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2012 Autumn Winter London Fashion Week &Nbsp; Make All &Nbsp In The UK;!

2012/3/15 11:04:00 39

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London

2012 is an important year.

The British government will hold the thirtieth Olympic Games here. It will also meet queen Elizabeth's accession to the 60th anniversary. A series of festivals will bring new life to this ancient city.

London Fashion Week is not comparable to the Olympic and Queen's celebrations on scale and audience, but its contribution to the British fashion industry is obvious. In this special year, it also spares no effort to add color to it.

At this time

Week loading

At the opening meeting, Harold Tillman, chairman of the British Fashion Association, firmly stated that it is necessary to concentrate all relevant forces to promote fashion development to ensure that London Fashion Institute and central Saint Martin educational institutions are thriving, looking forward to the public-private partnership in the industry, and paying attention to the rebirth of domestic industry. This gives the historic significance of London Fashion Week, making it no longer just a kaleidoscope of avant-garde design, but also a platform for representing the entire fashion industry.

The "millionaire", who was worth 20 billion pounds, provided 816 thousand jobs for the British job market in 2009 and created over 13 billion pounds in the British government's annual accounts.

"Now, people finally understand that this is a serious business."

British culture minister Ed Vaizey blurted out.

For Britain

Fashion industry

For example, the most important task at present may be to pfer production back to the home and make both domestic and foreign goods.

Sir Philip Green, the boss of the famous British fashion brand Topshop, said, "we don't forget the new generation of manufacturing wonders, while focusing on the new design."

Although the exact number of Topshop and Topman production in the UK is still vague, its contribution to the restructuring of the British manufacturing infrastructure can not be ignored.

It is worth mentioning that "

Britain

The label is not only attached to the high street brand, but also appears in traditional boutiques such as Mulberry and Burberry.

Mulberry already has 250 craftsmen in Somerset, and recently plans to open a new domestic plant in the next two years.

Mulberry's bags, such as the new Del Rey series, named after the American pop singer Lana del Rey, are developed in the UK's local design center and vigorously carry out apprenticeship projects to inherit and develop the production process.

"In my opinion, the handicraft industry has gone through a difficult period in the past 15 years," he said.

"This is the reason why apprenticeship has been successful in two aspects of developing traditional skills and expanding the strength of the industry," said Mr. Ian Scott, purchasing director of Mulberry.

Burberry also launched the same project at Castleford factory in North Yorkshire, where the classic windbreaker is produced.

A successful brand has one characteristic: integrating design, retail and production into a solid whole, without compromise from any one of the three.

While supporting young designers, London also needs to build up a successful brand so as not to lose the rising stars to Milan and Paris.

"Designers work here. They should live here and make everything here."

famous

fashion

Commentator Sarah Mower said.

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Classic re creation

Burberry has no doubt that his classic British style is becoming more and more stylish.

The whole series keeps people in the fashionable hunting party.

The sporty spherical pockets of the military jacket seem to be used to load ammunition.

The metal ornaments of fox, owl and wild duck appear in bags, belts, umbrellas and other accessories.

The tight waist treatment highlights the graceful lines of women and is neutralized by the masculinity of the fabric itself.

In the selection of materials, the entire series has a large number of coated fabrics, and there are many traces of digital technology.

The long coat is made of wax treated cotton, herringbone and coarse wool.

Men's and women's clothes appear on the issue: they wear low wool top hat and deduce the nostalgia in the 1940s. This is the modern British Burberry.

The show in Hyde Park is relayed to the brand official website and Facebook through a Super Bowl high-tech device.

Creative director Christopher Bailey said: "for London, this is an incredible year. We hope to share joy and excitement with people all over the world."

Relative to Burberry, Mulberry preferred to promote its products in a low profile.

The new series is released in the comfortable and banquet hall of the Claridges hotel. The entrance and hall are arranged as monsters' caves, covered with golden balloons from the floor to the ceiling.

Maurice Sendak's classic children's story "Where the wild things are?" is the source of inspiration for the new series.

In the book, the rebellious Max imagining a mysterious island living in all kinds of wild animals, where he can stay away from the real world and prove his bravery.

The creative director of Emma Hill, Mulberry, integrates this inspiration into the new series of designs, and attaches a symbolic huge key to the invitation of the press conference, which symbolizes the theme of this fantastic world.

