Zhejiang Women'S Representatives Will Wear Advanced Custom Cheongsam To The Great Hall Of The People.

Wu Haiyan, the famous fashion designer, ran back and forth between the hotels where the representatives of Beijing's NPC and CPPCC were staying last night, dressed up for 22 Zhejiang women's representatives and 8 female members.

Because they are preparing for a night's cheongsam show, which is about to stir up Beijing and even the world.

On March 5th, at the gate of the Great Hall of the people in Beijing.

In March 7th, they will also take the red carpet at the opening ceremony of the "cheongsam Exhibition" held at the Museum of Chinese women and children.

At that time, 30 Zhejiang women representatives and members were all present in Qipao to show the charm of Chinese women's clothing.

In this red carpet show, even Mao went to make up for them.

This is a grand event of collective planning by representatives and members of the Zhejiang during the two sessions of the National People's Congress in 2012.

At the same time, this is also the curator of the China Silk Museum and Zhao Feng, the representative of the famous international textile history expert. As well as professor of the Chinese Academy of fine arts and Wu Haiyan, the famous international fashion designer, he will make suggestions and proposals in the NPC and CPPCC respectively.

Each cheongsam is tailor-made.

In March 2nd, on the morning of the morning when delegates and members of Zhejiang went to Beijing, the reporters arrived at the "Oriental country design hall" of Hangzhou's spinning road.

Wu Haiyan is making the final preparations for the trip. On the shelf of the studio, there is a whole row of cheongsam for Zhejiang delegates and committee members to wear.

For the cheongsam exhibition and the red carpet show, Wu Haiyan and the Silk Museum have been busy for a whole year.

"It's the right time to come out today, and I'll take them on board in the afternoon."

Wu Haiyan said with a laugh. "There are 5 more factories in the factory.

The rose that Cui Wei wants to wear.

The whole row of products was bright.

However, they are quite different from the cheongsam.

The costumes on the front are not only long sleeves, but also a very unique design of the back. Only the buttons and patterns of the necklines and the front chest make people vaguely discern the shadow of the traditional cheongsam.

"This is tailored for Mao Weitao."

Wu Haiyan said, "when Mao Weitao tried it on, he liked it very much.

Seeing the back of my design, she said she had already thought about how to wear it.

And asked me if I could borrow it in Shanghai.

She also took out a black cheongsam with wrinkled sleeves. "This is my own dress, and you feel the silk."

Wu Haiyan said, "silk is light and floating in the eyes of ordinary people, but in fact, the silk made by traditional hand weaving also has very thick silk pieces excavated in ancient tombs."

Each cheongsam has special design and making difficulty.

Qiao Chuanxiu's black cheongsam was made by herself on the chest, and Sheng Changli's cheongsam painted her own photography. Xu Qiufang's gold short suit and waist buttons were made of butterfly.

Wu Haiyan said that to make such exquisite cheongsam, we owe it to several silk clothing shops in Hangzhou.

"Master Jiang Ming in the silk market, her father made cheongsam for Liu Shaoji's wife.

What I value most is her handcrafted buttons.

This time, all the buttons on our cheongsam were made by the workshop of Chiang Ming master.

Wu Haiyan told reporters, "Wei Yun's traditional handwork and modern weaving are very powerful. There are masters specializing in hand embroidery.

French fashion designers can find various workshops in Paris, and a large number of such studios have sprung up in Hangzhou.

Everyone presents different "elegance".

According to Wu Haiyan's original intention, we should design a brand-new modern cheongsam for all the representatives, "left hand feeling the tradition and the right hand feeling the trend". The traditional manual embroidery, hand-painted, and silk weaving technology of thousands of years are embodied in the design of these garments, but they are close to the contemporary trend in the whole body shape.

However, many representatives and members said to Wu Haiyan that they should try to keep the appearance of traditional cheongsam, and some even make short clothes. "Many people seldom have the chance to wear cheongsam, so they are so excited.

Mao Weitao and

As a result, this group of more than 50 cheongsam shows a certain "age gradient", which is traditional, improved, long and short, and completely laissez faire modern.

But all cheongsam is designed around a "elegant" character, and the color is mainly black and white. Even red, dark red is used.

"Delegates and members wore cheongsam to help the" 100 year Qipao Exhibition "organized by the Chinese silk museum.

Wu Haiyan said, "we will push forward contemporary silk in Zhejiang during the two sessions, from traditional embroidery, traditional hand-painted crafts, to digital weaving and contemporary technology, and to promote the image of Chinese women in international dress.

When the 30 representatives and members present together, we will see elegance, elegance, elegance, elegance, elegance, elegance and elegance. Each person presents a different "elegance".

Before such a grand cheongsam show, Wu Haiyan was very busy.

When she told reporters about the design of Qipao, she hurried to the silk market. "I have to buy Scarves for them."

Tomorrow night, I have to match them with pants, a coat, and a scarf. "