

Richter used the design of Paris senior uniform to design relaxed and comfortable garments for Germans who were tired of war.

Many post-war German designers believe that the ruins of the war have given them another inspiration - creating inspiring fashions for German women suffering from war.

In the left picture, a model is standing in front of the broken William Memorial Temple of Berlin in Richter's 1958 work.

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In 1960, the model stood in front of Brandenburger Tor in Gehringer & Glupp coat.

A year later, the Berlin wall was built behind the location of the model.

As Berlin splits, German designers want to build Berlin as a capital city with a capital and infrastructure comparable to the fashion capital of Paris or New York.

Jill Sander's (Jil Sander) works are low-key, tailored, clear and subtle in geometry.

Inge Gerrish Griese (Inga Griese) has described that fashion is more like a raw beef slice than a smoked pork fillet in terms of style.

Sander's business dress design also laid the foundation for subsequent designers such as Dorothee Schumacher.

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Italy's Giorgio Armani (Giorgio Armani) may be a pioneer in the design of men's ready-made clothes. But 30 years ago, by sponsoring the astute move of European sports teams, the profit from the market's desire for clothes was Hugo Boss of Hugo Bos.

The brand highlights how the business acumen of German companies contributed to the success of the country's garment fashion.

The picture shows a suit of men's clothing in Hugo Bos's 2009 series.

In the 70s of last century, German brands such as Puma (Puma) and Adidas (including Nike in the US) began to use sportswear as a daily clothing for marketing.

However, the Germans began to wear Puma and Adidas in the most exhausting weekend activities in 90s, such as sweating for hours.

The picture taken by Bailey, Brazil's king of England, was taken in 1971.

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In the early 90s, the trend of fashion seeking began to rise. The Germans began to wear unfamous sports pants, shorts, brighter jackets and pullovers from second-hand stores and flea markets.

Berlin's newly born designers, who are not yet famous, publish their works in guerrilla concept stores in Berlin by using the hazy brand awareness of bubble lovers.

The picture shows a tired guest in the Moskau cafe in 1993.

Berlin's rent is cheap, cultural prosperity, and there is no specific model to follow, to help the development of young designers, and these are the old fashion capital can not be able to do.

The picture shows Marcel Ostertag, a young German designer (Marcel Ostertag), in the background with a model.

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German designer Lina Langhi (Rena Lange) creates a comfortable evening dress by integrating casual fabrics and exaggerated skirts to create a balance between custom-made fashion and garments.

In 2004, Helene Bouchet, a leading burger of Hamburg ballet, wore such a dress to perform ballet, showing the wide use of such dress.

Germany's ambitious young designers can enjoy some private and government funded allowances.

A work designed by Thomas Behrens, the designer of the "tomorrow's designer" finals, shows the typical style of German clothing -- hard lines, concise tailoring and neutral tones. "Thomas Behrens,"

German design may be dominated by demand for clothing on the streets and nightclubs, but some brands are also beginning to inject grotesque or nightclub elements into the design of evening gowns.

The Talbot Runhof 2010/2011 autumn winter series illustrates this mixed style.