Koniec's brandy long fur coat opened the curtain.

Brown, gray, bright orange...

These fall in the color jump in the rich modeling, with obvious segmentation line to deduce the high waist contour.

Fur, Bao Xine and lace came at the end, adding a touch of hardness to the whole series.

Black lacquer appears in a group of trousers and diamond diamond zipper liner zipper jacket.

Coincides with the Del Rey series on the line, Mulberry held a star party after the dinner of the conference, Anna Wintour, actress Michelle Williams, publisher Jonathan Newhouse Vogue magazine editor listened to the voice of Lana Lana.

The rising star of American singing is now a favorite in fashion.

In fact, 2012 is London and Britain.

fashion

In a special year, you can also see one or two from the parties and dinner parties at the fashion week.

Stella McCartney's 2012 winter evening series was released. The models wore a new evening dress to the guest seats, and then evolved into a crazy show: supermodel Amber Valetta, Yasmin Le Bon and actress Shalom Harlow jumped the Bianca Li dance.

Fashion editors remained stunned by the end of the dinner.

Jess Cartner-Morley, a guardian columnist, wrote a report that the night will be included in the history of fashion.

Of course, we must not forget another important figure, Sarah Burton, the dark queen of London fashion circle.

This season, she moved the secondary line McQ to the flyover for the first time.

We also saw a series of military theme designs with high waist collection, brown and olive green.

Felt

The texture of the garment is endowed with sophisticated tailoring.

Like Burberry, women's wear and men's wear are displayed alternately on the T stage.

Part of the men's clothing is surrounded by dark colors. One of them has a styling. The architectural feel of the black Plush coat with a wine red wool suit and a chest sticker is impressive.

The motorcycle gloves complete a full set of costumes, matching the wandering image of the autumn wandering in the mysterious forest and the city underground.

The girls' skirts are covered with occasional decorations. A bunch of lace with a bouquet pattern is stitching on the upper half of the pleated skirt, matching a lacquer waist seal and a thigh boot, which is very rich in the flavor of a female soldier, or a woman walking through the Scottish Highlands and the secret worship Club in London.

Finally, Kristen McMenamy interpreted the bride's style in a white silk dress with a pure white waist.

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Hot topic of the red man

London's coloring masters did not disappoint us. They belonged to their own "no duplication" in the trend of Datong.

Christopher Kane talked about the color of his new season clothing series. He said, "wrong is right."

Full of violet leopard prints, lace ups and tank vests.

shirt

I can't help thinking of the club culture of the 70s of last century. These works add a lot of sense to the design of Kane.

From the veins of blood to the silky coffin, the gloomy horror is also one of the Inspirations of this series.

In the opening form, the existence of the plastic material trimmed jacket and thin stripes is not obvious at all.

Michael van der Ham from Holland graduated from central Saint Martin in 2009. His graduation design was taken from the works of Andy Warhol, a custom tailored art clippings.

This young Dutchman focuses on the combination of fashion and collage, carving out his own style labels with specially tailored fabrics, such as mixing.

woodiness

Knot of material

wool

And viscose fibers.

Chiffon

Long sleeves

Dress

The wrinkled gauze with wrinkles, these unexpected materials are amazing.

Using hand drawn marble veins to get the desired results through computer processing, Michael van der Ham has no talent in this area.

In this colorful series, most of the garments are made in the UK because they are easy to control.

A studio assistant confided: "we used to send wool fabrics to Italy, but the finished products do not match your original intention.

So we ship our products back to England, where we can supervise the whole production process. "

If Michael van der Ham is the head of collage and drooping, then Mary Katrantzou is the queen of all changing prints.

The autumn and winter of 2012 is a season for her moving from the dust to a more mysterious field. It is also the first time that France's top embroidery house Lesage has cooperated with a young British fashion designer.

Every dress tells a history of English, including Vitoria style skirt and Elizabeth style tights. All the old forms do not deviate from the fashion show.

Designer Peter Pilotto and behind the scenes Christopher van der Vos composed of two people, this time because of experimental rubbing cloth printing and highly praised.

Their designs are very futuristic: a technology jacket, a pad made of gaskets, a large collar like a halo, to create a sense of future Galaxy for the wearer.

