Designer'S Inspiration Is Exhausted And Forced To Liangshan.

The inspiration is exhausted, designers are far away from the spring. We can certainly praise the 2008Dior autumn winter embroidered white short skirts, which are very characteristic of the New York movie making era. But with a slight recall of the knobs forward for several years, Paris's home court in 2003 is basically the same tune.

As for those hippy Baotou napkins, Monroe's rhyme skirt, exaggerated large collar and black waist waist...

To be honest, anyone will feel so familiar.

As usual, this season's advanced customization still encountered many criticisms: Alessandra Facchinetti's new helmport Valentino's first season works were still cast with the shadow of Tom Ford; the Christian Lacroix remained the same magic in the autumn and winter of 08, but at the same time, the real wear is still being questioned, and you will find that even in the palace drama of six years ago, he hasn't changed much even the shoulder lines. Alexis Mabille combined with the tailoring of men's clothing is interesting, but do you really think that "witty, casual" will match the "high-grade custom" sign?

And more than one of my friends who went to see show complained that they almost thought they were mistaken in Wakubo Rei's fitting room.

The wedge and shoes, which are full of crystal and diamond, are all the last ones of last season.

Designers encounter the bottleneck of the design is nothing more than these two: the best of all.

The inspiration and the compromise of inspiration are equally sad for designers.

It is the responsibility of the fashion media to recommend good fashion and improve the aesthetic taste of readers.

The reality is that even if Isabella Blow promoted Alexander Mc Queen, it would still be difficult to escape from the numerous entanglement of human relations, which led to the development of Vogue Homme full of Tom Ford works, and the establishment of the "post Gucci era" and "post" era of TomFord, when almost no one pointed out how bad his straight trouser legs were, and how his collar collar sweater could not withstand scrutiny.

Ten years ago, many people knew how to judge the good and bad of a fashion. Now ten years later, the media is just as good as the media.

The pressure of designers has been much heavier than before.

Cruel public opinion destroys the advanced customization of tomorrow.

Master CFDA and the negative Scandals: the award of the best designer award to Francisco is a loud slap on Marc Jacobs.

JeanPaul Gaultier's affection has always been unrestrained, and it doesn't matter what the outside world thinks of him.

Mr. YSL's luck is that he has unearthed Stefano Pilati as a successor at all times, so that the brand of YSL will not be pushed into the dust of history after his death. The designer's private life directly affects the fashion design itself, which is enough for the fashion industry to lose face. In the past two years, a number of masters have passed away, and the current situation of the uninterrupted ones has further pushed the development of advanced customization to a dead end.

John Gal Liano, JPG, Hedi Slimane also can not afford the "master" burden, wearing "ghosts" coat, they need more time to verify the classics; Viktor&Rolf, Naoki Takizawa, Alessandra Facchinetti are still young after all. If you want to set up your own door, you will have to spend a few more years. Counting fingers, it seems that only a few old masters such as "Tan" and "Qi" and so on have crossed the era. Only in order not to let the world neglect their advanced customization, they have exhausted all their efforts, but they can not retire until their offspring are fully grown up.

Despite the endless cynicism of the declining economy and declining aesthetics, there is no sense of regret in the face of many bottlenecks: the brand does not allow them to repent, the audience does not allow it, the media does not allow it, and the arrogance of the entire fashion world is not allowed to repent.

So we can only see that there are only thirty endangered species of crocodiles in the world. They can only be seen as bags. Only plants grown in a small country in Africa can be made into new dress fabrics. One is worth fifty years of living expenses for poor families, and it has been put on the corner of the coat.

In the face of the global shortage of resources and the worsening of the environment, it has become a pressing matter of the moment. Now, without thinking about the use of rare and luxurious materials to finish boring works, is this fashion really necessary for its existence?