The Renaissance Of Chinese Clothing Industry

National clothes, a dream, drunk, wake up China

Looking east, we can see that many countries have their own national clothes and dresses as identification symbols, like kimono in Japan, Korean clothes in South Korea, and sari in India.

However, as a civilized country with 5000 years of civilization and a vast 1 billion 300 million population, China, as a country of etiquette, which is known as a ceremonial state, has not unified the "tuxedo" representing its own country. This can be said to be a great pity for our whole nation.

In recent years, various garment enterprises have incorporated more Chinese elements into the new clothing design, in order to shape the image of Chinese clothing.

Busen launches "Zhonghua" and seven cards play the main role of "Chinese standing collar". Tai Zi Long interprets "dragon soul". NE TIGER takes the theme of "phoenix" as the theme to deduce the classics and elegance of Chinese dress civilization etiquette.

At this year's fair, Fujian's "Yun Dun fashion" intoxicated China "is the theme of" Yun Dun fashion "." the Chinese dress "is the main theme of the" Chinese dress ". It is based on the need to make up for the shortcomings of the" national service ". It is a multicultural multiculturalism in China, blending the top international fashion technology and tailoring, showing the profound and fashionable charm of China's" national service ", and is committed to creating a national service image belonging to the Chinese people.

The Chinese nation has been known as a ceremonies of the world since ancient times. The development path of Chinese clothing has an inseparable historical origin.

As early as Shang Zhou period, there were records of "etiquette three hundred, Wei Yi three thousand" in our country.

Since the pre Qin period, various ceremonies have been promoted through various ceremonial ceremonies.

Unfortunately, the Chinese dress has evolved over thousands of years, and in modern times, our dress culture has been invaded by the world's clothing culture, and our dress culture has gradually disappeared in people's lives.

With the development of China's economy and the improvement of international political status, it is obvious that the ancient clothing can not meet the dress requirements of modern people's comfort, individuality and emotional satisfaction.

Dai Qun, chairman of Yun Dun dress, said in an interview that Yun Dun launched the "Chinese dress" not only from the sense of mission of a national brand, but also from the pmission of a national spirit.

He believes that China's national costume bears the dual mission of conveying the spirit of the Chinese nation and displaying the new style of the times.

National costume is the crystallization of national culture.

Therefore, the design of national costume must be rooted in our thick traditional culture, and we should make modern deduction and re creation on the basis of tradition.

In this organic combination of inheritance and innovation, the "Chinese dress" aimed at creating the "national service standard" came into being.

This is not only his personal dream of "national costume", but also awakens the cultural renaissance in the field of dress, and will also awaken the intoxicating Chinese civilization in the future.

Standard interpretation of Chinese dress uniform

However, the standard of "national service" has always been controversial.

Throughout the history of clothing in China, although Hanfu was formed in pre Qin times, it represented its ethnic limitations as a representative of Han nationality costumes.

After the revolution of 1911, the Chinese tunic suit was improved from western style clothes and Japanese student clothes, and lacked its own national tradition.

The cheongsam, once considered a national costume, was originally the robe of the Qing banner, which only allowed the banners to wear it in the Qing Dynasty. It was the epitome of the last feudal costume of the Chinese nation, and could not reflect the profound and profound culture of the Chinese nation.

At the same time, these clothes are not enough to unify the spirit of representing the Chinese nation.

Dai Qun, chairman of Yun Dun dress, believes that the national costume should be the Chinese dress in traditional ceremonial occasions and modern business activities. It represents the good heritage of the great ceremony culture and the performance of modern business activities.

The essence of national costume is first to show the core culture of the Chinese nation and form a clear symbol of the elements of Chinese classic clothing.

Second, the national costume should bear and blend the cultural characteristics of all ethnic groups in China.

Third, while exploring and developing traditional culture, national costume should integrate into the modern fashion fashion cutting and advanced technology, making the world today form a unified consensus on the progress and innovation of Chinese costumes culture.

Today's national costume should have five elements: symbol, classics, nationality, compatibility and modernity.

The "Chinese dress" launched by Yun Dun integrates the five elements into product design. With the theme of natural, comfortable and people-oriented, the brocade embroidery technology and unique Chinese totem are used as creative elements to create a graceful, free and elegant style for men's wear.

On the one hand, "Chinese dress" has adopted the embroidery, pattern, color, color bead decoration and unique style design which are very Chinese elements, and has been striping for excellence in the quality of clothing. On the other hand, it is a product of "mood changing environment", which advocates the broad and profound Chinese culture and the charming charm of fashion.

In this way, "Chinese dress" from products to ideology and philosophy is integrated into the pursuit of Chinese men's life, and its success becomes calmly.

In the Chinese version, the "Chinese dress" combines the East and the west to create the cutting essence for the male body, carries on the thorough analysis to the male clothing version and the style characteristic, uses the modern fabric which has the elasticity, analyzes the basic version, and uses the European and American technique to make the line structure exactly as it is.

From the whole to the details, the whole men's suit not only contains Oriental philosophy of life, but also has a fashionable atmosphere, which caters to Chinese men's dress taste.

The Renaissance of Chinese clothing industry

China is an "ancient civilization" and a "country on clothing".

Costumes are very important in history.

If we regard human history as a river, clothing is flow and civilization is the source.

Both of them are interdependent and shared with each other in the development process.

Dress is an important part of Chinese civilization, and even without clothing, culture is pale.

No matter a nation, showing their ancient costumes will make people feel that they are opening a splendid history book.

If we regard the entire Chinese civilization as a coordinate, then the development of China's 5000 years is a vertical axis, and the evolution of dress is horizontal. In the development of Chinese civilization, clothing as a carrier can fully reflect the changes of society and the development of civilization.

In China, the concept of "Chinese dress" is the result of deep exploration of the clothing culture of Yun Dun men's clothing.

Unlike some domestic brands, which focus on the introduction of popular elements in Europe and America, Yun Dun men's uniform, based on Chinese aesthetics, combines fashion simplicity with classical elegance. It advocates innovative, simple and casual dressing style, and deducts the spirit of the East man's introverted, elegant and fashionable spirit.

And the men's clothing of "Yun Dun".