Cultural Differences Between China And Korea From Traditional Wedding Dress In China And Korea

Uniform dress is closely related to the country's long standing culture.

wedding

As a solemn and joyful representative of traditional costumes, different cultures are reflected.

From the perspective of traditional wedding dress in China and South Korea, this paper discusses the cultural differences between China and Korea, specifically discussing the similarities and differences between the colors and patterns embodied in the costumes, the similarities and differences between them, and discusses the mutual influence and communication between them, so as to achieve the goal of promoting cultural communication between the two countries.

First, the origin of dress culture.

American anthropologist English Fei said: "a cultural project is the result of external infiltration, or the product of natural independent invention, which is very critical for those who focus on historical heritage. It is also important for those who use comparative research methods.

We can say with certainty that over ninety percent of all cultures are in the form of cultural infiltration.

Traditional costume is an important example of cultural infiltration.

Almost from the day of the origin of clothing, people have deposited their life customs, aesthetic tastes, color preferences, and all kinds of cultural mentality and religious concepts into their costumes, thus forming the spiritual civilization connotation of clothing culture.

It is the wedding dress that can most reflect the characteristics of a national costume.

Every ethnic group has its own wedding dress. It is a traditional garment that has been established and established by tradition, and it has been changed from generation to generation for a long time.

Traditional wedding dress, as an important part of clothing, reveals the characteristics of culture at all times.

Starting from the traditional wedding dress of China and Korea, this paper explores the deep culture behind the traditional wedding dress, with a view to promoting communication and progress among different cultures.

Two. Chinese traditional wedding dress

As far as China is concerned, the appearance of Zhou Dai's dress makes the wedding dress emerge as the times require.

Through the development of Qin and Han Dynasties, it reached a peak in the Tang and Song Dynasties, and appeared a great change during the revolution of 1911.

Throughout the Chinese wedding ceremony, the traditional wedding dress is accompanied by the emergence, development and change of the characteristics of Chinese nationalization.

The Chinese wedding dress industry started late. In the early twentieth Century, the traditional Chinese wedding dress was still robe and horse.

Since ancient times, China's wedding dress is mainly red, because traditional red is considered auspicious.

Therefore, the ancient bride is often dressed in red dress and wearing a wind crown.

After 20s, the wedding became diversified. The city women married in white silk, dressed in a silk dress. They held a white bouquet and married "civilization". The peasant woman still wore a red coat with a pearl crown and a red sedan chair to maintain the old customs.

In 50s, with the change of political system, the wedding dress evolved into the groom wearing blue tunic and the bride wearing a cheongsam or a red jacket skirt.

From the late 60s to 70s, the bride and bridegroom were all blue uniform, fashionable in green military uniform, or in a military green suit.

Most of the folk wedding clothes are everyday clothes, and they focus on simplicity and tidiness.

In urban areas, people basically wear ordinary clothes. There is no wedding dress; in the countryside.

More people use traditional wedding clothes, such as the bride in red.

Entering the early 80s, Chinese traditional wedding dress began to conform with foreign countries.

Three. Korean traditional wedding dress

Korean Korean wedding dress is bright and colorful.

In the past, Korean civilians only wore colored Hanfu when they had special festivals and ceremonies.

In the past, only when they were married. Civilians allowed to wear official uniform and wore more ceremonial headwear.

In traditional Korean costumes, the bride and groom dress in national costume after a couple of days of wedding.

On the wedding of the rich, the women's wedding dress is usually a red broad lined blue peasant. The designs on the clothes represent the two surnames, the source of all blessings. Or the sleeves have five colors of green nets. At the same time, they use the red silk silk embroidery belt tied behind the tie to fasten from under the armpit, and also wear the small cap from Mongolia.

Korean aristocratic women used to wear red lined green Tang clothes or purple lined Tang lined clothes as farmers.

Later, there was a white broad peasant's wedding dress.

The groom wears a cap and crown Band.

The civilian bridegroom is usually dressed in the imperial uniform of the Korean Dynasty, wearing black gauze cap, and the rank officials are wearing their own official uniform.

The regiment collar is the official uniform worn by the officials of the Palace during the execution of government affairs in peacetime.

The color of the official uniform, the color and pattern of the square and the square behind the chest symbolize the social status of the wearer.

The first regiment was adopted in the 2 generation of the 28 generation of Xinluo (AD 648). With the introduction of the Chinese style official uniform system, it continued to the Korean Dynasty.

In addition, there are also people who are married in Chi Gu Li Ba Ji.

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Four, cultural differences of traditional wedding dress between China and Korea

Both China and Korea belong to the Orient, and have obvious Oriental mysticism. In the artistic way, they all emphasize lyricism, emphasize subjective aesthetic feeling, emphasize the role of artistic conception, use colors and patterns to symbolize abstract meanings, and express the aesthetic characteristics of richness and unpopularity.

