Qiang Embroidery Of Costume Culture Of Qiang Nationality

As a concentrated embodiment of the objective culture of the ethnic group, the Qiang nationality is a concentrated expression.

It can fully emphasize the unity and cultural uniqueness of the Qiang nationality, and the Qiang embroidery patterns on the Qiang costumes are playing an important role in the decoration of beautiful costumes. In fact, they become an important carrier and continuity of Qiang's history and culture. This article analyzes the cultural implication of Qiang embroidery from the different cultural phenomena of Qiang embroidery.

Qiang embroidery is a variety of patterns embroidered by the Qiang women with various color lines on the fabric, which is mainly used for decorative clothing.

Pillow towel, handkerchief, sachet and other items, especially in the costumes of the Qiang embroidery pattern is the most abundant, the highest achievement.

Clothing is a symbol of national culture and a mirror reflecting its history. Many people's clothing or style structure, or jewelry accessories, or decorative pattern patterns all have certain meanings, certain origins, and image, and implicitly load the history of our nation or brilliant or tragic.

Qiang embroidery is the most brilliant, vivid and cultural connotation of folk art in the Qiang traditional culture.

The fusion of Qiang embroidery and costume is the perfect combination of productive activities and spiritual activities of the Qiang people.

The Qiang embroidery pattern is a reflection of the living environment.

The Qiang people were originally "the West Rong shepherd" and later developed into a mountainous ethnic group who settled in the Minjiang River Valley. Because of the lack of words, Qiang embroidery has unconsciously assumed the important carrier of recording the national living environment, religious belief and life ideal.

Between that needle and thread, like a carved wood or stone, will be recorded in the head, the collar, the sleeve, the waist, the waist and the upper.

The rich and colorful patterns of Qiang embroidery can be classified into three categories: animal pattern, such as sheep pattern, butterfly pattern, tiger head pattern, dog grain, lion pattern, Long Fengwen and cat lines; plant patterns, such as Rhododendron, chrysanthemum, fir shoot, peony, pomegranate, pumpkin and lotus; abstract patterns, such as Taiyang pattern, star pattern, cross pattern, Wanzi pattern, fire pattern and so on.

Most of the Qiang embroidery patterns are closely related to their natural environment.

Plant patterns and animal patterns are closely related to the daily life of the Qiang people.

The peony flowers and chrysanthemums in the plant pattern are the objects that Qiang people like and are familiar with. For example, fir trees grow in high altitude mountainous areas where Qiang people live. The four seasons are evergreen, and their strong vitality is very popular among the Qiang people. The shape of the Chinese fir tree is symmetrical and has its own aesthetic sense. It is very suitable for the application of peach embroidery. Animal patterns, such as sheep, dogs and cats, are all daily animals raised by the Qiang people. Butterflies and tigers are common animals in the natural environment.

The sun, moon, stars, clouds, water and fire were familiar and mysterious to the Qiang people in ancient times. They became the objects of their worship. Therefore, the hard-working and intelligent Qiang women simplified, summarized and abstracted the familiar animals and plants and natural things. Patterned embroidery on clothing was not only an objective reflection of their living environment, but also a beautification of their clothing and clothing, and became a symbol of the cognition of the noumenon.

The curly veins on the upper of the Qiang people should be traced back to the evolution of the patterns, which should be the abstract development of ancient solar veins.

The Qiang nationality is a famous ethnic group known as "clouds". Qiang people live in natural mountains and valleys. The sensitive and intelligent Qiang women develop the smooth and natural patterns of their Embroidery City into the patterns of shoes that we see today, and have entrusted the Qiang people's sincere love for their living environment.

The living environment has a profound influence on Qiang embroidery. By showing their familiar living environment and joyful auspicious symbols, the Qiang Nationality's cheerful, cheerful, simple, warm and generous national sentiment and aesthetic orientation are reflected.