Quilting Technology Has Gone Through 200 Years Of Extraordinary History.

< p > quilting technology is quite related to fashion industry.

As we all know, cocoa Chanel began to use quilting technology in 2.55 handbags in 1955.

Mr. Christine Dio, inspired by a chair of Napoleon III, designed the most famous Dior Cannage, and used it in the classic handbag Lady Dior, so that the handbag became the favorite of royalty and stars.

Since then, quilted texture has always been an element of < a target= "_blank" href= "http://www.91se91.com/ >" designer /a ".

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< p > in the Alexander Wang 2012 autumn and winter series, designers brought a handsome quilted cloak.

Balenciaga's Black Diamond stitching leather jacket is the star's favorite.

In the early autumn series of 2013/14 Christopher Kane and Stella McCartney, we once again saw the revival of this ancient craft.

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< p > in fact, quilting was once a product of people's life.

In colonial America, good quality fabrics were hard to get. Early settlers had to collect leftover materials and make blankets by hand quilting as a necessity for warmth.

In the last century's European family, quilting < a target= "_blank" href= "http://www.91se91.com/" > textile > /a "was regarded as the standard to measure the maternal love and wisdom of the hostess.

Most quilting work is done by female members of the family or oppressed slaves.

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Less than P, no one would have thought that the sewing technology originally used to keep warm is now an opportunity to enter the room.

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In March 15th, the Broolyn Museum in New York began to hold an exhibition called "hand work: invisible workers and the history of < a href=" http://www.91se91.com/news/ "quilt /a > works" in P.

The curator Catherine Morris (Catherine Morris) selected 35 historic quilting works from the United States and Europe from the decorative works of the collection, showing us the development of quilting technology.

From the 1790s "streetscape" which was sewn out of linen, the grid design of silk and velvet in 1880, to 1995's Anna Williams's cotton paper windmill, the museum's catalogues and the writing instructions on the wall show us how different fabrics can be displayed by quilting skills at different times in the Williams.

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< p > in a quilted hand called "a href=" http://www.91se91.com/news/index_c.asp "rags < /a > collage (Crazy Quilt), one fine flower is bloomed on black silk fabric through embroidery.

The creation of this hand before and after 1880 is the creation of Mary A.Stinson from the United States.

Marie used quilting technology to make the colors of his hands more hierarchical so that the flowers looked three-dimensional.

The quilted hand of a painting theme (Pictorial Quilt) shows us the scenes of life in the rural areas of England or Ireland in the late eighteenth Century.

On cotton printed fabrics, the creators embroidered a small number of carefully dressed little people with embroidery. Some of them were dancing, others were chatting, and quilting technology produced the effect of diverging from inside to outside.

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< p > another quilting hand, known as "a target=" _blank "href=" http://www.91se91.com/ "> dress /a > fabric (Whole-Cloth Quilt), is also very interesting. The creators portray the portrait of the seventh president of the United States as" a "," a "and" a ".

Catherine, the curator, said: "at that time, women expressed their political positions by choosing these hands.

This cloth should be printed during Andrew Jackson's service, and the phrase "a wise man in peace, a winner in war" also suggests that fabric producers support the president.

Catherine said that in addition to observing the development of the a href= "http://www.91se91.com" quilting technology < /a > over the past two centuries, we can also see the impact of these hands on feminism.

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