Famous Fashion Designer Zhang Zhaoda

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< p > if the words "Hua Mei", "gorgeous", "riches and honour" and "grace" are used to describe the works of < a href= "http://www.91se91.com/pioneer/" > Zhang Zhaoda < /a >, it appears to be a strong word for new words.

No designer's work needs to be described in general terms with these conceptual words.

International fashion writers usually use news language to vividly describe all the design methods used by designers and the design styles and ideas expressed by these techniques.

Zhang Zhaoda himself has no expression to some exaggerated media arguments.

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< p > if the international style of professional commentary is used to describe his consistent design style, it should be like this: < /p >

< p > in modeling, Zhang Zhaoda is best at using lines as the most powerful expression of his own design works: the most common lines are black and white lines and colors. These lines form in his works since 2000, mostly in decorative ways, on the trousers, mostly vertical, and a small number of works are also horizontal; when appearing in the top of the jacket, the line is used to do the cutting design of the style, most of which are to break the horizontal and vertical rhythm of the diagonal line.

These lines are made up of a variety of techniques, such as bead embroidery, suture, silk reclaiming, fabric spacing, linear patterns and decorative joints.

Such a rich way is only to enhance the language of the line in the works.

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< p > however, in the 2002, Zhang Zhaoda's work was obviously more complicated in structure, and the fabrics used were more abundant. He used fur in many places, and his design work was relatively calm.

Compared with the color aspect, the works in 2000 are more pure and spectacular.

In online applications, he used more curves.

For example, the lotus leaf, overlapping lantern sleeves and overlapping peaks of a href= "http://xm.sjfzxm.com/" > lantern skirt < /a > is his important form in the "desert show" in 2003.

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In the series of works of the Forbidden City in the 2004 P, he began to form a brisk combination of straight lines and curves. Although the inspiration came from the magnificent and heavy shape of the palace buildings, he expressed it relatively stylish and lightsome.

In the process of showing a more diversified side.

For example, the pattern of blue and white porcelain is printed with silk printing and dyeing. The content of the carved column is embodied in the process of sewing and fabric remaking.

And many styles of modern seven heavy pants are used in style.

This contrasts sharply with the style of straight pants used in his 2000 show.

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< p > and he expresses a design theme which is very divergent thinking. For example, in the series of Forbidden City themes in 2004, he not only searched for some important inspiration inside and outside the Imperial Palace, but also played a certain imagination. It made the appearance of the film with cloth and wrapped it on the clothes, showing a historical record.

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Generally speaking, since 2000, the theme of Zhang Zhaoda's release series has been highlighted, the color application is very fashionable, and he has been very vigorous and forceful in the application of lines.

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< p > Zhang Zhaoda's very good tonal is blue and red. Besides these two tones, he is very good at using black and white and yellow brown.

These hue and his Chinese paintings are used in the tone.

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< p > if the traditional Chinese thought is used to evaluate his habit of using color, it is the rule of yin and Yang, the five element rule.

Zhang Zhaoda himself evaluated the fashion week design in 2005, saying: "Xishuangbanna has lost many of its previous oil fumes."

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< p > indeed, like the works of Zhang Zhaoda in the past years, today's < a href= "http://sx.sjfzxm.com" > Xishuangbanna series < /a > expresses a kind of scenery, a kind of custom in specific time and space, but the source of inspiration is relatively reduced, so the work is more tension and retractable, and closer to a childlike state.

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< p > in his works, you can see the simplicity in the beauty and magnificence, and also see the scenery: the mountains and mountains with overlapping mountains and the streams of snake and snake, the characteristic buildings, the simple folk customs, the history of the past, the vigorous battles, or the achievements of a generation of Ming kings, and the passionate years and ordinary youth that ordinary people have gone through.

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< p > If a designer is a diamond, it will radiate a dazzling light by polishing every aspect of his face.

But all this is only the most ideal, the most natural and the most effective aspect of the designer.

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< p > many glittering prisms are designed to spend a lifetime practicing, but this is a rule.

Only by knowing this kind of rule and understanding this kind of regulation, can we go through this rule without going astray.

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< p >, therefore, the first question that comes to Zhang Zhaoda's studio is the theme of his life. The trajectory of a person carries an era. What we need to understand is what may happen in a time and space.

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