Chinese Designers Shine In Paris Fashion Week

"Chinese creativity in Paris" designer Liu Fang performs "debut"

In the evening of September 26th, "China's creativity in Paris" acts as an example.

The "heavy drama" appeared in the WESTIN Hotel, and Chinese designer Liu Fang released the "white Gothic" series of cashmere material for the first time in Paris to show the new parrot brand new dress.

This is another Chinese designer who boarded the fashion week in Paris after Xie Feng and mark.

That night, Liu Fang realized the exchange and dialogue with the audience on the spot through the surrealistic creativity of angels falling into the world, in the process of integrating classicism and future technology.

Liu Fang shapes the soft cashmere material with a sculptural appearance, so that audiences can feel the charm of futurism while perceiving Chinese elements.

The "Chinese creativity in Paris" event was co sponsored by China Fashion Association and France New Fashion International Agency, and was supported by the French high fashion Union.

This event has been included in the official schedule of Paris fashion week since its first launch two years ago. This year is its fifth appearance in Paris.

In an exclusive interview with reporters, cashmere is one of the softest natural fibers, and I have designed it as a hard outline of sculpture. This is what our Chinese sage Laozi called "the world is soft and the world is strong." I integrated Chinese philosophy into my design. As an international brand, I didn't emphasize the shape of Chinese elements, but integrated Chinese philosophy into it, and its shape is like the futuristic style you see.

Chen Dapeng, executive vice president of the China clothing association, praised Liu Fang's "first show". He said Liu Fang was an excellent designer who was addicted to cashmere design and research and development. Her style of work was outstanding and her sculpture was very strong. Her style was more succinct.

We believe that she and her works will go further.

Liu Fang said that standing on the stage of Paris fashion week to realize its value is the dream of every fashion designer. I am very proud to stand on this stage.

Xie Feng is holding Audi's "listening" conference with Gao Yuanyuan.

On the evening of September 28th, the "China Night" of Paris fashion week was opened at InterContinental Hotel. The famous designer Xie Feng of China held the 2013 spring and summer "listening" fashion conference with the clothing brand "Ji Fen".

This issue, Xie Feng hand in hand with FAW Volkswagen Audi, with the concept of cultural discovery, the protection of the times and the heritage of civilization, deeply explore the original ecological village of Miao embroidery culture, explore the past and present of Miao embroidery with a historical perspective, and participate in the real life experience of the original ecology with a sense of the scene, and incorporate the Miao embroidery elements into fashion through modern methods.

That night, the InterContinental Hotel banquet hall was pformed into the golden stadium. The sound of high heels was intersounded with the Audi A7 motor roar. The back of the T platform was lit up with the design of the Audi taillight lamp. The sound of music made the audience feel the melodious rhythm coming from the mountains and felt the national tradition of China.

The model walked slowly in the works with the elements of Miao embroidery as if from the mountains of the last century to the future.

Designers use natural tones to describe the vitality of spring and summer, and the patterns on the ancient embroidered clothes of Miao people are carefully designed and processed, full of modern flavor.

{page_break}

In order to get design inspiration, Xie Feng went to the Guizhou quarter knife Miao village to listen to the ancient culture, and to take the international Chinese fashion as the main thread, to penetrate the original flavor of Miao embroidery throughout the whole process, and to integrate fashion into modern fashion. The inspiration of this fashion release mainly comes from two aspects. On the one hand, it is located in the changeable 20s, showing people in a fresh and romantic fashion trend. On the other hand, it is a wedding dress of the Miao nationality's old lady, telling an old story which is about to fade away in fashion language.

On the left side of Xie Feng's lecture hall, two embroidered nangs dressed in traditional Miao costumes are embroidering at the scene.

Talking about China

The present situation and thinking, Xie Feng said, embroidery is just a representation of handicraft culture, its essence is a kind of life, a symbol of slow life, a classic, noble, symbol of happiness.

The cultural ecology of chain breaking is an urgent need for us to regain and integrate.

Then, the most direct and effective measures for the protection and inheritance of traditional costumes and crafts are the support of designers: first, the fashion of Miao embroidery is fashions and fashions, and the connotation of Miao embroidery handicraft culture is extracted, and then pformed into modern expression, positioning for a broader field of mass consumption; secondly, let Miao embroidery be marketed and futurized, through the deep efforts of enterprises and brands, to expand the production and marketing channels of Miao embroidery, and gradually form a road of continuous exploration and improvement of the nation.

Xie Feng is the first fashion designer in China to enter the fashion week in Paris. This is the sixth time he has entered this fashion stage.