The most traditional wedding dress in China -- Feng Guan Xia

As the representative of Chinese traditional wedding dress, the most traditional Feng Guan Xia is red, gorgeous and dignified.

Big red embodies the festive and lively Chinese characteristics, the bride's dress has formed a head wearing a wind crown, a red cover, a red shirt, a coat embroidered red robe, a necklace collar, a heavenly palace lock, a chest mirror, a shoulder, a red skirt, a red trousers, and a red embroidered embroidered shoe.

The bridegroom is also a red, red crown red robe.

Everything is red, red candle, red sedan chair, big red Xi character, noisy gongs and drums, jubilant crowds, and the groom holding red silk seems to constitute an everlasting wedding scene.

However, in general, the lines of traditional Korean wedding dress have both curvilinear and straight line beauty, especially the bride's blouse and long skirt are thin, thick and elegant.

Men show unique taste in trousers, jacket, vest and vest.

White is the basic color, depending on seasons, status, materials and colors.

In special ceremonies such as marriage, ordinary civilians wear gorgeous clothes. Different cultures reflect different ideas.

Chinese and Korean traditional wedding costumes and jewelry.

The bride wore a velvet corolla, wearing a beautiful rainbow wedding dress, blouse and elegant skirt.

The groom wears short trousers and trousers, and the wide trousers are covered by the ribbon. This means that different countries have different national cultures.

The country's wedding dress is gorgeous, gorgeous and dignified.

Influenced by traditional philosophy and aesthetic thoughts, Chinese costumes always retain the special pride of Oriental style. They are wrapped tightly against the skin, so that they do not show their body shape. In more than ten kinds of skin, they do not expose their skin, leaving the clothes and the human body very free.

The women's clothes in the decoration prevent the body from exposing and increase the Oriental sense of mystery.

However, Korean wedding dress advocates natural beauty and primitive beauty. Korean clothing shows an aesthetic view that is more in line with natural harmony and blending with the environment of Zhou Tong. It is specifically manifested in the use of natural cotton or linen fabrics as the main material in the production of clothing, and at the same time, the plants in nature are used as dyes to sew into light, elegant and soft clothes.

At the wedding, the groom wears trousers. The vest is lined with a coat, a hat and a crown, and a wooden boot. The bride is wearing a red skirt, a yellow jacket, a hairpin, and a long hairpin with a prefix and ribbon.

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South Korea's clothing is virtuous, pure, and its color will be slightly lighter.

Chinese wedding costumes focus on the warmth and shame of the bride and groom. They are mainly red and joyful. Usually, the bride Dai Fengguan shows a luxurious face, showing a shy head with red cover. The skirt is more close to the body and shows a long, stout figure, which is closely related to Chinese women's little work.

Korean clothing mainly embodies the dignity of the bride and groom.

Virtuous, pure, color will be a little lighter, there are hairpins on the head, but the clothes are still large skirts, flying around, there is a light and elegant sense of beauty, Korean women in ancient times to work underground, a large skirt is conducive to labor.

Korean clothing mainly embodies the dignity of the bride and groom.

Eastern civilization is mainly based on ethics and emphasizes the combination of reason and reason.

In the overall atmosphere of Confucianism, Korean costumes are similar to Chinese costumes. They try to be large and wide in dress. The structure of dress modeling is not to show the body itself, but to keep people away from clothes.

It shows the unique cultural realm of "virtual reality" and "implicit and restrained" culture.

Korean clothes almost cover the whole body of women's clothing, high waist, straight line and wide style design, obliterate all the physical characteristics that may lead to women's temptation.

Through its unique visual characteristics, edifying the beauty of human body reflects that the essence of Oriental dress aesthetics is not pursuing but pursuing spiritual meaning beyond the form.

In Korean costumes, it emphasizes the aesthetic ideas of blending with nature and surrounding environment.

Five, conclusion

Different cultures reflect different thoughts.

The differences between Chinese and Korean traditional wedding costumes reflect the different aesthetic and cultural acceptance of the two peoples.

Acceptance is a crucial factor to express the recognition of a nation or region towards another ethnic or regional culture and aesthetic viewpoint. It is the result of cultural exchange between different ethnic groups and regions.

Through the process of contact, collision and blending of different costumes, new styles and styles of dress are formed in the process of communication.

The basic structure and style of Korean traditional costume have been influenced by Han nationality or nomadic people in Mongolia during the development, though it has undergone many development and changes in the process of acceptance.

However, the large structure and the surrounding clothing form have not changed, and they still clearly maintain the personality characteristics of the Korean national traditional costumes.

Any form of cultural communication is accomplished through a series of receptive activities. In the process, the first thing to accept is the style of dress as a cultural surface, and gradually change the way of dressing and wearing, and develop towards a deeper level of cultural structure in this way.