Check The Main Difference Between Flag And Cheongsam

< p > Qipao originated from the robe of the banners, and Beijing was the largest place where the banners lived. So until the end of the Qing Dynasty and the beginning of the Republic of China, cheongsam belonged to Beijing culture.

The banners of the Qing Dynasty include men's robes and women's robes, but because Qipao are women's garments, they can also be said that Qipao is derived from the robe of a flag girl.

At the beginning of the Qing Dynasty, the robe of the flag girl, which was thin, tight, tight and slim, was enlarged and mattress at the end of Qing Dynasty.

After the revolution of 1911, the banners overthrew their robes and wore gowns and trousers. Therefore, in twentieth Century, there were few cheongsam in the 10 years, and there was a slight recovery in 20s.

Cheongsam has undergone qualitative changes after the change. The main place for this change is Shanghai.

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< p > there are three main differences between the Qing Dynasty flag and the cheongsam of the Republic of China: the Qing Dynasty flag "/p".

< p > the flag is wide and straight and does not reveal the form; the cheongsam of the Republic of China opens the province and waits the waist, showing the posture or the feminine curve.

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< p > the trousers are displayed in the flag, the trouser legs can be seen in the slit, and the underwear and stockings are in the cheongsam of the Republic of China, and the legs are exposed at the slit.

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< p > the most commonly used fabrics are heavy woven brocade or other jacquard fabrics, which are cumbersome in decoration. In the Republic of China, Qipao fabrics are lighter, more printed fabrics and simpler decorations.

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The difference between these three points is that P has undergone a qualitative change in traditional cheongsam from a traditional robe to a new variety that can be compared with western dress.

The gown is a coat. It is a kind of clothing that emphasizes function (cold, shelter, identity, etc.). Its aesthetic meaning is traditional implicative.

Skirts, French robe or one-piece dress in English, although they also have the same historical and functional tradition as Chinese robes, show the female body curve is also one of its long tradition. Modern skirt has strengthened this characteristic, from implicit, idealized, partial performance to exposure, sexy and whole body performance.

The performance of modern western skirt shows that the cheongsam of the Republic of China is incomparable.

After the founding of new China, the number of women wearing cheongsam declined sharply.

A famous person once said regrettably, "for a woman with a better figure, it is a great loss to wear a cheongsam." < /p >

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In 1911, the storm of the revolution of 1911 broke out, overthrowing the rulers of Manchu, destroying the last feudal dynasty in Chinese history, eliminating the political obstacles for the popularization of western style clothing in China, and throwing aside the traditional harsh ethics and the concept of weathering, and lifting the shackles of hierarchy in the system of service.

The free pformation of clothing towards civilians and internationalization has come to an end, and the cheongsam has thus lifted the traditional heavy burden.

Because of the demise of Manchu ruling regime, cheongsam wears very little at this time.

Western style Chinese dress is bustling and mixed.

The old flag robe was abandoned and the new cheongsam was started in the troubled times.

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< p > the beginning of the Republic of China -- cheongsam quietly passing through.

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In the early twentieth Century, the political situation in China was p.

The revolution of 1911 abolished the monarchy, founded the Republic of China, cut off braids, made it easy to serve colors, destroyed and destroyed, overthrew the feudal rulers of Manchu, and sent the crown and rank system belonging to the feudal dynasty into the Museum of history, all of which created conditions for the extension of the new cheongsam.

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After P revolution, the characteristic costumes of "Dala" and "flower pot bottom" disappeared overnight.

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In 1924, when the last emperor Pu Yi was excommunicated from the Forbidden City, the crown costume became a masterpiece in the Qing Dynasty. P

Before and after 1920, the spring tide of the new culture movement awakened people's desire for beauty.

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During the period of "P", Shanghai became a new display platform for women to dress up. The pursuit of fashionable and fashionable clothes became the prevailing social fashion. Fashionable women had double sensitivity to politics and fashion.

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< p > by Japanese style < a href= "http://www.91se91.com/news/index_c.asp > > dress < /a >, in the early 1910s and early 20s, the" civilized new clothes "became popular, and the black skirts of female students and female teachers became fashionable.

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< p > 20s - big sleeves and new styles.

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In the early 1910s and early 20s, there was a "civilized new dress" among urban women in P.

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< p > 30s - golden age < /p >

< p > 40s - golden age < /p >

The process of "P > Qipao to the classics has been basically completed in 30s, and 40s is the continuation of its golden age in time.

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From P to 20s to 40s, it is the most brilliant period in modern China's < a href= "http://www.91se91.com/news/index_c.asp" > women's wear > /a ", and 30s is the peak of this period.

At that time, Qipao laid an irreplaceable important position on the stage and became a typical representative of Chinese women's wear.

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After entering P in 30s, the cheongsam style is perfect and mature. It can be called classic. It makes it difficult for the cheongsam to jump out of the shape of the cheongsam.

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"P", known as the cheongsam of the world, is called the Chinese dress Qipao (Shanghai style cheongsam), in fact, it refers to the cheongsam in 30s.

Cheongsam culture was completed in 30s, and 30s is the golden age of cheongsam.

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< p > it can be said that at this time China has the real fashion, the fashion in the modern sense.

The importation and importation of foreign materials, the clothing columns that have been opened by newspapers and magazines, and the beautiful calendar of fashionable calendar beauties, all undoubtedly promote the emergence and popularity of fashion.

As the cheongsam's slender fitness just caters to the thin and exquisite figure of Southern women, it is very popular in Shanghai.

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The Shanghai style cheongsam with the characteristics of western style clothing (P >) soon became popular in Shanghai from all over the country.

In this way, as the important representative of Shanghai style culture, the cheongsam of Shanghai style became the mainstream of Cheongsam in 30s. The cheongsam in 30s, also known as the cheongsam of Shanghai style, is the mainstream of cheongsam.

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< p > in the late 30s, the improved "a href=" http://www.91se91.com/news/index_f.asp "Qipao" /a "also adopted the western style cutting method on the structure, which made the robes fit more appropriately.

Although the cheongsam is born out of the Qing banner gown, it is quite different from the old system, and becomes the standard clothing of modern Chinese women with the characteristics of Chinese and Western dress.

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At the beginning of the founding of the people's Republic of China, P's pursuit of dress beauty has completely pformed into a craze for revolutionary work.

The leisurely and comfortable lady's image represented by cheongsam has lost its living space in this atmosphere.

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