The main colors are blue, yellow and green with intermittent yellow green.

The colorful patches are blooming on the fur, forming Rainbow Stripes, which appear to be somewhat eccentric but elegant. It seems that Peter Pilotto has discovered another "new world".

London's top designers are far more than that.

Jonathan Saunders is one that can not be ignored.

The 2012 BFC/VOGUE Fashion Fund winner presented an excellent performance of precision cutting and geometric graphic interweave.

The opening models are dressed in diamond print red wine coats, marble smoke tube trousers and square pointed collar. These are undoubtedly the main elements of the series.

Shades of red, wine, scarlet, or orange, with all kinds of green from emerald to pale yellow.

Fashion color of Saunders is one of the reasons why it has attracted much attention.

Like J W Anderson and Kinder Aggugini, he has his unique style in London.

fashion

The world is one of its own.

Kinder Aggugini once again used the cowboy print of the artist Richard Prince. The design of J W Anderson is rich in technology, and all the models look like artificial intelligence.

The traditional British sweater was revived in the hands of Alistair Carr. The futuristic herringbone printing on Pringle shows his accumulation in Balenciaga.

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New and new performance

London

In the first two quarters,

fashion week

Two shows away from bright and colorful prints.

This time, the autumn and winter clothing series of Thomas Tait has no trivial decoration and gives up too much eye-catching color, but it is quite experimental in terms of shape and structure.

The jacket jacket was filled with air and slightly mustered, leaving a gap between the body and the garment, with a special sense of volume.

The coat is misplaced, closing the seam below the waist, exposing the slender legs of the model.

In the background, Tait describes the concept of "safety": he tries to find a garment that allows the wearer's personality to blend comfortably into the surrounding world.

Tait prefers to explore the possibilities of clothing itself rather than creating strange shapes. Black or orange lacquer pants are wrapped around the body, plus square trimmed skirts, and a few loose fitting trousers, showing the beauty of sex.

Grandmother's green silk screen printing velvet makes appearance and structure like bryophytes.

This adds an organic touch to the whole series. The black pleat collar is wrapped around the neck of the model, and the delicate structure is integrated with the concise and modern core.

And Thomas Tait graduated from the same year, received the central Saint Martin women's costume design professional master's degree of Simone Rocha, J JS Lee and Palmer//Harding two person group, all have similar aesthetic.

Simone Rocha brings a set of white, reflective silver coated leather and plucent design. You can see the lace like material "growing" on plexiglass.

The light suddenly concealed into the special fabric, and then flashed into the eyes of the spectators. The reflective materials formed a pition between pparent materials and opaque materials, making the whole show "glistening".

The high waist, knee and half group with feminine breath and flat shoes, stand out in the green and bronze color.

J JS Lee also chose low-key cool and cool colors as the main colors of its ready-made series this season - white, bright yellow, gray blue and pure black.

Air blouses, filled with negative collar and bulging fabrics, have a delicate sense of volume and form unique clothing outlines.

Tim Soar, a prominent male fashion designer, will also join the young modernist group.

He, who started out with men's wear, is now showing his expertise in the women's clothing industry.

Tim's 2012 autumn winter women's wear design is unique, taking Japanese aesthetic style. The kimono inspired olive green and wine red coat is very nice. The leather Rome robe and pleated skirt combine jacket jacket to create neat geometric lines.

Knitted new member Craig Lawrence, from a medieval armor, pformed a metal chain shirt into a concept sweater.

He used a large number of metallic, silver, rust, iron and bronze, which were popular in autumn and winter in 2012.

Another Lucas Nascimiento in the same field uses a natural and artificial two fibers to show people a clear image of grass green.

Cultivating talented designers is the tradition of London.

The Fashion East project, under the guidance of Lulu Kennedy, has become a bridge linking schools and independent stages to help young designers.

This time, three new Maarten van der Horst, Marques Almeida and James Long have gained the opportunity to show their talents to the public.

Bally has held an independent training project with Saint Martin. Alice Bastin and Mei Lim Cooper two new people have been selected. They will directly follow the Bally creative director Graeme Fidler and Michael Herz to do the development style work.

It is no exaggeration to say that in both public and private sectors, London is doing everything that it can to make this city a stage for young fashionable forces to never end.