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    Myths, Legends, Characters, Costumes And Images -- The Combination Of The West King And The Mother.

    2012/1/22 13:18:00 67

    Dress Queen Dress

    Inscription: from fairyland to the world


    Nu Wa Tian Tian, Hou Yi shooting day, Yu Yu water control, Wei Jingwei fill the sea, Kuai after the sun......

    I wonder if you are deeply moved by these myths and legends like me? I often think that in the early stage of human society, the faces of the world could not be explained, and how many strange and mysterious feelings the ancestors had, so they imagined that there was a great supernatural force in the universe, which could dominate everything, that is God.


    In myths and legends, you will find that nature is visualized and personified. In those gods, we can easily find the shadow of human beings.

    The ancients could not explain the cause of the "thunder thunder". They imagined the thunder god who "drums the abdomen and thunder". The sun rises and falls into the wheels, and the myth of "Xi and Yu sun" came into being. In addition, the moon has a look of the king, wind and wind, and a rain teacher's screen.


    Everything in the world is spiritual, and everything is as objective as it is: having thoughts, feeling darkly, acting, and having language.

    This is the God our forefathers identified. They are simple and real, as if they are "you and me" in real life.

    Out of the mystical concept of "holism", myth is created in a unique way from the smarter minds of the ancients. They sing the hymn of labor and heroes with a passionate and uplifting tune.


    It is not difficult to imagine that the worship of gods at the beginning of mankind is common. Jose, Athena, Apollo...

    They came to earth and swept through the wind and waves. They came to be gentle and gentle, and were very shy.


    From fairyland to the world, God is no longer mysterious. This is due to the fact that it pulls the distance between man and God.

    Those gods who are visible and have money, or plain and ordinary, or gorgeous, or grotesque, lovely or impolite.


    If we have a deeper understanding of "God", I think it is the unity of the internal life, the essence and the dynamic personality of the aesthetic object.

    And the extended meaning of God is more worthy of understanding. Perhaps this is also the most direct reason for writing God's costume image on the basis of respect for historical data.

    Of course, this is not only the praise of God, but also the praise of people who create seeds.



    The queen mother of the West


      

    Queen of the West

    It is called goddess of the queen. It is the goddess of ancient Chinese mythology.

    Many of her books and records can be traced back to the pre Qin era.


    About the image of the queen mother, there are many places in the The Classic of the Great Wilderness.


    Description.


    "The Classic of the Great Wilderness Xishan Jing" said: "Yushan is the residence of the queen mother.

    The queen of the west is like a man, leopard tail tiger teeth and good whistle, and the hair is the best of the five days.


    "The great wilderness of Chishui," said: "the middle and south of the Western sea, the shore of quicksand, after the Chishui, there are hills before the black water, known as the Kunlun hills.

    There is a God, a tiger, a body, a tail, and a white place.

    Some people wear "tiger teeth", which have a tail and a hole.


    "The The Classic of the Great Wilderness Sea North scripture" also says: "the king's mother ladder is several and the victory sticks, the South has three green birds to feed the Western Queen Mother."


    Some scholars believe that the queen mother in the The Classic of the Great Wilderness Xishan Scripture clearly bears the characteristics of a barbarian clan God or tribal god. It is basically a near human beast. "The Queen Mother's shape is a half man and a half beast (human face tiger, body leopard tail, etc.); the place of the queen mother is the place; the godmother of the West Queen is the God of the pestilence punishment."

    But China

    clothing

    Professor Hua Mei, the author of history, has his own explanation.

    She believes that the "leopard tail tiger tooth" can be understood as the king's mother has a leopard like tail and tiger like teeth, but it can also be understood as two Queen Mother tied the leopard tail, hanging tiger teeth to make ornaments.

    "Peng FA Sheng Sheng" means wearing headwear without combing or untangle hair. Later generations are interpreted as a double rhomboid jade hairpin, combining imagination with a primitive man wearing animal skins, hanging animal tail and wearing animal tooth ornaments, and at the same time, the costumes and images of the costumes are completely presented.

    In the book "costumes and Chinese culture", Professor Hua Mei further reiterated his view. "I think this is the costume of the head of the northwest minority tribe. She or he wears a necklace worn by tiger teeth and hangs a leopard tail.

    The most important thing is to wear hair and wear headwear called "Sheng".

    Sheng, the old note "Yu Sheng Yi", that is, the head jade decoration.


    Indeed, God and man evolved together.

    In the Han Dynasty, the image of the queen mother was gradually unified into the image of man.

    In the Western Han Dynasty, Sima Xiangru's "everyone's Fu" day: "I see today that the king's mother is in the white head, and the victory is at the point of punishment. Fortunately, there are three feet of black for it."

    In addition to Sima Xiangru's writing of the queen mother to the white old woman, other books depict her image as a 30 year old gorgeous woman.

    In the biography of Emperor Wudi, the king of the West depicted the king's mother as "the woman who wears the Tai Hua hair bun", "thirty years of age, a short cut, and a beautiful face."

    Her adornments and accompanying imperial envoy are all like the costume and ostentation of the emperor.

    In the story of Emperor Han Wu, there is also a description of the image of the queen of the West.

    The image of Dunhuang, especially Mogao Grottoes, is depicted in particular: the king's mother wears a wide brown robe and sits on the side of the three cars that are painted with wind. She is guided by and guided by the wizard and the naked sky.

    Whether it is the blue flag behind the queen mother or the clothes of the alchemist and the flying band are flying and dancing, and even the clouds are showing the track of the wind, as if the whole picture is flowing.

    In addition, from the book of Li Song's "the image of the West Queen of the Han Dynasty", it is known that the image of the mother of the west is constantly changing with the changes of the times, and perhaps this is the unique charm of the mythological characters.

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